Daniel Petrocelli of Mitchell, Silberberg & Knupp for plaintiff Fredric Goldman.
Good morning, Mr. Kaelin. My name is Daniel Petrocelli. I represent the plaintiff Fred Goldman.
I had a key to Rockingham, to the Rockingham gate. I could turn a key, and it would open up the gate.
Object as vague.
BY MR. PETROCELLI: Q: Did you move in there to be best pals with him?
How many times during the entire time you were living at Rockingham did you see the dog dart outside the gates when the gates opened?
You may answer. Let me clarify. How many times did you see the dog Chachi run outside the gates when the gates opened?
Now, you just mentioned in your answer another dog named Kato. That dog was not present on June 12. Is that right?
I'd park--if the Bronco was there. I'd park in his spot -- you know. either in front of it, but that -- in front of it or whatever spot was actually open on Ashford.
Okay. I am going to show you a document that I believe has previously been marked as a plaintiffs' exhibit, which depicts the Rockingham property. Why don't you rake a look at that first. It's been previously marked as Exhibit 27 to this deposition. Pointing to Exhibit 27, does this appear to be a sketch of the Rockingham property?
And .Mr. Simpson would normally park here (Indicating) where the mailbox is right before the Ashford gate. Right?
Well, he parked there, but the car could be also here (Indicating). It could be on Ashford--
Where it would be parked normally is right where I am pointing, and I am going to have--I am going to put--
Right before the driveway starts on Ashford. Correct?
Okay. We will probably refer to this. I will just leave this out. Let me ask you a question: If--You see the entranceway to the property? And again I am referring to Exhibit 27. Do you see the entrance there?
I probably went running. I usually went running, and I probably after a run came home, and then I believe O.J. called me in, "Kato," and I heard him, and I went into the living room/den area where the TVs are.
So we have a Little clarity here, referring to Exhibit 27, when you would enter the property, you would typically enter the Ashford Street gate?
And then you would follow that path around to the side of the house and into the back area, and then you would go down this set of steps into your room?
And you came back from running, and you went on this path to go to your room. Did you get into your room.?
I don't think so. I think it was right about here (Indicating) where he called, and there is a door here (Indicating), that I said "Hey" and I walked in that way (Indicating).
Let me ask you a couple of questions about your rules for conducting yourself on that property. Did you without invitation enter the Rockingham residence?
By the way, just so you understand why I interjected, just to make the deposition go in a more orderly fashion, I just want you to focus on answering my questions specifically as you can, but if you need to elaborate, please feel free to do so, but I thought it might speed things up --
I said, "Hey, hi, O.J., how you doing?" And so I sat down on the--by the TV set and we started talking.
There's TV on, and he was mentioning things that were on the TV and people that he knew from other TV shows, and he was mentioning that he's going to an event, to some dinner event--
An Israeli dinner or something of some sort that evening, on the Saturday. And also there was--one of the shows that had come on was THE WORLD ACCORDING TO GARP, and when that was on--it's a Robin Williams movie--he was watching it, and there was a part that came on where Robin Williams' character is coming home, and he does a thing where he'd go into the driveway and turn off the lights and would coast in with the kids, and he'd get it right before the garage. And the part came up, though, the wife was in the car, in the other car that was in the driveway that shouldn't have been there, and going down on a guy in the film.
So that part was coming up. It was on U.S.A. network, so there's commercials, and it was the edited-for-TV version, and O.J. had said. "Watch this part here," and the part had come up, and that segued into--
The part was going to come up when he coasts into the car, and the car hits the other car. Williams' car, Robin Williams' car hits the car in front--
In other words. Mr. Simpson says, "Hey. watch this part," and then you watch it, and then you see the part where the man's penis gets bitten by the woman, and he then starts talking about a Gretna Green incident.
Oh, it was an incident that Nicole was performing that act on someone else in the house, in the Gretna Green house, and O.J. had saw it outside.
Is that the first time O.J. Simpson had told you that he had seen Nicole perform oral sex on another man from outside the house?
Did you ever stand outside the window and look inside and see Nicole sharing intimate moments?
What did Mr. Simpson say--Withdrawn. What did you say to Mr. Simpson after he told you what he had seen at Gretna Green from outside the window?
Yeah, I was. I guess I was--pictured a girlfriend or my wife would have done that, I wouldn't want to see that.
You may answer. Everything Mr. Simpson said is an admission, which is not hearsay. But continue.
I am sorry. You did a good job of interrupting my train of thought. What did Mr. Simpson say to you after you reacted in that kind of uneasy manner that you described?
I don't remember exactly. I think that it was--I think that was the comment that was made about it, and it was--I don't think I brought up anything else with that. I was coming up with --I might have switched to what was going to go on, what time he had to go to the dinner.
That he was going to go to that dinner with Paula, and I don't know if he was looking forward to going to the dinner or not. He said he was tired, but he was gonna go to this--that dinner, whatever the cause was.
Now, did he say anything to you about his relationship with Paula Barbieri, on that Saturday?
I don't know if it was on that Saturday or not. It was a comment about the relationship. Could have been on Sunday, though.
It was not sure if Paula is exactly the one, you know. She wanted kids, and O.J. had said that he already had kids and he was--you know, he doesn't want more kids. So is it was kind of like Paula's probably not the one.
I'm pretty sure, yeah, it was Saturday. The other one I believe was Sunday, about not being the one. Paula not being the one I thought was on Sunday.
Okay. And the one on Sunday was also about Paula wanting kids and Mr. Simpson not wanting to have more kids.
I know there was a comment made about the taxes, and I can't recollect Saturday or Sunday. It was a thing with taxes that Nicole was using the address of the--the Rockingham address and that O.J. didn't want her to use it. He was going to see that she couldn't use that anymore.
From using that address for getting mail. I think it was because of a break in the school price or with the IRS, tax reasons. I'm not positive on how it worked, but it had something to do with IRS and moneys.
Why don't you relate again the part that occurred on Saturday, if you can, and then we will talk about Sunday.
Okay. I thought that on--part of it was just--there's a phone that constantly rings at the house, so it could have been said about, "Nicole's not going to be using this address to get her mail, and I'm gonna see that she can't use that address." I think it was on both Saturday and Sunday, brought up again on Sunday.
That --the exact words, I don't know. It's like, "I'll see that there will be some kind of trouble with the IRS. She'll get in trouble with the IRS."
You are cutting him off. When you ask him a question, he has the opportunity to respond.
I am going to move to strike, and I want to reframe the question. I withdraw--
You can t withdraw it in the middle of his answer if you don't like the answer.
BY MR. PETROCELLI: Are you finished?
I am going to ask you another question. I want you to stay with me now. We are talking about the conversations on Saturday or Sunday, June 11 or June 12, and you had told me in these conversations Mr. Simpson expressed the feeling to you that he was upset at Nicole. Correct?
And I want--I am now asking you whether he said anything to you on Saturday or Sunday as to why he was upset at Nicole. Answer as fully as you want.
I'm trying in my--I believe that it was something with jewelry, and I believe Nicole got back some sort of -- gave back some kind of jewelry to O.J.
Sometimes conversations--could I go on with this? Sometimes conversations would take place with other people in the house that I could hear maybe something in the background. I would try to not listen in, and I would catch certain things. So I'd try not to listen in on--
And you don't want to listen to what people are talking about when you are in the same room?
Right. It would be like--call it an eavesdropper or something, so I didn't want to, but certain words I would hear, and conversations.
Well, I believe it was on Saturday that--I don't know exact time, but I think Ron Fishman came over, who was a neighbor, and there was a conversation that did take place in the kitchen nook area--
Of the residence. I think he just popped over. And part of the conversation was with Ron and O.J. where it was O.J. had raised his hands and said, "These women, I just don t understand them."
And I think Ron might have been going through some trouble at that time, and so there was a conversation that I knew, when I had saw who was in the kitchen, that I shouldn't be there.
They were in the breakfast area. So it would be where I am right now and maybe two chairs past you, past Mr. Brewer.
Okay. And when you heard O.J. say, you know, "These women, what's wrong with them," what did you then do?
Well, I kind of got the feeling from the look that--from both of them that I shouldn't be -- it was a private conversation.
Tell me about the bracelet. You said he was upset because Nicole had returned some jewelry or something. Why don't you describe that to me.
I don't know the exact--what kind of bracelet it was. I think it was some kind of tennis bracelet, and I believe Nicole gave it back to O.J., and I think O.J. gave it to Paula.
Okay. Now, did you have any knowledge as of June 11, 1994, of whether O.J. and Nicole were split apart or were together?
I had heard conversations before that they were over with, from a few weeks before. "Oh, it's over, " that the relationship was over.
Why don't you relate the decision that occurred on Saturday and Sunday about Mr. Simpson's children.
That O.J. liked, you know, with the kids, hearing voices of the kids around. He just liked hearing the voices of the kids. He didn't have to be seeing them, but if he heard the voices, he liked that. He liked the idea of having a family there and white picket fence and to have the voice of the kids, Sydney and Justin, to hear them.
