THE COURT: PART OF THE 352 PROBLEM. (THE FOLLOWING PROCEEDINGS WERE HELD IN OPEN COURT, IN THE PRESENCE OF THE JURY:)
IT WAS ABOUT THIS TIME THAT DETECTIVE FUHRMAN APPROACHED ME IN THE KITCHEN AREA AND STATED THAT --
WE WALKED OUT THROUGH THE SUN ROOM THAT'S ADJACENT TO THE KITCHEN OUT ON THE FRONT DRIVEWAY, WALKED AROUND THE GARAGE TO A WALKWAY THAT BORDERS THE SOUTH SIDE OF THE PROPERTY, AND WE PROCEEDED EASTBOUND DOWN THE WALKWAY TO A POINT THAT APPEARED TO BE BEHIND AND SOUTH OF THE GUEST ROOM OF KATO KAELIN.
DESCRIBE IT AS A NARROW CEMENT WALKWAY WITH A HURRICANE-TYPE FENCE ON ONE SIDE WHICH WOULD BE THE SOUTH SIDE AND THE RESIDENCE ON THE NORTH SIDE. THERE WERE BUSHES AND TREES GROWING UP ALONG THE FENCE AND AGAIN APPEARED TO BE FAIRLY NARROW.
IT WAS LIGHT OUTSIDE. BUT THE DIRECT AREA WAS MORE OR LESS SHROUDED WITH THE SHADOWS OF THE SHRUBBERY AND THE BUILDING.
WELL, AGAIN, IT WAS LIGHT OUTSIDE, BUT THE -- I WOULDN'T CALL IT EXCELLENT LIGHTING. CERTAINLY YOU COULD SEE, BUT IT WASN'T REALLY GOOD.
IT WAS BEGINNING TO GET LIGHT ABOUT THE TIME THAT I WAS THERE AND IT WAS DARKER THAN THE NORMAL I GUESS IF IT WERE IN THE MIDDLE OF THE DAY.
HE TOOK ME DOWN TO A POINT JUST -- AS INDICATED IN THE PHOTOGRAPH HERE, THERE APPEARS TO BE A WALL AIR CONDITIONER COMING OUT OF THE LEFT SIDE OF THE WALL. THAT PARTICULAR AREA IS THE REAR OF KATO KAELIN'S GUEST ROOM. HE TOOK ME TO A POINT JUST THIS SIDE OF THE AIR CONDITIONER (INDICATING).
BY MS. CLARK: ALL RIGHT. YOU INDICATED A LOCATION JUST THIS SIDE OF THE AIR CONDITIONER. DO YOU MEAN BY THAT JUST WEST OF THE AIR CONDITIONER?
IT'S A PHOTOGRAPH LOOKING DOWN THAT WALKWAY IN AN EASTERLY DIRECTION TOWARDS THE AIR CONDITIONER.
YES. THAT'S A -- APPEARS TO BE A DARK BROWN OR BLACK LEATHER GLOVE THAT WAS POINTED OUT TO ME BY FUHRMAN.
KEY QUOTENOW, DO YOU RECALL -- STRIKE THAT. LET ME ASK YOU SOMETHING ELSE. THE GLOVE THAT'S SHOWN IN THIS PHOTOGRAPH, 68-C, IS THAT THE POSITION AND THE CONDITION IN WHICH YOU SAW IT?
I HAD BEEN TOLD WHAT WE WERE GOING TO LOOK FOR, WHAT WE WERE GOING TO LOOK AT AND IT WAS PROBABLY SIX OR EIGHT, MAYBE 10 FEET BEFORE I COULD ACTUALLY DISTINGUISH WHAT IT WAS.
IN ORDER TO GET BACK ON THAT SOUTH SIDE OF THE PROPERTY, SIR, DID YOU HAVE TO PASS THROUGH ANY DOORS OR GATE?
THERE WAS A GATE THAT APPEARED TO BE DILAPIDATED AND NOT NECESSARILY IN WORKING ORDER JUST WEST OF THERE.
HOW MANY GATES WERE THERE TO GET BACK TO THE AREA OF THE AIR CONDITIONER WHERE THE GLOVE WAS?
WHERE WERE DETECTIVE FUHRMAN AND DETECTIVE PHILLIPS WHEN YOU LEFT ROCKINGHAM TO GO BACK TO BUNDY?
BY MS. CLARK: NOW, DO YOU KNOW WHETHER OR NOT -- DO YOU KNOW WHAT DETECTIVE FUHRMAN AND DETECTIVE PHILLIPS WERE SUPPOSED TO DO BACK AT BUNDY?
