AFTER LEAVING INSIDE'S MAIN HEADQUARTERS, WE WENT OVER TO WHAT IS NOW KNOWN AS NICOLE BROWN SIMPSON'S CONDO AND THEN ALSO OVER TO O.J.'S HOME.
NOW, WHEN YOU WENT TO NICOLE BROWN SIMPSON'S CONDOMINIUM, WAS THAT THE LOCATION OF 875 SOUTH BUNDY?
OKAY. AND THERE IS SOME FOOTAGE I'M GOING TO SHOW YOU. BEFORE I DO, LET ME ASK YOU, SIR, THE FOOTAGE THAT WILL BE SHOWN TO YOU, HAVE YOU VIEWED THAT IN MY OFFICE WITH ME?
THERE ARE PIECES CUT OUT. THE FOOTAGE HAS BEEN EDITED BUT IT TELLS THE STORY BASICALLY IN CHRONOLOGICAL ORDER.
101. PEOPLE'S 101, YOUR HONOR. ALL RIGHT. MR. SMITH, THERE IS A MONITOR RIGHT THERE FOR YOU TO VIEW.
YES, I DO. CURRENTLY WE ARE ACROSS THE STREET AS NO CAMERAMEN WERE PERMITTED TO GO ACROSS THE STREET. THEY HAD US ALL BASICALLY STATIONED ON THE OPPOSITE SIDE OF THE STREET.
BASICALLY ON THE EAST SIDE OF BUNDY. THERE WERE A COUPLE GUYS ACROSS THE STREET DOWN TOWARDS I GUESS THAT WOULD BE THE SOUTH SIDE AND THEY WERE MAKING THEIR WAY TO THE EAST SIDE.
OKAY. SO THEN THE CRIME SCENE TAPE SHOT -- THE SHOT OF THE CRIME SCENE -- THE SHOT OF THE CRIME SCENE TAPE COMING DOWN, THAT WAS THE FIRST THING THAT OCCURRED?
I'M STANDING ACROSS THE STREET. WELL, ACTUALLY I GUESS THAT WOULD BE THE WEST SIDE AFTER THE TAPE WENT DOWN AND I'M PRETTY MUCH STANDING ON THE GRASS.
AND CAN WE RUN THAT THROUGH ONE MORE TIME, PLEASE. SO WHILE THE CRIME SCENE TAPE WAS STILL UP, SIR, WHERE WERE ALL THE CAMERAMEN AND NEWS CREWS AND THE MEDIA?
A LOT OF MEDIA HAD LEFT AND I GUESS HEADED OVER TOWARDS ROCKINGHAM, BUT THE MEDIA THAT WAS THERE AT THAT TIME WAS BASICALLY ACROSS THE STREET. WHEN THE TAPE WENT DOWN I JUST BASICALLY INSTINCTIVELY WENT ACROSS THE STREET AND STOOD ON THE GRASS, BECAUSE THEN YOU CAN APPROACH A CRIME SCENE.
SO THE FIRST TIME ANY CAMERAMEN WERE ALLOWED TO GET CLOSE TO THE CRIME SCENE WAS AFTER THE TAPE CAME DOWN?
AFTER THE TAPE CAME DOWN AT THE TIME, YOU KNOW, THAT I WAS THERE, WE WERE ALL STATIONED ACROSS THE STREET, AND WHEN THE TAPE CAME DOWN, AGAIN THAT IS WHEN WE WERE ALLOWED TO COME OVER BY THE CRIME SCENE.
BY MS. CLARK: DO YOU RECALL HOW LONG YOU HAD BEEN THERE WHEN THE CRIME SCENE TAPE CAME DOWN?
BY MS. CLARK: ALL RIGHT. WHERE ARE YOU STANDING WHEN THIS PART OF THE TAPE -- IF YOU COULD STOP IT HERE -- WHEN THIS PART OF THE TAPE IS BEING SHOT?
ALL RIGHT. EXCUSE ME, MISS CLARK. MISS CLARK, I'M SORRY, THE FIRST PORTION THAT MR. SMITH ANSWERED TO WAS THE OFFICER WHO WAS ROLLING UP THE CRIME SCENE TAPE.
AT THIS POINT THE CRIME SCENE TAPE -- IS THIS SHOT AFTER THE CRIME SCENE TAPE HAS COME DOWN?
UMM, APPROXIMATELY -- I'M EITHER RIGHT ON THE GRASS OR RIGHT BY THE CURB ON THE WEST SIDE OF BUNDY.
THE RECORD SHOULD REFLECT THAT THE WITNESS IS REFERRING TO A PORTION OF THE TAPE WHERE IT APPEARS THAT THERE IS A CHILD LEANING OVER ROLLER BLADING PAST THE WESTEC SIGN.
ALL RIGHT. AT THIS POINT, SIR, CHRONOLOGICALLY SPEAKING, DOES THIS EVENT OCCUR AFTER THE CHILD IS ROLLER BLADING?
AND FOR THE RECORD BY "THIS" I'M REFERRING TO THE PORTION OF THE TAPE WHERE ONE OFFICER IS WALKING DOWN THE WALKWAY, THERE IS A BLOODY SHEET ON THE GROUND AND THERE IS ANOTHER OFFICER IN THE BACKGROUND WALKING IN THE SAME DIRECTION, BOTH OF THEM WALKING EAST ON THE WALKWAY?