That there was no one there, and he'd like to have someone there because there was--it was kinda empty there.
Wait. wait. Will you read back his answer so he can continue answering the question?
There was a thing that it wasn't common, but sometimes when I was called in, it was kinda cool to be in, but--
For the record, Mr. Kaelin has kind of a halting speech pattern, and he pauses and I think you're finished, and then you go on, and I apologize if I am cutting you off, but in my defense that's one of the contributing factors.
Okay. On the weekend of June 11 and June 12, you were invited in at least two times. Is that right?
Part of it was, I said. "Oh, I don't know why you guys try to get back together sometimes. You want to get back together and you don't. You guys are always--you should be apart maybe for like six months and see where it goes from there, but you shouldn't be together."
The discussion that you just related, did it occur on both Saturday and Sunday, to the best of your recollection?
He said if I had a buddy named Grant. I said yes. And there was a relationship when they were divorced, in Aspen when I first met Nicole, and Grant Cramer had a relationship with Nicole, and that was in '92 when I met, and that conversation with O.J. happened in '94.
That--he asked if I had a friend by that name and I said "Yeah," and did they have a relationship, and I believe I said, "Yeah. I think they did back in Aspen."
What did you do on Saturday after you saw Ron Fishman and left the house? Did you have any further interaction with Mr. Simpson on that day?
I have a friend; her name is [Name Deleted], and at certain times I would think of people that I think O.J. might get along with. Not that I need to set him up on dates or anything, but then I had a friend Tracy who was doing a movie, and I said, "This is a really cute girl. You should meet her," because I figured they weren't together, with Nicole anymore, and it was fine for him to date, and he already mentioned about Paula, how she wasn't the one, so I figured here's a girl that might go out. So it was my friend. It was a phone call that was made. I believe I made it first in my room but gave O.J.'s number, and she returned the call to O.J. or--at one point, and then we called there, to North Carolina, that Saturday to her.
I said. "She's in Playboy right now. I can get an issue." So he said. "Get an issue." I went down and got an issue, and he looked at the pictures and--
There's a market on San Vicente. I don't know what it's called. It's an outdoor market where they sell magazines. I believe that's where I got it.
I don't know if I came through the front I and went back around again and said "Hey." One of the two. I'm not positive.
It was--she's a great looking girl, but it wasn't his type. He liked the blondes.
Yeah. It was the centerfold. I mean, "It was a great body," that sort of thing, "but not my look. She's not a blond. I like blondes."
Now, in your presence, at least, did you see Mr. Simpson make telephonic contact with Tracy Adell on that Saturday?
I'm pretty sure we called there. I thought we called there that day to that --I don't know if it was a message machine or not, but I thought there was a call that was made, because there was a call that came in on Sunday, but I thought it was because there was a message left. That's what I recollect.
In your presence on Saturday did you witness an extended conversation between Tracy and O.J.?
So you do recall Mr. Simpson talking to Tracy Adell on Sunday on the telephone in your presence, but not on Saturday.
Okay. After you--Let me back up for a second. Do you know what led to this split-up, this final split-up between Nicole and O.J.?
I don't know what the final--think it might have been a few of the things: The bracelet, the IRS. I think it was a bunch of things.
That I heard from O.J. and from Cora also, and I--it was one of the things where it was over, together, back, not back. It was a constant--of the time that I knew both of them, it was a constant--
--did you know what had led to the breakup of O.J. and Nicole? You mentioned the IRS letter. You mentioned something about the bracelet, which O.J. Simpson told you about. Correct?
Okay. So tell me what you learned on Sunday after the dance recital about the breakup of O.J. and Nicole.
Well, just that Sunday was--part of the day was when I was talking to O.J. about the recital. He had come back, and I believe I was coming back from basketball and he --I asked how the recital was, how Sydney was, and he said "Oh, it was great," and all that and that Nicole wasn't giving O.J. time with the kids and all that, and she was playing hardball with him with the kids and she can't do that.
There was also a comment about --I don't know my exact dialogue, but a comment about--that was brought up about what they were wearing.
It was a comment like, "I don't know what she's gonna do when she's gonna be a grandma, I mean, she can't wear those kind of outfits when she's a grandma." I said, "What kind?" "It was a miniskirt." Then it was a comment about --after that, it was about, "Those girls" --
Wait. You are stopping him. You just stopped him.
BY MR. PETROCELI: Q: Excuse me. When you say there was a "comment." I need to know who the speaker is.
The answer is not clear as to who the speaker is. We want a clear record here.
Please continue. You said there was a comment about "those girls." Now, tell me who made the comment and then continue with what the person said.
O.J. made a comment about the outfit Nicole was wearing and the person she was with. So it was a comment about Nicole and that person saying, "How can they wear those outfits?" And "What outfits?" "They're wearing"--I said, "What outfits?" "Those miniskirts. What are they gonna do when they're grandmothers? They're gonna have to learn how to dress." It was--exact words, I don't know, but it was a comment about their outfits being miniskirts, kind of a club-wear for a recital. It was the wrong--it wasn't the appropriate thing to wear to a recital.
And when he was telling you about Nicole playing hardball with the kids and he was telling you about Nicole wearing these tight miniskirts, what did you say to him?
I probably went, "Oh, yeah, those outfits." It wasn't--I mean, there was nothing--it wasn't something for me to comment on. It was kind of like me listening and, "Oh, okay."
And when he made these comments to you about Nicole playing hardball with him with the kids and wearing tight miniskirts, what was his -- did he appear angry to you?
Well, it was like -- can I do it? It was kind of like (sound) "What are they gonna do when they're wearing these outfits when they're grandmas? I mean, it's a recital. Look what they're wearing."
We need to have Mr. Simpson not make comments on the record that are audible. That's very important, and it's not fair to the witness.
I don't want any comments or any histrionics by any one at the table. It's not appropriate.
Okay.
THE VIDEOGRAPHER: We are going off the record now, and the time is approximately 10:31.
Now, we were talking about a conversation that you had with Mr. Simpson on June 12 after Mr. Simpson came back from the recital, and in this conversation that you just related to us, was there any mention of this issue of the bracelet being returned as well?
Yes, it came up with the IRS about --I believe it was during the dress conversation, that he was going to, I don't know, call the IRS, do something with the IRS where she'd get in trouble. What exactly, I don't know, but some kind of trouble.
Just so you understand why I keep repeating that question at times, when you give your testimony, it's not clear who's doing the speaking, so I am trying to find out who the speaker is. Okay?
Now, when O.J. Simpson was talking to you about these topics after the recital, you said he was--you got the feeling that he was frustrated and upset insofar as the kids were concerned?
And did you do anything to get out of that situation, to leave the room or to stop the topic of conversation, to change the subject, to go someplace else? Did you do anything?
I probably picked up the sports page or something, started reading the paper. I believe that Sunday also, that girl called back, [Name Deleted].
This was before the recital. After the recital I went to ask him if I could take a jacuzzi, because I had played basketball--I ran and I played basketball, and I said "God, I'm sore," and all that. "Is it okay if I use the jacuzzi?"
Was one of your purposes asking to go to the jacuzzi because you didn't want to continue to be in an upsetting conversation with him?
I guess somewhat, and that I was sore and was going to use the jacuzzi and just go on.
"You know, when you're in one of those situations where you can feel this tension going on. I had mentioned jacuzzi because I didn't want to hear, you know, how--the upset."
Yes. It would be where I've heard the arguments before about that, so I wanted to go out, get out of it.
And one of the reasons you wanted to go do a jacuzzi was to get rid of that tense situation?
Yes. You know the situation sometimes when someone tells you something and you've heard it before, and you just want to, "Okay," and then you want to get out of it. So part of it was to release tension, to go in to take a jacuzzi.
I did, yes. I also asked how to use the jets because I didn't know how to use the jacuzzi itself.
Yes. I said. "How do you actually make the jets come out?" So I asked him. and he said there were some buttons, some buttons on the side, because I never had actually taken a jacuzzi.
Let's go back to June 11. We are going to come back to this conversation again. When you were in the house with Mr. Simpson on June 11, you've described the incident involving getting the Playboy magazine for [Name Deleted]. Is that the last thing you can recall happening after he looked at the magazine: You had the discussion that you related and called Adell? Anything else that you can recall?
I knew it was getting late at that time and he had to get ready for the reception. I think I took off. I got the magazine, I believe a call was made, and I think someone else had called. It's one of the things where the phone rings all the time, and it's a lot--so your mind goes--you forget your last thought. You go to the phone call. I believe a friend of his called, and I might have done something funny with the friend on the phone. I may have been talking to him and disguising my voice in a manner where I do this joking voice, like a guy who worked in the hair salon, very effeminate and make the guy laugh, and the guy thinks it's really someone calling up. I think I might have done that.
I think I took off. I think I was out of the--I was done. I took off, and he went out to the event, and that was it.
