ALL RIGHT. LADIES AND GENTLEMEN, THERE'S ONE OTHER MATTER I NEED TO VIEW BEFORE I DETERMINE WHETHER OR NOT IT'S GOING TO BE SHOWN IN COURT. I'M GOING TO ASK YOU TO STEP BACK INTO THE JURY ROOM. THIS SHOULD ONLY TAKE ABOUT FIVE OR 10 MINUTES. AND, OFFICER RISKE, LET ME ASK YOU TO STEP DOWN AND WAIT IN THE HALLWAY, PLEASE.
THE RECORD SHOULD REFLECT ALL THE JURORS HAVE WITHDRAWN FROM THE COURTROOM. MR. COCHRAN, WHAT DO YOU HAVE TO SHOW US?
YOUR HONOR, I ASKED MR. HARRIS TO PUNCH THIS IN. DOING IT MANUALLY, IT'S DIFFICULT TO BRING OUT, BUT THERE'S SOME EXHIBITS I WOULD LIKE TO SHOW THIS PARTICULAR OFFICER. SO CAN WE DEMONSTRATE THAT? MR. HARRIS.
14, YOUR HONOR. THAT'S THE ENVELOPE. ALL THAT DEMONSTRATES IS THE MOVEMENT OF THE ENVELOPE. SHOW THE FIRST ONE AGAIN, MR. HARRIS.
MR. HARRIS, WHAT'S THE NEXT FRAME AFTER THIS? IS IT POSSIBLE TO TAKE OUT THE STILL AND SEARCH WRITING ON THAT?
THAT'S WHAT IT COMES UP, AND YOU HAVE TO DO IT MANUALLY UNFORTUNATELY. I CAN DO IT WHILE YOU'RE LOOKING AT IT.
PART OF THE PROBLEM IS THAT THE DEFENSE IS RUNNING OFF THEIR LASER DISC. THEIR LASER DISC IS NOT HOOKED UP TO THIS PARTICULAR PRINTER. SO I CAN NOT MAKE A PRINT COPY OF THIS PARTICULAR PHOTO.
THAT'S A PRINT FROM THE ELMO. 2, PLEASE. LET'S SEE IF I CAN GET A PHOTO PRINT OF THIS. YOUR HONOR, I'LL ATTEMPT TO PRINT, BUT I DO BELIEVE THAT IT WILL SHOW THAT, THESE SEARCH CODES ON THEM BECAUSE IT'S A DIRECT VIDEO CAPTION.
THIS PARTICULAR COPY SHOWS THE SEARCH, BUT WE THINK WE MIGHT HAVE FOUND A WAY TO PRINT IT WITHOUT THE SEARCH CODE IF POSSIBLE, WHICH WE WILL SEE IN A MOMENT.
THIS PRINT WAS PRINTED WITHOUT THE SEARCH CODE ACROSS IT. SO IT IS A CLEAR PRINT. WOULD YOU LIKE TO SEE THIS?
NO. I'LL TAKE YOUR WORD FOR IT. ALL RIGHT. LET'S PROCEED THEN. I TAKE IT, MR. COCHRAN, YOU'RE GOING TO SHOW TWO DIFFERENT FRAMES, HOPEFULLY PRINT OUT, BUT WITHOUT THE SEARCH CODE SHOWING APPARENT MOVING OF THE ENVELOPE AND THE GLOVE, CORRECT?
WELL, YOUR HONOR, I ONLY HAVE ONE. THERE IS -- I NEED A SECOND ONE OF THE GLOVE. LET ME TALK TO JOHN. MAY I?
THERE ARE THREE, YOUR HONOR, THAT I HAVE THAT I WANT TO SHOW TO COUNSEL AND THEN SHOW THEM TO MY CLIENT. THEN I WILL BE IN A POSITION TO PROCEED. ONE OF THEM IS THE GLOVE. CAN I HAVE A SECOND WHILE HE'S TRYING TO GET THE LAST ONE, THE OTHER ONE WITH THE GLOVE?
COUNSEL, YOU'VE HAD AN OPPORTUNITY TO LOOK AND SEE WHAT THE DEFENSE INTENDS ON PRODUCING. ANY COMMENT?
THERE'S ONE WITH THE GLOVE THAT'S BEEN MOVED. I'M JUST TRYING TO FIND THAT ONE. I THINK THAT ONE I HAVE.