YOUR HONOR, I OBJECT. CALLS FOR SPECULATION. CALLS FOR HEARSAY, WHAT WERE THEY SUPPOSED TO DO.
BY MS. CLARK: OKAY. DO YOU KNOW -- DO YOU KNOW WHETHER DETECTIVE FUHRMAN AND DETECTIVE PHILLIPS, WHAT THEY WERE SUPPOSED TO DO BACK AT BUNDY?
THEY WERE GOING TO COMPARE THE APPEARANCE OF THE GLOVE AT BUNDY TO THE APPEARANCE OF THE GLOVE AT ROCKINGHAM TO SEE IF IN FACT IT MAY BE A MATCH.
KEY QUOTEBY MS. CLARK: SO WHEN YOU LEFT IN THE BLACK AND WHITE TO GO TO BUNDY, WHAT DID DETECTIVE VANNATTER DO?
WELL, YOUR HONOR, I THINK IT SOUNDS LIKE THE FUTURE TO ME; WHAT DID HE DO. BUT I'LL DEFER TO YOUR JUDGMENT.
ALL RIGHT. WHEN YOU ARRIVED BACK AT 875 SOUTH BUNDY, SIR, DID YOU SEE DETECTIVE PHILLIPS OR DETECTIVE FUHRMAN THERE?
I ASKED DETECTIVE PHILLIPS TO CONTACT THE L.A. COUNTY CORONER'S OFFICE TO MAKE A FIRST CALL NOTIFICATION.
FIRST NOTIFICATION OF THE CORONER'S OFFICE INDICATES A -- BASICALLY WHAT WE HAVE IN THE FIELD AS FAR AS NUMBER OF VICTIMS, A GENERAL RUNDOWN ON ANY INFORMATION WE HAVE AND A POSSIBLE TIME ESTIMATE AND WHEN WE REQUIRE THEM TO BE AT THE LOCATION.
THE PURPOSE OF THAT IS TO ALLOW THE CORONER'S OFFICE TO HAVE PERSONNEL AVAILABLE WHEN THEY'RE NEEDED.
OBJECTION. CALLS FOR SPECULATION. THE CORONER'S BUDGET IS NOT RELEVANT TO THIS CASE.
CAN YOU NARROW -- LET'S NARROW IT DOWN. CAN YOU NARROW DOWN YOUR QUESTION? IT COULD BE A JILLION THINGS.
BY MS. CLARK: YOU INDICATED I THINK TO MINIMIZE DELAY IN THE RESPONSE OF THE CORONER'S OFFICE?
WELL, THAT MAY BE ONE OF THE REASONS. THEY NEED TO DEPLOY THEIR PEOPLE PROPERLY. I DON'T THINK THEY COULD SEND OUT -- THEY NEED TIME TO PROPERLY HAVE PEOPLE AVAILABLE, HAVE EQUIPMENT AVAILABLE TO RESPOND TO HOMICIDES. IF WE WERE TO WAIT UNTIL THE LAST MOMENT AND OKAY, WE NEED YOU KNOW, THERE'S A POSSIBILITY THAT WE COULDN'T GET ANYONE TO RESPOND BECAUSE THEY WOULD BE TIED UP ELSEWHERE. THEY NEED TO BE CONCERNED WITH THEIR DEPLOYMENT.
OKAY. WHAT'S YOUR CONCERN? WHY DO YOU MAKE FIRST NOTIFICATION AND NOT TELL THEM TO COME STRAIGHT OUT TO THE SCENE?
BECAUSE I AM CERTAINLY CONCERNED FOR THEIR DEPLOYMENT ALSO. HOWEVER, I DON'T TELL THEM TO COME TO THE SCENE BECAUSE I HAVE WORK TO DO.
WELL, PRIOR TO THEM BEING REMOVED, I NEED TO PHOTOGRAPH AND MEASURE THE BODIES IN POSITION RELEVANT TO THE OTHER EVIDENCE AT THE CRIME SCENE. I NEED TO EXAMINE THE BODIES WITHOUT TOUCHING THEM. I NEED TO BASICALLY DO A CRIME SCENE INVESTIGATION FIRSTLY WITH THE BODIES IN POSITION.
OKAY. AND SO DO YOU -- HOW DO YOU PRESERVE OR DOCUMENT THE POSITION OF ALL THE EVIDENCE AND THE BODIES BEFORE THE CORONER COMES?