No, I don't believe so. I didn't see Paula come over or anything. I think that was it, and they were off. He was off to the event.
By the way, when you were relating Mr. Simpson's conversation to you about the events of the recital and he was telling you about the black miniskirts--do you recall that?
When O.J. Simpson would arrive at his house at night and you were in your guesthouse, would you always hear him enter?
So if he came back that evening with Paula Barbieri, the evening of Saturday, would you know?
Comments during the course of this are going to be difficult because they are going to interrupt everybody's train of thought.
Comments. Your initial reaction is to react to some of the questions and answers, and I understand that, but audible comments are going to be...
And by the way to the extent you want to treat this as a battleground, I'm not on either side of this battle, but I'll be happy to play by any rules you want.
I understand that, Mr. Plotkin, but I think you should defend your client's interests and allow him to answer questions.
Let me address that for a minute. That's fair enough. The fact of the matter is that I've lived with the pattern of speech for a year, so perhaps I've grown more accustomed to it than you have. I have a sense of when he starts and stops. Neither you nor Mr. Petrocelli do. He was right about half the time. He was wrong about half the time and you were right. I just have a sense that it's better to let that pattern take its--
If that's the case then, if you believe he is being interrupted, if you are so knowledgeable about it, then put it on the record so we can get his full answer.
In any event, let's continue I think your initial comment was that we should avoid facial reactions to the testimony.
It isn't facial reactions. You can't help people's reactions. But audible reactions.
Whenever I would get up, I'd probably get up, watch a little TV and start stretching and go on a run, and I would take a pretty long run.
It was about 11:30 or so, 11:00. In the room. Got up around 10:00, probably just hung out there.
The housekeeper, Gigi, would stay in the house, and also have a house in Hollywood. Most of the time she'd stay there during the week. And Arnelle.
I believe I was coming in from the Ashford gate from my run, pushed the gate open and came in, and he called me in. I think I went to the breakfast nook area, and the breakfast nook area is--I took a seat, and we talked.
We had a conversation that day, had a few conversations with O.J. and I don't know time-wise exactly because I also played basketball that day, and I'm trying to tell you in the exact order of everything I did. So I had different conversations in the breakfast area, and one of the conversations, I believe he had said something about the night of that ball, that he got in earlier or he didn't spend the night with Paula. I think that was part of it.
Of that--right. So I'm pretty sure I would have said. "Hey, how did that go?" And he said. "It's all right." I think I was expecting maybe to see Paula there. She wasn't there. She didn't spend the night. I don't know if he had spent the night there or not at her place. Another conversation was he had a golf--he golfed that morning, that I think I said, "How did you do in the golf," and all that. I think he said he won, and he played cards. There was a lot about the things about what he had done already in the morning of the golf game and the playing cards.
When he was telling you--Withdrawn. This conversation that you're now relating with O.J. Simpson occurred before Mr. Simpson went to the dance recital for his daughter Sidney. Is that right?
And when he discussed his having played golf, did he tell you that he was unable to play golf because of any physical condition?
Did he say that he was unable to shuffle cards or play cards because of any physical condition?
Yeah, the conversation in the afternoon of June 12 before the dance recital.
I don't know if he told me that or if I heard that. It's--I thought it was like in one of those news stories, that someone said he had an argument. So I can't tie it into myself. So I might have, but I don't want to confuse it where it's one of those news items, where I know that there was an argument with a guy named Craig, but I can't--
You can't recall as you sit here now whether Mr. Simpson told you about an argument with Craig or whether you heard about it after the fact?
There was a conversation about Paula that he thought that Paula wasn't the one, that she was a bit upset about not going to this recital that was coming up. O.J. said it was kind of like this family thing and he didn't want her to go, and so he was talking about that. She took it hard, and that's what I know of that.
When he told you that Paula took it hard because O.J. would not let her go to the dance recital, what, if anything, did you say?
I think I probably said. "She's probably in love with you and"--that's the impression I got, that Paula was in love with him and I think wanted to have kids with him.
That he already had his kids and all that; not sure if she was the one for that. You know, he didn't want kids, and he didn't think he was going to marry her.
In the breakfast nook area. It's not the front door. There's also a door to the side of the front door. It would be here in this picture (Indicating).
Can you tell me any other conversation that you had again in that afternoon before the dance recital?
I think there was talk about the playoff games. There was the Knicks-Houston game. I think something came up about the score of the game or who won the game--
That was prompting me I think to play basketball that day for myself.
Q; Do you like to play basketball?
Oh, yes. That I believe that there was a message that she had called back and that--to give her a call. So I think he called her back and that--that day, and there was a--talked for a while. I know that I was on for just like a second, saying "hi" and all that. So when they were on the phone, I didn't want to eavesdrop in, so I started reading the sports page and let them talk on the phone.
I tried not to, so I think it was just about asking each other out or to see each other at some point when she came back. I think it was film talk and what she was working on.
And there was something also with that he had--he was saying that, "Trace, I've got pretty much everything. I've got a huge house, and I would want the white picket fence and the family," and he was mentioning that sort of thing of--saying, "I'm a single guy, single successful guy" and all that.
Let me go back to golf for a minute. Let me read something from your interviews with Eliot.
"So I had seen O.J. back from the golf game and went into the main house. He was sitting on the--he had a foursome. I know one of the guys was a Craig Baumgarten that he had mentioned they had got into a little verbal fight. I think it was bad shooting or O.J. had a bad shot, or I don't know the exact reason for the fight." Does that refresh your recollection as to whether Mr. Simpson told you about a fight with Craig on the golf course?
Like I--I don't know if that was from a news item or that he had said that, but something with that sticks out in my mind. What I remember is what I had said, if it's TV or if O.J. said it, but I knew there was some story about that.
That he was going to see Sydney in some dance recital at some school and that it was, I believe, at 5:30, and then I think took off for basketball.
What was O.J. Simpson wearing when you had that conversation with him in the afternoon of June 12?
I believe it was white shorts and a sport top and tennis shoes. That's what I recollect in my mind.
What did you do after you had this discussion with him about --that you just related to us? What was the next thing you did?
How long did you spend with him that day before you left to play basketball, in this conversation? How long was it?
I don't know the name of the place, but these courts are sort of like at a school on I think 14th Street in Santa Monica, and it's just--you've got to park and climb like a fence and you go, and I don't know the name of the school, but it's near a Vons store.
I did. I drove to Vons and I picked up--they have those sushi dishes that are pre-made. So I got a California roll, like six pieces, because I was starving.
Six pieces of sushi? No. I mean, it's--it put a partial dent in my lung that's about it, but I was still hungry, but it put me over for--from basketball and running, I needed something.
Okay. So I went in the Ashford gate and saw O.J. was there in the nook area again, and he called, and I saw him again.
So I--it was after, I know, he had said he was going to the recital and asked him how it was, and then that conversation came up about the dresses that Nicole was wearing and that there was--he wanted to see Sydney after the recital and Nicole didn't let him and he said, "Oh, she's playing hardball with me," and...
I think it was on the lines of playing hardball, that she has no right, you know, to take his kids. They're his kids, too, that he has the right to see the kids, and she can't just run off with them, and he was upset that she did.
The term "hardball," "playing hardball with me," and, you know. "They're my children, too. I wanted to see Sidney after the recital," and I believe from the conversation Nicole didn't let O.J. see Sydney.
Is it around this time that you then, sensing the tension and uneasiness, decided to take your jacuzzi?
Yes. I did. I was --there was the tension and also very soreness. It was both and--
I don't know if it's consoling, but I think sometime--I don't know what part of the conversation--I said, "I don't know why you'd be upset. You've got everything." O.J.'s got a--
I remember it being a dark sweat outfit, kind of a sharp sweat--you know, dress kinda sweats.
I think I remember a white zipper. I think, in my head, it was a dark suit with a white zipper.
And where were you and Mr. Simpson when you saw him in these dark sweats having this conversation?
When I went in the jacuzzi, I remember going into the jacuzzi that it was becoming dusk. So I remember that feeling of watching it become dark while I was sitting there. And it was June, so it was about 8:00 o'clock or so, 8:30, whenever it got dark, but I remember it going to darkness.
I had my basketball stuff on. I took off my tennis shoes by the jacuzzi and my socks, and I hopped in. I think I got a towel, too.
The very end of that pool is a jacuzzi. It would actually be like a little bridge here (Indicating). It's not drawn in. And it would be that part, would be the jacuzzi.
When you walked into the Ashford gate and to the kitchen nook after playing basketball when Mr. Simpson called you, you had to walk by the front entranceway. Is that right?
Okay. After the jacuzzi I went back to my room, and I think I dried off. I might have rinsed off in the shower. I don't know. But I had dried, and I changed out of my shorts, and I got on the phone.
Well, I probably dried off and probably did rinse off in the shower from the jacuzzi, and then I got on the phone.