OKAY. NOW, WAS THERE ANYTHING -- WE EXAMINED -- YOU RECALL AS YOU TESTIFIED EARLIER, WE EXAMINED THIS TAPE IN MY OFFICE TOGETHER ON AN EARLIER OCCASION?
WAS THERE FOOTAGE THAT YOU FILMED BETWEEN THE LITTLE BOY ON THE ROLLER SKATES AND THESE OFFICERS COMING DOWN THE WALKWAY THAT IS NOT SHOWN HERE?
UMM, BASICALLY BECAUSE I SHOT A LOT OF IT AND IT IS EDITED TO WHERE THE IMPORTANT PART WAS THAT HE TOOK THE TAPE DOWN AND THE NEXT IMPORTANT PART WAS IT WAS STRANGE TO SEE A CHILD SKATING BY, THAT KIND OF THING. WHAT TRANSPIRED IN BETWEEN, THOSE WOULD BE CLOSE SHOTS OF OFFICERS AND CLOSE SHOTS, DIFFERENT SHOTS, SO THAT YOU CAN CUT UP AND MAKE A PROGRAM WITH, SO YES, THERE ARE -- I HAD CAMERA ROLLING AT DIFFERENT TIMES.
AND IF YOU COULD TELL US, SIR, AS RE-ROLL THE TAPE NOW, WE ARE GOING TO ROLL IT SLOWLY, IF THERE IS ANOTHER CUT.
UMM, IN MY BEST RECOLLECTION ALL I PRETTY MUCH SAW IS PRETTY MUCH WHAT YOU SEE HERE. I DIDN'T REALLY -- I CAN'T SAY I REALLY REMEMBER FLIES.
WHAT WAS -- WHAT WERE YOU TRYING TO FOCUS ON HERE? WAS THERE A PARTICULAR -- OTHER THAN OBVIOUSLY THE CRIME SCENE AND THIS IS BLOOD, WAS THERE SOMETHING THAT PARTICULARLY YOU WERE TRYING TO SHOW THAT DREW YOUR ATTENTION?
THE ONLY THING HERE IS TO MAKE SURE I GET A CLOSE-UP SHOT OF THE WHITE BLANKET WITH THE BLOOD SO THAT YOU CAN -- IF THEY CHOSE TO, THEY COULD CUT TO IT AND BASICALLY SHOW IT IN MORE DETAIL.
IN THE UPPER, I WANT TO SAY RIGHT-HAND CORNER KIND OF IN THE UPPER RIGHT-HAND TILE OF THIS FRAME, AND FOR THE RECORD THE FRAME I'M NOW DESCRIBING IS SHOWING THE BLANKET AND THE FIRST STEP OF THE STEPS THAT GO FROM THE WALKWAY UP TO THE LANDING, WHAT APPEARS TO BE A -- OH, THANKS. CAN YOU LOOK AT THE SCREEN, SIR, AND I'M GOING TO DIRECT -- LOOK AT THE RED DOT.
YEAH, I SEE THE RED DOT. I CAN BARELY MAKE OUT THE SCREEN, BUT I CAN SEE THE AREA THAT YOU ARE CIRCLING AND THE TILE, OKAY.
ALL RIGHT, SIR. I'M GOING TO SHOW YOU TWO PHOTOGRAPHS, ONE OF WHICH HAS BEEN MARKED AS PEOPLE'S 57 AND ONE OF WHICH HAS BEEN MARKED AS DEFENDANT'S 1011 AND ASK YOU --
OKAY. CAN YOU TELL ME, FIRST OF ALL, SIR, IF THOSE APPEAR TO BE BASICALLY THE SAME PHOTOGRAPH, ONE LARGE -- ONE LARGER THAN THE OTHER, ONE SHOWING THE LOGO AND ONE IN WHICH THE LOGO IS BLOCKED OUT?
OKAY. AND CAN YOU TELL US, SIR, WHETHER OR NOT THESE ARE STILL SHOTS TAKEN FROM THE VIDEO THAT YOU FILMED THAT WE HAVE JUST BEEN LOOKING AT?
OKAY. AND IF YOU COULD LOOK AT YOUR MONITOR, SIR, THE FRAME THAT IS NOW BEING SHOWN, DO THESE APPEAR TO BE STILLS, THE STILL FRAME FROM THE VIDEO THAT YOU SHOT, THE FRAME THAT IS NOW BEING SHOWN TO YOU?
AND SO IF WHAT YOU SHOT AND WHAT IS SHOWN IN THIS TAPE IS ALL IN CHRONOLOGICAL SEQUENCE, THIS PARTICULAR SHOT, WHICH IS A STILL OF WHICH IS SHOWN TO YOU IN PEOPLE'S 57 AND DEFENSE 1011 OCCURRED AFTER THE CRIME SCENE TAPE WAS TAKEN DOWN?
WHEN THE TAPE WENT DOWN I JUST BASICALLY INSTINCTIVELY WENT ACROSS THE STREET AND STOOD ON THE GRASS, BECAUSE THEN YOU CAN APPROACH A CRIME SCENE.
IT IS BASICALLY A LARGE AMOUNT OF BLOOD, COAGULATED BLOOD.
THE FOOTAGE HAS BEEN EDITED BUT IT TELLS THE STORY BASICALLY IN CHRONOLOGICAL ORDER.