IN SOME PHOTOGRAPHS, WE SEE NUMBERS, NUMBER TAGS BY EACH OF THE ITEMS OF EVIDENCE AND IN OTHER PHOTOGRAPHS WE DON'T. CAN YOU TELL US WHY THAT IS?
THE PHOTOGRAPHS THAT DO NOT HAVE TAGS WERE TAKEN WITH THE BODIES IN POSITION. THE PHOTOGRAPHS WITH THE TAGS ARE TAKEN UNDER THE DIRECTION OF THE CRIMINALIST WITH THE PHOTOGRAPHER SUBSEQUENT TO THE REMOVAL OF THE BODIES IN THOSE CASES.
NOW, IN THIS CASE, SIR, IF YOU KNOW, WHEN YOU FIRST GOT TO THE SCENE AT BUNDY AT ABOUT 4:30 IN THE MORNING, WAS THE PHOTOGRAPHER ALREADY THERE?
DID HE REMAIN THERE AT THE BUNDY LOCATION, THE PHOTOGRAPHER THAT IS? SO HE REMAINED THERE WHEN THE FOUR OF YOU LEFT TO GO TO ROCKINGHAM AT ABOUT 5:00 IN THE MORNING?
NOW, WHEN YOU GOT BACK TO BUNDY, DID YOU HAVE ANY FURTHER INVOLVEMENT WITH THE PHOTOGRAPHER AT BUNDY?
DID YOU DIRECT HIS ATTENTION TO ANY PARTICULAR PIECES OF EVIDENCE OR LOCATIONS OF THE CRIME SCENE?
DIRECTED HIS ATTENTION TO PIECES OF EVIDENCE WITHIN THE CRIME SCENE, THE BODIES THEMSELVES, POSITIONING OF THE BODIES, EVIDENCE THAT I OBSERVED ON THE BODIES, THEIR RELATIVE OVERALL DISTANCES TO OTHER OBJECTS AT THE SCENE.
WHERE DID YOU BEGIN WITH YOUR OBSERVATIONS AND THE DIRECTING OF THE PHOTOGRAPHY, IF YOU RECALL?
NOW, ON THE DATE OF JUNE THE 13TH, WHEN YOU WERE CONDUCTING THE INVESTIGATION, SIR, CAN YOU TELL US WHAT WAS THE VISIBILITY OF THE BODY OF NICOLE BROWN FROM THE STREET AREA?
AND WHAT WAS THE VISIBILITY OF HER BODY FROM THE STREET AREA AT THAT TIME WHEN YOU FIRST CAME TO THE SCENE AT 4:30?
OBJECTION. THIS IS SPECULATIVE. WITHOUT FURTHER FOUNDATION, IT'S SPECULATIVE. THERE'S NO FOUNDATION.
UNLESS ONE KNEW WHAT THEY WERE LOOKING FOR, IT MAY BE VERY DIFFICULT TO JUST SEE THE BODY FROM THE STREET OR THE SIDEWALK.
KEY QUOTENOW, IS THE LOCATION OF 875 SOUTH BUNDY IN TERMS OF THE FOLIAGE ANY DIFFERENT NOW AND ON THE DATE OF THE JURY WALK-THROUGH ON FEBRUARY 12TH THAN IT WAS ON THE NIGHT OF JUNE THE 13TH?
YOUR HONOR, OBJECT TO THE FORM OF THE QUESTION. I NEED TO -- MAY I HAVE JUST A SECOND?
THE FOLIAGE APPEARS TO BE LIGHTER NOW THAN IT WAS BACK IN JUNE. THERE DOESN'T APPEAR TO BE AS MUCH OF IT.
TO THE RIGHT. UP, UP (INDICATING). THIS FOLIAGE IN THIS ENTIRE AREA HERE, IF YOU CIRCLE THAT ARROW IN THAT ENTIRE AREA, AND APPEARS TO BE LIGHTER TODAY THAN BACK THEN.
YES, YOUR HONOR. THAT GENERAL AREA JUST -- IT'S STILL THERE. IT JUST APPEARS TO BE THINNER THAN -- TODAY THAN IT WAS BACK THEN.
MISS CLARK, ARE YOU GOING TO SHOW US NEXT A PHOTO ON OR ABOUT THE DATE OF THE JURY VIEW?
BY MS. CLARK: IS IT THE LEFT HAND -- AS YOU FACE THE PHOTOGRAPH, DETECTIVE LANGE, IS IT THE LEFT SIDE OF THAT TREE?