I think --on Sundays I call my house a lot, my family in [City Deleted], and I called I believe a Susan Wilkinsen and I called my buddy, Tom O'Brian, and I believe it was--I think it was during the Tom call that O.J. came by the door and told me that I forgot to turn the jacuzzi jets off and--
I call the family a lot, yeah. Everybody lives in [Deleted], but usually my mom, everybody goes there on Sundays.
It was a girl that--I wasn't dating Susan. I spent a lot of time on the phone, and she would be just one of the--I joke with people a lot, so I call up and just have jokes during the phone and kind of the passing of time: "What are you doing tonight," just--it was just casual conversation.
I said, "Susan, what are you doing tonight? What's happening? What's going on for you this week?" You know, no real plan. I think we were possibly going to see each other that night or not. I had already--Susan had played tennis with O.J. earlier in the week or a week before or just hit tennis balls.
When you walked into the Ashford gate, getting out of your car after basketball, and you walked through the kitchen door-- Are you with me?
Okay. So you are talking to Susan Wilkinsen, and what's the next thing that you can recall?
If I remember, I think I might have called my buddy Tom, and during that conversation with Tom, I think it was O.J. came by and said, "Kato?" I said, "Yeah." He said, "You forgot to turn the jacuzzi off," and he was at the door of my front room. And I came to the door, I went, "Oh, God." So I was almost getting ready to do it, and he had said he had shut them off already.
"Hey, Kato, you done taking a jacuzzi?" And I said "Yeah." And he said, "Oh, you left the jets on," and so I--
Well, I think you've got to give him an opportunity to answer your questions the I way he wants to answer them. You're taking the deposition, but it's his deposition .
So he came to the door, and he had said, "Kato, you forgot to turn the jacuzzi jets off." So I was about to go out and go, "Oh, I'll turn them off." Then he goes. "No. I did it already."
Well. I felt bad because I had asked permission to do it, and I screwed up --I felt like I screwed up because I left the jets on. It was like a privilege I screwed up on.
How many times had Mr. Simpson ever come to your room before to tell you about the jacuzzi jets?
So this is the first time Mr. Simpson ever came to your room while you were in it: On the evening of June 12. Correct?
Just so I rephrase that, because it was a little awkward, June 12, 1994 in the evening, after you took a jacuzzi and while you were in your room was the first time Mr. Simpson ever came to your room. Correct?
There was a time when Sydney and Justin came by where they were in my room, and he had come through the office area to my room.
So the only other time he had ever been near your room is when he came through the interior office door to get the kids.
I don't think it's appropriate. We are in the middle of the examination of the witness.
Look, we have taken two breaks already now. It's only 11:15. Is there a reason for this break?
I thought he said. "Do you want to take a break?"
BY MR. PETROCELLI: I don't think Mr.--I think he was--
Thank you. I just don't want comments that are audible that can distract the witness or anyone else here.
Let me talk a little bit about this interior door. Your room connects to the Simpson residence?
So if you wanted to go from your room into the Simpson residence through that interior door, you can't do so. Is that right?
I believe I knew it was on an alarm. The house had an alarm. So it was part of the house, so. yes, it was on an alarm.
As of this point in time, did you have any familiarity with the security system at the house?
Yeah, I knew the house had an alarm. I knew--I think it was protected--I believe I knew it was Westec.
When you had lived there the prior six months, was Mr. Simpson out of town from time to time?
And during the times that he was out of town while you lived there at Rockingham, he never once asked you to set the alarm. Is that right?
When he told me about the jacuzzi, I was going to--I was already up and I was almost attempting --I stayed in my room, but I was attempting to go out and turn it off, but he said he already had turned it off, the jacuzzi.
In my mind, it was the same suit, that black sweat with the white zipper and--the sharp sweat suit.
No. I think I was still on the phone or I returned my call. I think I was still on the phone.
No. He had already said he had turned that off and all that, so I thought --kind of being reprimanded, so I wasn't going to go out of my way to talk to him. I think I just apologized, and that was it.
There was a thing--I think it was coming up at this part--where O.J. had mentioned on the walk going back to the house my friend Susan. He said "Let's get them back together for like another cookout," for a cookout and--when he comes back.
It was I think that jacuzzi trip when he came to the door, and it was kind of like when he was doing his walk back towards the house, and I had my head by the door and he said it. I didn't go outside my room.
It was during the walk. It was during that walk. He wasn't in the house, and he said "Oh, let's"--
Mr. Simpson came to the outside of the door to your room, made the comment about the jacuzzi, and then did he start to walk back towards the house when he made the comment about Susan Wilkinsen?
Well, I was out the door, looking out, so my door was kind of open and me looking in that direction. I said. "Okay, I'll call."
Now, when he came to make this comment about the jacuzzi, he never stepped inside the house. Is that right?
I think it was still the same call to Tom. It was a short one. Or I might have just said "Oh, I'll be right back," call them--"I'll call you back," but it was during the call that O.J. came back again. It seemed like within a few minutes.
Okay. How long was it between the time that Mr. Simpson left your room, the outside of your room, when he made the comment about the jacuzzi and Susan Wilkinsen and then returned?
Yeah. I'm trying to ask you, what was the interval of time --Withdrawn. You were telling us that Mr. Simpson returned to your room area. Is that right?
After the first jacuzzi--when he came by the jacuzzi, he left, and then he did come back, yes.
I said, "Yeah, let me check." So I checked the drawer I keep my money in, and I said "Yeah," and I gave him 20.
Okay. Now, how many times before this occasion had Mr. Simpson come to your room and asked you for change?
Before I gave him the 20, I believe I was talking to Tom. I said "Tom, I'll call you back."
Tom O'Brian. So I hung up the phone with Tom, I gave O.J. the money, and I believe that's when I invited myself. He said he was going to get a hamburger, and I invited myself to go with him.
When he asked for the change or the money for the skycap, at that point in time did he say anything about food or going to dinner?
I was inside. It was--where I gave him--I think when he came to the door, I believe I said to Tom, "I'll call you back," then gave him the money-
My drawer. I had a dresser drawer that I kept the money in. If I didn't have it in my pants, I had it in my dresser drawer.
Did he say he was going to get a hamburger, or did he say he was going to eat, or did he say he was going to dinner? What's your best recollection?
I believe it was to get a hamburger, I think it was that. "I'm gonna get something to eat." I'm going to get a ham"--I think it was a hamburger. I can't remember the exact words.
Now, as he said to you "I'm going to get a hamburger," did he sort of turn to walk away back to the house?
You know, I just did. I was--I had that sushi, and that was it, and I was hungry, and think I just said, "Hey, can I go? Mind if I go along?" Then he kind of went, "Yeah, sure."
(Nods head.) And so I thought it was like I shouldn't go, and it was revolving maybe around the jacuzzi or whatever, but I sort of like invited myself.
Could you do that again in terms of what his reaction was to your invitation to have yourself go to dinner with him?
When he said he was going to get the hamburger, I said, "Hey, do you mind if I come along," and in my head I thought it was like a pause and, "Sure."
Yeah. I didn't know, maybe he wanted to be alone or something. Because, you know, I thought maybe he was feeling lonely or something, and he wanted me not to be around.
Feeling awkward, feeling that you had invited yourself, why didn't you just change your mind at that point and say, "O.J. I'll just stay home"?
I almost thought about changing it. No, but I didn't, because I was already invited and I was already walking and I thought that might make it even more uncomfortable, so I just went with it.
In your dealings with Mr. Simpson, are you typically very conscious of your behavior with him?
It was the back door, the back door of the house. It's a back door. We went through the bar area, through the kitchen nook area to the car. So I walked in, got in the passenger side and he got in the car, the Bentley --Rolls-Royce--
Here's the driveway (Indicating), and the Rolls-Royce would be parked right in this area (Indicating) where normally it would be parked in that --it's an open area, and it would be--if it wasn't in that entire area, most of it would be in that jetty there (Indicating).
Okay, let's call it a Bentley then. There is a Bentley parked where this indentation occurs on Exhibit 27 on the driveway that leads to the Rockingham gate. Is that right?
So you assumed, because he was heading towards the Bentley, that you ought to also head towards the Bentley. Right?
No conversation from the moment that you asked him if you could go along until--all the way through this point in time, there is no conversation. Is that right?
I believe the gate--he pushed a button and the gate opened. In the car I think he had a remote, and opened the gate, and we took off.
Let me stop you there now. Which way did the gate open, the Rockingham gate, inward or outward?
Now, when he pulled out of that driveway and he pulled the Bentley past the point of the gate-- Are you with me?
Your recollection is that he pulls out onto the driveway--I mean out of the gate and then begins to turn and take off. Right?
When you came out of this driveway, which --the Rockingham driveway now--Withdrawn. What time of the evening is it, to the best of your recollection, when you got in that Bentley and headed towards that Rockingham gate?
Now, when you pulled out of that Rockingham gate, you were sitting in the passenger seat, and you had a window to your right. Correct?
Now, right to the right--Withdrawn. Did you see the Bronco parked right on the other side of the Rockingham gate?
