Just a few, Your Honor. Put 1832 up, please. (Exhibit 1832 displayed.) RECROSS-EXAMINATION BY
Last point. We were just talking about, Mr. Groden, would be a what you call the disappearing point.
If you're looking at lines from the sideline, if you're looking at the lines as they're going around from you?
(BY MR. GELBLUM) If you're looking at the lines across the field, rather on the field, looking down the field --
(BY MR. GELBLUM) Now, by the way, on that same point, we talked before the -- before the break we were talking about that image, we were talking about what could happen on the frame numbered 0, remember that, right?
Now, Mr. Leonard asked you a whole bunch of questions about the scratches. Are you now conceding that that blue line is in fact a scratch, sir?
I'm not conceding it. I'm saying if it is a scratch then there are certain issues that relate to it.
But if it's not a scratch it doesn't support your point about alignment, right, at least that mark doesn't, right?
My point as to the alignment doesn't rely on that scratch, it's just a point. You said it was a scratch, you.
(BY MR. GELBLUM) Well, you just went through a whole series of questions with Mr. Leonard about the scratch. Remember that he called it a scratch. If this is a scratch, if it is a scratch, right?
If it's not a scratch, then everything you just did with Mr. Leonard -- we can do this outright. Everything you did with Mr. Leonard about the scratch being equal distance or not equal distance from the frame?
No matter what, it is a parallel line to the sprocket holes. Therefore, it still proves the point whether there's a scratch or not.
KEY QUOTENow, you said that the -- I think you said something about if you saw 100 new photos of Mr. Simpson wearing the same shoes, that it wouldn't make a difference to you in your analysis of the Scull photo?
Doesn't change that you say you saw a retouching mark, you say you saw a problem with the length, and all those things we went through, right?
On at least some of them you said there could be an innocent explanation like exposures, this could be a scratch as opposed to some other problem, right?
Okay. So if you see 100 other photos or 30 other photos of Mr. Simpson wearing this same exact outfit including the same exact shoes, doesn't that have some bearing on your opinion -- on your conclusion that you draw from these observations that somebody added shoes to the Scull photo?
(BY MR. GELBLUM) Assume they're the same shoes, Mr. Groden, assume we've seen 30 other photographs with those shoes. Doesn't that affect your opinion that the Scull photo -- somebody put new shoes on the Scull photo?
You're not answering my question. I'm asking about the conclusion that you draw from the anomalies. Let's assume for a second that you really saw everything that you say you saw, retouching marks, blue lines, length issues, all that stuff, let's say you saw all that, If, however, you see 30 other photographs of Mr. Simpson wearing those shoes, doesn't that cause you to pause a little bit and say wait, maybe there's some other explanation for those observations I saw, other than somebody putting new shoes on him, because here's 30 other pictures of him with those same shoes; yes or no?
Okay. Thank you. Now, Mr. Leonard also referred to this -- let me use the word "miraculous" discovery of those pictures. Do you remember that?
Did you do any searching of any publications, sir, to see if there had been any published photos of Mr. Simpson wearing Bruno Magli shoes prior to the murders?
Wouldn't that make a difference to you if there were, in fact, photos of him published prior to any issue arising, what kind of shoes Mr. Simpson owned before these murders occurred and Bruno Magli footprints were found at the scene?
Again, to answer your question as accurately as I can, it wouldn't change what I found in that photograph.
Again, Mr. Groden, we're talking about your conclusion that you have -- you're drawing from what you found in the photograph. Just as you said, if you found that there were other photographs, if they were found to be authentic, of Mr. Simpson wearing those shoes, that might indeed change your conclusion that you draw from your observations about the shoes being added, if, in fact, you found that a photograph had been published prior to the murders --
-- of Mr. Simpson wearing those Bruno Magli shoes as he's seen wearing in the Scull photograph, wouldn't that affect the conclusion you draw from your observations?
If the photographers -- if I could confirm -- if I confirm that the photographs are legitimate, and if they can be proven that those were, in fact, Bruno Magli shoes in the photographs, I would say that it would affect my -- my overall conclusion.
KEY QUOTEYour Honor, I'd like to move into evidence the following exhibits: 1832, 1921, 1924, 1930, 2071, 2072, 2076, 2284, 2286 through 2291, and 2295 through 2304. (The instrument herein described as Photograph of defendant was Marked for identification as Defendant's Exhibit No. 1832.) (The instrument herein described as Photograph was marked for identification as Defendant's Exhibit No. 2072.) (The instrument herein described was received in evidence as Defendant's Exhibit No. 1921) (The instrument herein described was received in evidence as Defendant's Exhibit No. 1924) (The instrument herein described was received in evidence as Defendant's Exhibit No 1930) (The instrument herein described was received in evidence as Defendant's Exhibit No 2282.) (The instrument herein described was received in evidence as Defendant's Exhibit No 2284.) (The instrument herein described was received in evidence as Defendant's Exhibit No 2286.) (The instrument herein described was received in evidence as Plaintiff's Exhibit No. 2291.) (The instrument herein described was received in evidence as Defendant's Exhibit No 2295.) (The instrument herein described was received in evidence as Defendant's Exhibit No 2304.)
Those last ones, okay. Also, there was one I used and I did not mark when we were here before, which is the article from the Globe Magazine.
Mr. Groden authenticated that's what he said it was. I didn't give it a number, what the next -- not Globe article.
Thank you. (The instrument herein referred to as Globe publication was marked for identification as Plaintiffs' Exhibit No. 2305.) (The instrument herein described was received in evidence as Plaintiffs' Exhibit No 2305.)
Okay. Received. (The instrument previously marked as Defendants' Exhibit 1832 was received in evidence.) (The instrument previously marked as Defendants' Exhibit 1833 was received in evidence.) (The instrument previously marked as Defendants' Exhibit 1835 was received in evidence.) (The instrument previously marked as Defendants' Exhibit 2282 was received in evidence.)
We need to retrieve an exhibit from the back room. I get to be the witness this time, Your Honor. (Selected portions of the deposition of Rothcar Rolf were read by Defendants' Counsel, Mr. P. Baker reading the questions, and Mr. Leonard reading the answers.) ROKAHR ROLF, was called as a witness on behalf of the Defendants, was duly sworn, and testified as follows:
MR. P. BAKER: Page 5, line 7. (Reading:)
It doesn't affect at all what I found in the photographs; the anomalies are there.
If the photographers -- if I could confirm -- if I confirm that the photographs are legitimate, and if they can be proven that those were, in fact, Bruno Magli shoes in the photographs, I would say that it would affect my -- my overall conclusion.
No matter what, it is a parallel line to the sprocket holes. Therefore, it still proves the point whether there's a scratch or not.
Actually, a slightly detached retina.