THIS IS THE SAME THING THAT MR. COCHRAN'S BEEN DOING THROUGHOUT THIS TRIAL. THIS IS ANOTHER DISTORTION. THIS IS ANOTHER DECEPTION BECAUSE WHAT HE IS TRYING TO SHOW THIS JURY IS THAT THERE WAS SOME NEFARIOUS, SINISTER AGENCY AT WORK HERE IN MOVING THE EVIDENCE. IN FACT, THAT IS TOTALLY FALSE. WHAT YOU CAN TELL IF YOU LOOK IN THE PHOTOGRAPHS WHERE HE CLAIMS EVIDENCE WAS MOVED IS THAT THERE WERE PHOTO NUMBER TAGS AND THE BODIES HAD BEEN REMOVED. AS MR. COCHRAN HAS ELICITED IN CROSS-EXAMINATION HIMSELF, IT IS A VERY TIGHT SPACE. AND WHEN MR. GOLDMAN'S BODY HAD TO BE MOVED, IT IS NATURAL THAT SOME OF THE EVIDENCE AROUND THE BODY WHICH WAS CLOSELY LOCATED TO THE BODY LIKE THE GLOVE, WHICH WE CAN TELL IN THE PHOTOGRAPHS WHERE -- MATTER OF FACT, CAN YOU PULL THAT UP, PLEASE? THE PHOTOGRAPH IN WHICH BEFORE MR. GOLDMAN HAS BEEN MOVED, YOU CAN SEE THAT THE TOE OF HIS BOOT IS RIGHT NEAR THE GLOVE. AS YOU CAN SEE IN THIS PHOTOGRAPH, YOUR HONOR, WHERE THE NUMBER TAG APPEARS, THE BOOT IS NO LONGER THERE AND THAT'S BECAUSE THE BODIES HAVE BEEN REMOVED. IN THE MOVEMENT OF THE BODIES, OBVIOUSLY SOME EVIDENCE WAS DISTURBED AND THAT'S WHY THEY TAKE THE PHOTOGRAPHS BEFORE AND AFTER. AND MR. COCHRAN IS DELIBERATELY TRYING TO MISLEAD AND CONFUSE THIS JURY AND CAUSE PREJUDICE IN THE MINDS OF THIS JURY BY NOT LETTING THEM KNOW THAT WHAT HAS ACTUALLY TRANSPIRED HERE IS THAT THE BODIES WERE REMOVED IN BETWEEN THE TIME THE FIRST AND THE SECOND PHOTOGRAPHS WERE TAKEN.
KEY QUOTEAS USUAL, COUNSEL HAS IT ALL WRONG. I ASKED THIS OFFICER, HER OFFICER WHETHER OR NOT YOU TAKE PAINS NOT TO HAVE EVIDENCE MOVED, AND THAT'S THE QUESTION THAT I ASKED HIM. NOW, I ASKED HIM -- AND THEY CAN MAYBE EXPLAIN THAT ALL THEY WANT. THE EVIDENCE -- HE TOLD ME NO EVIDENCE WAS TO BE MOVED OR EVER MOVED. I'M NOT RESPONSIBLE FOR THIS CRIME SCENE. THEY ARE, YOUR HONOR. IF WE HAVE EVIDENCE IN WHICH IN ONE PHOTOGRAPH, YOUR HONOR, THE GLOVE IS POINTING WITH THE "V" UP AGAINST THE WALKWAY AND THE OTHER'S BEEN TURNED AND MOVED, THE CAP HAS ALSO BEEN MOVED, THEY HAVEN'T SEEN ANYTHING YET. AND SHE'S GOING TO TRY TO EXPLAIN -- SHE THINKS SHE CAN EXPLAIN EVERYTHING AWAY. BY THE END OF THIS CASE, SHE WILL HAVE OFFERED SO MANY EXPLANATIONS, I THINK SHE WILL FINALLY EVEN BE TIRED. SO THAT THIS DOESN'T WORK, YOUR HONOR. SHE CANNOT EXPLAIN EVERYTHING, AND EVERYTHING IS A MISREPRESENTATION. ALL I'VE DONE IS SHOWN A PICTURE, YOUR HONOR, OF THEIR CRIME SCENE, AND THAT'S -- IF THEY CAN'T -- FIRST OF ALL, THEY WAIT -- THEY BREAK THE STATE LAW IN CALLING THE CORONER OUT 10 HOURS LATER.
WAIT, WAIT, WAIT, WAIT, WAIT. MR. COCHRAN, THAT'S KIND OF APPLES AND ORANGES. IT'S KIND OF A WASTE OF MY TIME, ESPECIALLY THIS LATE IN THE DAY.