Now let me show you a photograph of the Bronco where it was found. We will have to mark this as the next exhibit in order. There is another one that's a close-up. Let me see it. Let me show you an exhibit--a photograph of the Bronco, which we will mark as the next exhibit in order, which is Plaintiffs' Exhibit 81, I believe, Michael, 78,-9 and 80?
Okay. (Plaintiffs' Exhibit was marked for identification by the reporter and is attached hereto.)
I have placed in front of you Plaintiffs' 81. Do you recognize the automobile depicted in that photograph?
Okay. Now, when you came out with the Bentley at approximately 9:10 p.m. on June 12 and when you looked to the right to see if there was any oncoming traffic before Mr. Simpson turned left, did you see the Bronco there where it is currently parked and positioned in this photograph?
I don't believe I did. I probably would have seen it if it was parked so close, because I would have looked. I would have noticed that.
So when he made that left on Rockingham, you had no idea where you were going. Is that right?
Well, I felt as if it wasn't up to me to say, "Hey, let's go here." It wasn't my call to make. I invited myself, so I wasn't going to say, "Oh, O.J. let 's go to this restaurant." It was his call. So wherever the car was taking us, I was there for the ride.
Okay. When you saw him pulling into a McDonald's, did you say to him, "You know, I'd prefer to go someplace else?
It was on Santa Monica, and I remember it being across from a Carl's Jr. The address, I don't know, but I remember seeing a Carl's Jr.
It was the drive-through. We ordered and went to the drive-through, and then we had to pick up the food.
I remember looking at the clock on the car. At 26th and San Vicente there was a stoplight, and I remember it being 9:15 to 9:18. It was one of those analog, and I thought it was like 9:15 or 9:18. So I imagine from there to get to McDonald's was probably 9:20 or--
When Mr. Simpson pulled in--pulled up to the drive-up window, did he ask you what you wanted, or did you just say what you wanted?
I think I shouted what it was that I wanted to the intercom. I think I said what I wanted.
In other words, he didn't say. "Kato, what do you want?" and then related to the person. You just said yourself what you wanted.
Yeah. I thought maybe fries, and I think that was it. It could have been maybe just a Big Mac.
No, that's not where we got off. We got off on whether it was just the Big Mac or Big Mac and fries, and I think that's where he was a little unsure
I know they have like Quarter Pounder and a Big Mac. I don't know if it was the Quarter Pounder or the Big Mac.
For staying at the house. You know, the least I could do was like, "Let me at least pay for the dinner." It was one of those gestures. So I gave him another 20.
How many times before this evening on June 12 had you ever gone to dinner alone with Mr. Simpson?
He had tossed it at me, sort of like saying in a joking way, "Sorry about this," and he tossed the food at me.
Now, between the house, when you left the house in the Bentley, and McDonald's, did you guys go anywhere else, or did you go directly to McDonald's?
That it was I shouldn't eat in the car, anyways. It was his Bentley, and I wasn't going to eat in the car.
Yeah. No, I didn't want to spill. I just didn't want to eat in the car. I thought I'd make crumbs and that sort of thing, and I didn't want to.
I don't want to take a break. I just--Okay, we have to take a break. The tape--
THE VIDEOGRAPHER: This is the end of tape No. 1. The time is approximately 11:49, and we are off the record. (Recess.)
We had to switch videotapes. Mr. Kaelin. When--on the way home, you were telling me Mr. Simpson had eaten his hamburger very quickly, almost before he even left the parking lot. Is that right?
Did Mr. Simpson tell you that the reason he was eating his hamburger in the car was because he had to get someplace or was in a hurry?
I remember having my orange drink, and I am pretty positive I said --I asked him if I could have a straw. So I thought the bag was in his lap and I think I got the straw from him.
Well, it was one of those things that the food was in my lap, and I thought--we weren't really talking in the car, so I thought that would break it, and I just said, "Hey, can I have a straw?"
Just put it--I put it--I don't think I put it in the drink yet. I think I waited, because it was going to puncture. The juice might come out, the orange soda.
It was a left out of McDonald's, I think, and then straight up that road, whatever that--I think it's--,
Oh, okay. It was a left out of Rockingham, and Rockingham takes you to San Vicente, and then all the way to Santa Monica to McDonald's.
What is your best recollection of how much time transpired in this whole journey to and from McDonald's?
Let me show you some phone records, see if that will refresh your recollection. Now, your phone records indicate a call at 9:37 p.m. on June 12 to a number [Telephone number deleted]. Is that your friend Tom O'Brian?
Now. during that 15-, 20-minute period was there a lot of discussion between Mr. Simpson and you?
Yes. There was conversation about, "So you got a flight. So you're going to Chicago. What airline," and I think that's sort of it.
"You got a flight. You're going to Chicago. You should take a nap." Anything else did you say?
At any point during this trip to and from McDonald's, did he initiate conversation on any topic?
Because I felt --I've talked to people before and I think I'm a fair judge of when someone doesn't want to talk, through other communicating skills with people, that maybe I was talking too much and I would just shut up, would be the best thing to do.
I don't think I had a sense. It was just one of those--I could see that it was--I called it kind of in thought. So it was just a drive, and so he was thinking about something. He was just in thought and--
Quiet. So I didn't want to disrupt it. If there was thought going on, it was like okay, and knew not to be talking anymore, but it was definitely my feeling that he was in deep thought.
Now, when you came back from McDonald's and you pull in and he parks the Bentley in the same place where it was before and you're sitting in the passenger seat, you still have the drink, the chicken sandwich and the French fries in your lap without a bag and with a straw. Is that right?
Okay. When you got to the door, was it your expectation that you were going to be going inside the door into the house?
Because I was at the door at the nook, and I thought he was behind me, so I looked and I saw him at the door of the car.
I remember it being the same black suit from the trip from the jacuzzi door and the second time, that same outfit.
Now, when you walked into--when you walked to the door of the kitchen and surprised that he wasn't behind you and surprised to see him at the Bentley door--
Well, I figured that he was going to be behind me at the door because I knew there was a flight coming up, and I looked--I thought we were going into the house together, so I looked and I saw that he wasn't there and I went, "Okay." I was like, "I shouldn't be here. I should go to my room." So I just turned around and went "Going to my room."
I looked at him, and he was still at the door of the car, and I said "Okay," like I wasn't supposed to be going to that door, so I went, "I'll go to my room."
Looking at me when I was at the door of the nook and then I--when I said "Bye," that was-- "I'm going to my room," that was it, so--
When you last saw Mr. Simpson as you headed on towards your room, he was standing near the Bentley. Is that right?
One reason that stands out in your mind is that you were surprised he wasn't right behind you when you went to the door of his house. Is that right?
Yes, I was figuring he was going in the house, I thought he was behind me, because I was walking fast and I didn't even realize it, so that's when I looked and I was surprised that he was at the door of the car.
Yeah, right here (Indicating). And you walked on the driveway past the entranceway of the house. Right?
I think the first thing I did, I did put my stuff, I started eating, but I think I called Tom back and was eating and just said. "Hey, just went to McDonald's and"--
And it took you maybe four or five minutes to get out of the Bentley and do the walk to your house.
From the time we got back, in that three to four minutes, and I went right to my room, so I imagine I called Tom immediately.
Okay.
THE VIDEOGRAPHER: We are going off the record now, and the time is approximately 12:14. (At the hour of 12:14 p.m., a luncheon recess was taken, the deposition to resume at 1:14 p.m.) (At the hour of 1:22 p.m., the deposition of BRIAN KAELIN was resumed at the same place, the same persons being present, with the exception of Arthur Groman and Fredric Goldman.)
THE VIDEOGRAPHER: We are back on the record now, and the time is approximately 1:22.
Okay, we are back from lunch now, Mr. Kaelin. I think I asked you this before, but let me just go back to it for a minute; make sure I understand your answer. What was the amount of time between the visit Mr. Simpson made to your room about the jacuzzi and then the subsequent visit about skycap change?
I had thought that it was happening within a one-to-five-minute period, so it happened in between that time. It seemed pretty quick that he came back.
I see. And the first time that he came, you never got off the phone to talk to him. Right?
I think I might have put the phone on the bed, but I did talk to him. There was communication with him. But it was about the jacuzzi. So it could have been, you know, putting the phone on the bed and then going towards the door to talk.
It was--the dialogue was about the jacuzzi jets and that he said he had turned them--I thought I turned them off, but he said he had turned them off, and then walking back to the room and saying about the cookout, "Get" --"Call Susan back for the cookout."
Okay. When you went back to your room, what did you do? You called Tom O'Brian, and then what did you do after that?
And we were just having casual conversation. Said, "Hey, I just went to McDonald's with O.J.," and we kinda laughed.
I think I hung up with Tom, and I was gonna do this typing. One of the things that just comes to my mind now, part of the conversation also in McDonald's was that I mentioned about using a typewriter that was in the office; that now it just came back to my memory, so that's why I'm bringing it back up. I had said in the car drive, "Is it okay to use the typewriter?" And that typewriter is the one that after I talked to Tom, I was going to type up resumes. So there was an IBM electric typewriter in that office area, and I tried to make it work, and it wasn't working.