WELL, MISS CLARK, FORGIVE ME FOR INTERRUPTING YOU. I DON'T MEAN TO TRY YOUR CASE FOR YOU. BUT IF WE DO THAT, WE'LL OBSCURE SOME OF THE DETAIL OF THE TREE ITSELF. PERHAPS IF IT'S JUST THE TREE OR THE FOLIAGE BETWEEN THE PALM TREE AND WHAT APPEARS TO BE A STREET STANDARD, IF WE CAN AGREE THAT'S WHAT HE'S TALKING ABOUT SO WE DON'T OBSCURE THE DETAIL OF WHAT'S THERE.
THE AREA BETWEEN -- OF THE TREE BETWEEN THE PALM TREE AND THE STREET LAMP, IS THAT THE AREA?
OKAY. ALL RIGHT. DID YOU DIRECT THE PHOTOGRAPHER TO BEGIN WITH THE PHOTOGRAPHS OF THE BODY OF NICOLE BROWN?
I OBSERVED THE VICTIM TO BE LYING ON HER LEFT SIDE, APPEARED TO BE IN A -- WHAT I WOULD TERM A SEMI-FETAL POSITION. THE HEAD WAS IN A NORTH BY NORTHEASTERLY DIRECTION. THE RIGHT ARM APPEARED TO BE BENEATH THE BODY. THE LEFT ARM AND HAND WERE EXTENDED FROM BENEATH THE BODY IN WHAT I WOULD TERM A SO-CALLED DEATH GRIP OR CADERVERIC SPASM.
OBSERVED A APPEARED TO BE A THUMB RING ON THE LEFT THUMB IN THE GRIP OF HER HAND THAT I JUST DESCRIBED. THERE WAS A WRISTWATCH, EARRINGS.
DID YOU HAPPEN TO NOTICE THE BOTTOM OF HER FEET AT ALL AS TO WHETHER THERE WAS BLOOD ON THEM?
AND COULD YOU TELL US WHAT THE POSITION OF HER LEGS -- THE POSITION -- STRIKE THAT. I NEED LUNCH.
BY MS. CLARK: LET ME ASK YOU THIS, SIR. IN THE FRONT OF THE LOCATION OF BUNDY, I THINK YOU INDICATED THAT THERE'S A FENCE PORTION ON THE SOUTH SIDE OF THE WALKWAY THAT LEADS FROM THE SIDEWALK UP TO THE FRONT STEPS AND THAT --
RIGHT. WHERE WAS NICOLE BROWN'S BODY PLACED IN RELATIONSHIP TO THAT STATIONARY GATE THAT IS TO THE SOUTH OF THE FRONT WALKWAY?
THE BODY POSITION FOR THE MOST PART WAS TO THE NORTH OF THAT LOCATION ON THE WALKWAY. HOWEVER, THE LEGS WERE BENEATH THE LOWER RUNG OF THAT GATE.
I WAS JUST GOING TO SAY THE LEGS WERE BENEATH THE LOWER RUNG AND THE FEET WERE IN A MORE OR LESS A SOUTHERLY DIRECTION.
ALL RIGHT. LADIES AND GENTLEMEN, WE ARE GOING TO TAKE OUR RECESS FOR THE NOON HOUR AT THIS TIME. PLEASE REMEMBER ALL MY ADMONITIONS TO YOU; DON'T DISCUSS THE CASE AMONGST YOURSELVES, DON'T FORM ANY OPINIONS ABOUT THE CASE, DON'T ALLOW ANYBODY TO COMMUNICATE WITH YOU WITH REGARD TO THE CASE, DO NOT CONDUCT ANY DELIBERATIONS UNTIL THE MATTER HAS BEEN SUBMITTED TO YOU. AND, COUNSEL, I'LL SEE YOU BACK HERE AT 1:30. ALL RIGHT. AND LET ME SEE COUNSEL WITHOUT THE COURT REPORTER, PLEASE.
THAT'S A -- APPEARS TO BE A DARK BROWN OR BLACK LEATHER GLOVE THAT WAS POINTED OUT TO ME BY FUHRMAN.
THEY WERE GOING TO COMPARE THE APPEARANCE OF THE GLOVE AT BUNDY TO THE APPEARANCE OF THE GLOVE AT ROCKINGHAM TO SEE IF IN FACT IT MAY BE A MATCH.
THE LEFT ARM AND HAND WERE EXTENDED FROM BENEATH THE BODY IN WHAT I WOULD TERM A SO-CALLED DEATH GRIP OR CADERVERIC SPASM.
UNLESS ONE KNEW WHAT THEY WERE LOOKING FOR, IT MAY BE VERY DIFFICULT TO JUST SEE THE BODY FROM THE STREET OR THE SIDEWALK.