BUT LET ME ASK YOU A QUESTION. THIS PARTICULAR WITNESS IS A P-2 PATROL OFFICER WHO GETS CALLED TO THE SCENE. HE'S NOT THE DETECTIVE WHO IS IN CHARGE OF THE CRIME SCENE. ALL THIS GUY DOES IS TAKE A LOOK SEE, DECIDES HE'S IN OVER HIS HEAD AND CALLS HIS SUPERVISOR, SECURES THE CRIME SCENE, HERE HE IS. THIS IS NOT THE GUY TO EXPLAIN HOW THE PHOTOGRAPHS WERE TAKEN OR WHAT'S WHERE, AND HE HAS ALREADY TESTIFIED WITH REGARDS TO THE PEOPLE'S EXHIBITS THAT IT APPEARS TO HIM THESE TWO ITEMS HAVE ALREADY BEEN MOVED.
FIRST OF ALL, YOUR HONOR, YOUR HONOR KNOWS HE'S A P-2. THIS LAWYER OVER HERE TRIED TO MAKE HIM SEEM LIKE HE WAS THE MOST CAREFUL OFFICER IN THE HISTORY OF THE LAPD, HOW HE TIPPED AROUND THIS SCENE. SHE WENT THROUGH IT 15 TIMES. SO --
WELL, 10 TIMES, YOUR HONOR. WELL, I WAS OFF BY FIVE. 10 TIMES SHE WENT THROUGH IT, MAKING LIKE THE GREATEST P-2 EVER. THIS JURY DOESN'T KNOW THE DIFFERENCE BETWEEN A P-2 OR WHATEVER, YOUR HONOR. SHE CREATED THIS AURA AS SHE ALWAYS TRIES TO DO THAT, AND NOW I AM GOING TO SHOW THAT THE EVIDENCE WAS MOVED.
HERE'S THE PROBLEM. THIS GUY HAD NOTHING TO DO WITH TAKING THESE PHOTOGRAPHS, NOTHING TO DO WITH COLLECTING THE EVIDENCE AND NOTHING TO DO WITH THE CALLING THE CORONER, NOTHING TO DO WITH SETTING UP THE PHOTOGRAPHS. HE HAD NOTHING TO DO WITH ANYTHING.
WELL, HE DID SEE THE ONE PHOTOGRAPH TAKEN WHERE FUHRMAN IS IN THERE. HE SAID HE WAS PRESENT.
HE WAS PRESENT FOR THAT AND HE SAID THAT THE OTHER THINGS HAD BEEN MOVED. AND THAT'S THE POINT THAT WE ARE TRYING TO MAKE. I DIDN'T MAKE THIS EVIDENCE. THIS EVIDENCE WAS MOVED. NOW, SHE MAY TRY TO JUSTIFY IT ALL WEEKEND, BUT --
WELL, MR. COCHRAN, YOU'VE ESTABLISHED THAT ALREADY WITH THIS WITNESS USING OTHER EXHIBITS. I THINK IT'S AN UNDUE USE OF THE COURT'S TIME WITH THIS WITNESS.
OKAY. ALL RIGHT. WELL, WE HAVE TAKEN THE ENTIRE BALANCE OF THE COURT -- IT'S AMAZING HOW THESE THINGS SORT OF WRAP UP RIGHT ABOUT 4:30. ALL RIGHT. I AM GOING TO INVITE THE JURORS TO REJOIN US. I'M GOING TO SUSTAIN A 352 OBJECTION TO THOSE FOUR PHOTOGRAPHS AS TO THIS WITNESS. ALL RIGHT. LET'S HAVE THE JURORS. AND LET ME SEE COUNSEL WITHOUT THE REPORTER, PLEASE.
THIS IS THE SAME THING THAT MR. COCHRAN'S BEEN DOING THROUGHOUT THIS TRIAL. THIS IS ANOTHER DISTORTION. THIS IS ANOTHER DECEPTION BECAUSE WHAT HE IS TRYING TO SHOW THIS JURY IS THAT THERE WAS SOME NEFARIOUS, SINISTER AGENCY AT WORK HERE IN MOVING THE EVIDENCE.
IF WE HAVE EVIDENCE IN WHICH IN ONE PHOTOGRAPH, YOUR HONOR, THE GLOVE IS POINTING WITH THE 'V' UP AGAINST THE WALKWAY AND THE OTHER'S BEEN TURNED AND MOVED, THE CAP HAS ALSO BEEN MOVED, THEY HAVEN'T SEEN ANYTHING YET.
THIS PARTICULAR WITNESS IS A P-2 PATROL OFFICER WHO GETS CALLED TO THE SCENE. HE'S NOT THE DETECTIVE WHO IS IN CHARGE OF THE CRIME SCENE. ALL THIS GUY DOES IS TAKE A LOOK SEE, DECIDES HE'S IN OVER HIS HEAD AND CALLS HIS SUPERVISOR.
NO. ONLY 10 TIMES.