You told Mr. Simpson that after McDonald's, that you would be typing resumes in your room, in that office area off your room?
If it would be okay to use that typewriter. And he had said, "It was Nicole's typewriter. Go ahead."
I didn't give a time, no, but if it was okay to use it. I knew it was in the office, because I thought I would type up resumes.
I hung up with Tom, and I think, by trying to make the typewriter work, I figured out that it wasn't working, so I said, "Okay, might as well call Rachel." It was just a friend that I called.
It wasn't my girlfriend, but we had gone out a few times, but it wasn't a set girlfriend at all.
I called Rachel and said, "Oh, you know, I was trying to type these resumes" and I was explaining to her, you know, how this typewriter wasn't working, and I was putting into the outlets: and while she was on the phone I said, "Watch." I was explaining to her, shouting to her, going, "See, I'm trying it here and it's not working, and it's not working here." And there were a few outlets I was trying, and I'd make I joke about it and go back on the phone with her.
I was kind of pulling it, and it couldn't go any further, and when I saw it couldn't go any further, I kinda put it down.
I believe the night before, on Saturday night, I think I was probably at a bar/restaurant called Rebecca's, and I probably went with a buddy of mine. Dan, and just hung out there.
Dan would be a friend of mine. Dan Frisch, who was a buddy of mine, who I think I went---we used to go there together. We used to hang out there.
Now getting back to this evening of June 12 in your room with Rachel on the line, was that a long telephone call?
Yes. There was--there was quite a few phone calls to Rachel that night, but the one that was towards the 10:00 o'clock hour, which I think it was, was the conversation that ended up going pretty much throughout the entire night with the interruptions.
--and that there was a noise, and the noise was a noise that moved the picture, and I said, "Did we have an earthquake?" And the noise was as if a body hit the back of a wall, and the picture moved, and it was like a thickness--a thick noise that moved it, and it was --I don't know if I can stand up or not. but--
So I thought it was something like a (Sound), like in that order, a (Sound), and it moved the picture on my wall. And the picture on the wall--I said to Rachel immediately, "Did we just have an earthquake?" And she goes, "No." I said, "This noise I just heard, my picture moved next to the bed." I said. "It's so weird that this thing"--you know, I was trying to convince myself earthquake, but I started thinking there was something back there or someone back there, and that was--because it moved the picture, and then I got scared.
Rod, did you get that? Did you get the sound?
THE VIDEOGRAPHER: (Nods head.)
When you demonstrated the noise against the wall, you had to keep your microphone on the table and it didn't reach, so I just was curious if the sound got picked up.
Now, this sound, this noise that you heard as though a body was falling against the outside of the wall, did this frighten you?
It was in a shaky--the picture moved, so it was a noise that it definitely got my attention, and I felt there was something back--someone back there. It was powerful enough to move the picture. That's what caused me to say about the earthquake. In my head I think I was realizing it wasn't an earthquake, but the belief that Rachel might say, "Yeah, we just had," kind of thing, but she didn't and...
Amond--And you also saw that there was nothing else in the room on the other side of that wall that moved. Right?
No. My back was against that. That's where I felt the vibrating, so I didn't--that's what caused it more me asking the question about the earthquake to her.
I see. But after you quickly ruled out earthquake, you then believed there was someone on the other side of that wall. Is that right?
Now let's take a look at some photographs of your room. I am going to mark as the next exhibit in order, Exhibit 82, a picture of your room with the door leading to the bathroom, I believe, and then a picture of the other side of your room. Well, actually I'm not sure.
Let me start all over again, okay, because I messed that up. Exhibit 82 will be a picture of your room that shows the door leading to the office, and Exhibit 83 will be a picture of your room that shows the other side of the room with the door leading to the bathroom. Okay? 82 and 83. (Plaintiffs' Exhibits 82 and 83 were marked for identification by the reporter and are attached hereto.)
That door would lead into the office, and these stairs at the office (Indicating) would lead into the house, the main house.
Yeah. My phone was on the left, but it might have been--that's not my phone in that picture. I believe. My phone was a different phone. But I was on the left talking. The phone would normally be propped up on that table.
What I am trying to find out is: Because, the phone was normally propped up on that table, would you have been more situated on the left side of the bed than the right side?
Okay. And then there is a picture right above the night stand where the telephone is. Right?
Now, to the right of the bed is a lamp, right, and you can see that in Exhibit 83. Correct?
So the air conditioner is actually located on the opposite side of the bed from where the picture is. Right?
And it's about how many feet between the air conditioner and the picture? What's your best estimate?
And can you describe to us, by looking at exhibits 82 and 83, where that loud sound was that you heard on the wall?
The loud sound I heard on the wall would be more right here (Indicating). It happened right about there--
Towards the center, the beginning of it, and it kinda finished up maybe a foot and a half more there (Indicating) then.
On the third one . The noises were boom, boom, boom, like that, and the third one was probably a foot off from the original. It seemed like it was hitting a patter, like a boom, boom, boom.
With the noise going in what direction? Air conditioner to phone? Air conditioner to the picture?
Yeah. It was probably right where that arrow would be pointing behind there. It would be--
It would be--So if my back is up against the headboard, I can just point to you where I heard the noise.
The witness is pointing to near the top of the headboard in sort of the center, a little to the left of center.
The top went towards and the bottom went away. After you asked Rachel about the earthquake and she said no, what did you then do?
I remember part of my dialogue was telling her that I was going to investigate it, and I knew that there was a pen flashlight in my drawer next to the bed.
And in talking to her, I had said. "I'm going to go and check on that noise. And she was going, "No. Come over. Come over." I said, "No. I'm going to check on this noise," and then I said, "But if I don't call you back in 10 minutes, start to worry. Call the police." It was some joke--in a joking manner I said It.
I was joking, but it was a nervous joke, and then she said, "Oh, no, I'm going to start to worry now."
I was afraid but playing the role that I wasn't afraid, but it--the real feeling inside was I was afraid.
Now, when you came up to--when you got out of your door and you went up the stairs, you were intending to go to the location behind your room. Is that right?
Now, was there another way of getting there instead of going around the house, out to the Ashford side and coming back around?
And you could kinda squeeze in through there, but there was like a lot of trees, a lot of mud. It was a thing that you wouldn't do normally. You would never go--it wasn't a path.
It was I think a Memorial Day party, and she had locked her keys twice in her room during the party and said, "Kato, will you do this for me?" And I didn't even know about it, and she told me about a path that would go back there back behind her room and get into her room.
Now, what would it do to get you behind Arnelle's room? How would you then get in her room.
Yeah, it was somewhat open. Her window was a different window with I think no screen on it.
I don't think so. It opens up that way (Indicating), like a slant. I don't think you could get in there.
Yeah. A person would never go there like at nighttime. It was like muddy and spider webs, and it was a thing where you kinda--I scraped--
Not --Well, there's like a --there's a garden but not really a garden. It's just like a patch of mud that's --where a garden should be, but I imagine, yeah, there would be mud there.
Well, let's look at Exhibit 27 again, and right around Arnelle's room you see some trees and shrubs. Right?
Make a left where the garage is and head in a southerly --in an easterly direction. Right?
And your intention was to walk from that point all the way in an easterly direction until you get behind your room. Right?
No. There was a guy from the cable company once, I believe, phone company or cable company, that I went back there with a long time ago, and the kids had been back there once or twice before in the daytime, and that was it.
When you walked out of your room past the--Mr. Simpson's residence, as you walked by the pool, did you see him inside?
So I had gone through my room door up the stairs to the pathway, and when I got to the pathway looked to my right, and I noticed that there was a limo parked out in front at the gates. The gates were not opened. So I looked and I thought, okay, there's a limo there. I thought it was all attended to, and I walked back to the garage, the first gate. There's a--first gate here is broken. You can pick it up manually and lean it against the tree. There's a tree there. So I picked it up, placed it there, and I walked down about five feet and--
Let me stop you right there: When you went down about five feet, did you go beyond the length of the garage?
I think I was looking with the flashlight kind of like this (Indicating) and going, oh, it's dark. I shouldn't be back here, and turned around, and I just turned around.
So I turned around. put the gate up, and I walked and I noticed the limo guy was still out there. And so when I saw the limo guy still out there, I went, huh, I probably should let him in. So I went to this gate control box (Indicating), and it's a button--
So I pressed the box--the button, and the doors opened up on the gate. And Chachi was right there, the dog, and the guy started the car, pulled up, and I saw Chachi crossing. Chachi went in front of the limo and laid down in this one spot that he lays.
Now, the spot where Chachi lays is on the east side of the driveway north of the entranceway. Right?
Okay. Now go back to the point in time when you came out initially, and you were coming around the pathway to go investigate, and you saw the limousine for the first time. Okay?
Now, when you saw that car there, having just heard the sounds, were you concerned about what that car was doing there?
No. I figured the car was for the airport, and I figured--kind of in my head thought it was kinda late, car's still there, that O.J. must be there. So I thought-that everything was under control, because I never--my phone doesn't let people in and doesn't ring to my room, so I thought everything was kind of under control. And then when I came back from the garage, I went, huh, why is the car still out there, so I went out and I opened the thing.
I don't think so. I think I continued --I think I might have looked at it and just continued on my walk.
Is there any reason why you didn't simply go and let the limousine driver in then and there?
Yeah. In my head I was thinking that everything was taken care of because there is a box there that someone can call, and it's all handled from the house, so I thought everything was under control.
About how long did it take from the time you first saw that limousine and then went behind the garage and then came back and let the limousine driver in? How long was that interval of time?
When you first came out the path and saw the limousine driver. Starting from that moment in time and continuing walking down the driveway, going around, opening the gate, going down, coming back, coming around and going to the control box.
I think it was when I came back the second time. Golf clubs. I don't --they could have been there when I first walked, but I can't recollect, and now I think that when I came back, I think there's golf clubs there. So--
And when you came back from the garage from investigating the first time, you believe you saw the golf clubs. Where were the golf clubs?
Golf clubs were laid down right in front before the --it's on the pavement, but not on the driveway. It would be right here (Indicating), right by the Y of the driveway.
And then you went and saw the limo was still there, and you go to the control box and press the box, and he comes in?
At the times you had lived there, you had never once buzzed the limousine driver in. Is that right?
By the time --Withdrawn. When you went to check behind the garage for the first time, did you see Mr. Simpson at that point in time?
When you went back to let in the limousine driver, had you seen--did you see Mr. Simpson as of that point in time?
When the limousine came in and parked and got out--when the limousine came and parked, the limousine driver got out. Right?
--and I believe I mentioned to him a few things, and the order I'll try to do the best I can: I asked if we had this earthquake. I heard this noise, and I asked him, and he said no, that he was coming up from Redondo Beach and he wasn't aware of it. And then I said, "Did O.J. oversleep?" And I think he had said no, that he just talked to him. Sleep came up, but I think the driver said also that O.J. said he overslept. But I told him about the noise, and I said, "I'm going to investigate this noise," and when I was saying that to him, I start walking back towards the garage area. And I said to Chachi, the dog, I said, "Chachi, come with me." and he just laid there, and I commented to the driver, I said, "Isn't that a great watchdog?" And--
Jokingly, right. So then I went back there, and I went and picked up the gate again, went back. There is a second gate. I made it up to that second gate, but I didn't open the gate. I stayed right there and kinda went like this (Indicating).
I believe no. I believe the gate ends right around here (Indicating). There is a second gate at the house that doesn't go very far.
Well, I figured there is a limo driver there. I was more nervy to go down a little bit further down the gate. I had more nerve, and I figured, okay, this is far enough. This flashlight's not really working. I'm not gonna chance it anymore, so I came back.
Did seeing the limo driver and having that little human contact give you some more courage?
Scared. And when you came back to the limousine--Let me back up for a second. When the limo driver got out of the car did you introduce yourself?
Why did you say something about an earthquake if you had intellectually ruled out earthquake?
You know. I just said it to him to reassure myself. I don't know. It was just the part of the thing I just said to him. I said, "Hey, did we have this earthquake? Because I felt this thing." I even went to explain about this picture moving. "It's the weirdest thing. You know, hey, this picture in my room moving around. Well, whatever, I'm going to go back to this here." So I explained to him where I was going. I guess in case something ever happened to me, I was going back there, tell him. So I went back and...
--for a trip, so I thought I'll pick it up. I said, "I'll put these in the trunk," and he popped the trunk, and I put them in the trunk.
Now, where the golf clubs were located was where you said you believed you had seen the clubs: In between the two benches on the ground.
Now, when you picked up that golf cover bag, did you see any other luggage there at that time?
Yeah. I would have assumed that that's what it was there for; put it in there. I thought the limo driver was going to do it, so I just put it in myself.
Okay. Now, I put the golf bag in there, and I asked him if we had--if he had a flashlight, and I was going to do it again to look for--even further down there with a better flashlight. So he had looked in his glove box, and he said, "No, I don't have a flashlight."
I saw it--I saw it the first trip, and then I think it was the--in my head, it was a trip--I've already made two trips, but I thought there was a part where I had seen him. And then I noticed a bag by the Bentley, a knapsack bag. But I had the dialogue of telling O.J., "I heard this noise, and the driver doesn't have a flashlight and my flashlight is just terrible. Do we have a better a flashlight?" And--Go on?
Well, let me stop you there. Is it your recollection that you first saw O.J. Simpson that evening during this period of time after you made the second trip behind the garage?
Now, when you came back from your aborted attempt to investigate a second time and returned to the limousine, is that when you first saw Mr. Simpson?
I thought I saw him going, into the house, and that was it, and then I had questioned him about the noise.
Yeah. I don't know if he was putting luggage into the car or what. It was just there, and I started talking to him.
"Hey, O.J., I heard this noise back there. It was really weird. It moved my picture," and all that. And was like, you know, "I think maybe somebody's back there."
He said. "Oh, we'd better check on it." And I said, "I've got this a flashlight. This is like the only thing I have. Do we have a better flashlight?" He said, "Well, I better check if we have a better flashlight," and then he went into the house.
Now, before he went into the house, did he say anything like, "You go this way and I'll go that way"?
Okay. So it was. "O.J., I heard this noise back there. It was like it moved my picture, and I think someone's back there." "We better investigate. You go"-- "I'll go that way. You go that way" (Indicating).
I was--it was a--I didn't expect him to say that, with the flight and that, I was going, "Oh," I was like, he's going to help me check, so--
And then I thought, okay, and then that made me go, "Well, we need a better flashlight," but I didn't--I was like...
So he is in the kitchen area. I didn't go into the kitchen. I kind of waited by--there is an entranceway by the kitchen.
So I didn't go into the kitchen, but I saw him go into the kitchen, and he got in there and looked and went, "Whoa, it's that time."
"Is that the right time?" or "My God, is it that late?" or--it was in reference to being late. He goes, "I've got to catch my flight." I said, "Oh, don't miss your flight." And then he walked back out, and I was there and walked out, and then he had mentioned about setting the alarm.
How long was he in the kitchen from the moment he went in the door that leads to the kitchen until he came back out?
It was kind of--I'm saying from the walk in, looking up, going like this (Indicating) and saying, "Oh, boy it's that time."
I think I glanced up at it and I thought it was 11:15, so I could see it if I looked up. I think I did look at the clock.
There was a dialogue of--at the doorway by the foyer to the doorway about, "Kato, set the alarm to the house." And I said, "I don't know the alarm. I don't want to set the alarm code." So he said he would do it
And then I walked up and I saw that knapsack there, so I started walking toward the knapsack because I thought that was supposed to be packed up, and I started walking to it and O.J. said "No. I'll get it."
Now, when you came outside with Mr. Simpson after he left the kitchen, what made you go to the knapsack?
I just didn't. I was kinda wondering. I saw a knapsack there. That's a weird place. It wasn't there before, I was thinking, and I was going--
Now, when you came out of the house after Mr. Simpson had gone past you, you--where did he go as you decided to go get the knapsack?
How close had you gotten to the knapsack before you heard Mr. Simpson say, "No, I'll get it"?
So you were about seven feet from reaching the knapsack, and he was about another ten or so feet behind you?
Let the record reflect that the witness is pointing to the area where the entranceway intersects the driveway.
"No, I'll get it." I said I was gonna get it. I said, "Oh, I'll get this," and I was in that walking mode.
He says, "No, no, no. I'll get it."
I was surprised, but I was like going, huh, I was so close, maybe it's not supposed to go, or whatever. So I just turned around, I went "huh," and went back towards the limo driver, and my back was there, and I never saw it again.
Let me show you some photographs. This has been previously marked as Exhibit 23, and do you recognize what is depicted in that photograph?
Let me show you what's previously been marked as Exhibit 27. This is what Mr. Simpson described as a suit bag. 25. Excuse me. Is that the knapsack you saw?
This is Exhibit 26, which is a bag that Mr. Simpson said he got from his Bentley. Is that it?
I think in my head it was like at college, you know, you put those things on your back, like that kind of a knapsack. I meant it was--
Yeah, it looked like it was closed. It was on the edge. It was that kind of shape (Indicating).
That kind of shape (Indicating), like a knapsack shape, where it was wider, and you would put your school books in.
I thought that--like I saw that the--where the patch would be. The patch would have been facing the top of the knapsack, and if you--right there on the knapsack. It would be--possibly the logo part would have been right there (Indicating), and that's it. That's the only patch I saw. That's the only different color to it I saw, from my memory.
This black grip that I showed you apparently is not Exhibit 27, but Exhibit 4, but for the record that's not it, is it?
I will show you--that's all right. It's the same picture. Did you see what Mr. Simpson did when he--with that black knapsack?
When Mr. Simpson asked you to set the code, was that the first time he had ever asked you to do so?
Did he ask you to set the code in the foyer or as you were coming outside, or do you remember?
We were, I believe, right at the doorway, so we were still in the house and maybe a foot from beyond the house, if I remember correctly.
Now, when you were talking to Mr. Simpson about the sounds and he said, "Oh, you go that way, I'll go that way" or "Let's check," did he seem genuinely concerned to you?
It was this feeling that it was not genuine. To me, my feeling was that. And I couldn't figure out why he wanted to check, because the flight and that. So it was kind of, huh. So it just left me--just gave me a strange feeling.
Or to try to get in touch with her and see that everything was okay so that nothing jeopardized her safety?
My question to you is: Do you have any reason to believe he was not wearing the watch or the ring that evening?
Let me make sure you understand my question. Do you have any reason to believe he was not wearing the watch that night?
During this part of the evening when you saw him, you had the brief exchange about the noises and going in the house, were you ever like standing next to him for a sustained period of time?
I think I shut the door possibly, but he was in the limo, and then I opened the gate at Rockingham for the limo driver. So when I pressed the button for the limo to get through--
--and then I started running--I wanted to get back in my room, because I kept thinking, I have got to call Rachel, da, da, da. And so I ran and I went--I saw that the green light was still on, and I went, oh, the alarm's not set; great, and then I went back to my room.
I usually always wait for the gate to close for when I would just use it any time. Just one of my idiosyncrasies, that I would just watch a gate closed.
Do you know whether the limousine waited on the other side of the gate until the gate closed before it took off?
When you went to McDonald's and you exited through the Rockingham gate, did the dog run out?
You told me before that you usually would park on the Ashford Street side and then get into the Ashford gate. Right?
She showed me a thing on the gate where you can--it's like--I don't know if it's a nut. There is a certain thing on the bottom of the gate you can manually push a little bit, and you can push the gate open and get in and then close the gate back and then go back and reset it.
Yes. She said. "You know, there's a thing you can do here if you ever want to get in. It's right here. You just move it and get the gate and then get out that way."
Now, before you got back to the room, I would like you to focus on this entire time that you were out on the property. Okay? Going out to the Bentley to go to McDonald's, coming back from the Bentley, going around to your property, coming back out to investigate once, going back to the limo, going back to investigate a second time, going back to the limo, going inside, coming out, going to the Bentley, stopping in your tracks. The whole description. Okay? During any of that time on the property, did you see any golf balls?
Yeah. There was a time when there was a video being shot there, a Playboy video, and I don't know if golfing was part of the video or not, but he was golfing and hitting--chipping a ball into a tree, hitting a tree. That's the only time I saw it.
Yeah. Yeah, I imagine it was Chachi went to the bathroom right there, always on the grass somewhere.
Can I just ask a question? Do you know whether he went to the bathroom on the premises, or are you speculating?
Yes. I was concerned about the noises, and I was concerned that the alarm wasn't set. And I started--I was just very weird on that night, and I explained it to her on the phone--
I said. "Rachel, this is weird, all these things that are going on here right now." I said--I explained to her about the noises I heard. She asked me about checking it out. I go, "I didn't see anything." I had said about O.J. coming by--asking to help out behind the house, and I thought that was kind of weird. And then I said, "We never got the flashlight," and then I just went, "And now this alarm isn't set." So without the alarm being set, I was like--now I said, "Now the house is kinda like open." And she was going, "Sleep over here. Come over here." I said. "No. Now I better not come over there." So she was convincing me to come in to sleep the night, to come to her place, and then the phone clicked in. At some point the phone clicked in.
Yes.
THE VIDEOGRAPHER: We are going off the record now, and the time is approximately 2:27.
When you were on the phone with Rachel Ferrara, at some point you said you heard the call waiting signal?
I told her, I said, "Ah, Rachel, hold on. The other line is ringing. Let me check it." So I checked it, and it was O.J., and he said that he had forgot to set the alarm and that I should set the alarm. And I said, "I don't know the alarm code." And so he gave it to me over the phone, and he told me the procedure, what happens when you set it. You wait a few seconds, and it will turn red. That means it's set. So I said, "Okay, I'll do it." And I didn't really hear any noise. I don't know if it was the airport or not. I didn't know where the phone call was coming from. In my mind I think I was registering that it wasn't the airport because I didn't hear any real noise, but I didn't know. I just got back on the line with Rachel and said, "You won't believe this. I'll call you back again," because I've done this all night to her. I said, "I'll call you back again. I'm going to go set the alarm now." So...
Yeah, I put it on like a little pad next to my bed I had. And so I took it out there with the code, and hung up with her and ran out to set the alarm code.
Yeah. It went from green to red, so I knew I had done it right. And so when I'm punching it in. I was outside going, please, hurry up. Go, go, go," and as soon as it did, I ran right back to the room.
In other words, the first time you were on a call, you hear the call waiting sound and you check who it is, and it's O.J. Simpson?
Yeah. I think it could have happened maybe once, but I don't remember. It never happened any more than once.
I think it was, "Kato, you won't believe this, but I forgot to set the alarm, and you're gonna have to set it." I said, "I don't have the code. I don't know it." He goes, "I'm going to give you the code, and I'll tell you what you have to do. And what happens is it goes from green to red, and when you punch in the code, you have to wait a few seconds and then it will go to red. That means the house is set. That means the alarm is on." I said, "Okay, I'll do it."
I said, "That was weird. I had to set the alarm." I said, "It's a weird night, Rachel. I don't know why. It's just a weird night." So I'd gone over the whole night of what happened, and that was pretty much it, and we just talked, and she was continually trying to convince me to come over. I didn't ask her to come over to my place. I don't think I did. And, you know, then I just mentioned everything from the typewriter, to the noise, just the weird events of the night, explaining to her. So I think I was freaking her out, scaring her, and that's why she kept telling me, "Come over."
Yeah. I was on for quite a long time with her. And I had the Calendar section of the Times because I wasn't tired. So I started to read that Calendar section, and it was about 1:30 when I heard high heels, the clicking of heels. It sounded like a woman's heels going --coming from it seemed like the house down the pathway, and I assumed in my head it was Arnelle.
Yeah. That's why I assumed. I probably heard her door open. I'm not positive, but I'm assuming that that all happened. But, yes, definitely heels. And when I heard the heels walking and all that, I just turned my light off, and I felt she's there, and I felt a little safer that there was someone else on the grounds.
Let me ask you a question back about the limousine: When you saw that limousine out there on the outside of the Ashford gate when you came out the first time to investigate--
--was that the first time you had ever seen a limousine parked out there waiting to get in?
I was having--I wasn't sleeping good at all, and it was one--like I said, it was still--Arnelle was home. I felt better that someone's on the grounds but still shaky, and I wasn't--I was not in a real deep sleep. And during part of the night I thought I was dreaming, but I kept hearing the continuing--continual ringing of a phone. And the phone from the house rings different than my phone, and it was kind of like a phaser on stun, that kind of noise from STAR TREK, that (sound), that kind of noise. So that noise kept going on and on and on, and I thought it was in my dream. I kept going, what is going--because it seemed like it was for hours. But I was just turning and turning, and then there was a pounding at my door.
In that--I mean, I don't know how much time had passed because I was tossing and turning, but there was that phone ringing noise. It was pretty continual.
"Who's there?" And they said, "The police." And I went. "Oh, God," and I got--I looked through that little latch. I have those wooden panels, and I couldn't really tell if they were police. They were in suits. And I started thinking about the whole night and I go, "Oh, my God, are they really cops," and all that, and then I kind of saw a badge on the belt, and I opened the door.
They asked who I was. You know, I don't know the exact order of everything. They asked who I was, and I told them who I was, whose house it was, who else was here. One of the detectives came in then, into my room, asked me what I wore that night, checked the things that I wore from jeans to boots, and I started going, "What happened? Did O.J.'s plane crash? What's going on?" They wouldn't answer me. They wouldn't answer anything I was asking them. I'm going--and so I was just getting very uptight. And at some point they said, "Is someone else here?" I pointed to Arnelle's room, and I think Mark Fuhrman stayed with me and did a test with the light or--one of the two, to see if I did drugs or something.
I think it was follow a pen. It was one of the two. It was definitely one of those tests, though.
Right. My eyes were red. My eyes were red. And he asked me then if I smoked pot that night. I said, "No."
Because I have this infection here (Indicating). It's still kind of red. I have these things on my eyes, and they always are pretty much red, and if I read, they get real red.
And what did he do when he looked at your clothing? This is clothing that you had taken off?
Yeah. And I still was--I couldn't figure out what he was talking about, so--but I was showing him everything, and I was kind of talking very high energy and going, "I don't know if it means anything"; I told him about this noise I heard. I said, "I heard this noise back there, and this picture moved. I thought we had an earthquake again." I mentioned that thing and--
And then--Well, let me get back to looking at your clothes. What did he say to you about your clothing?
He was doing all the talking. If he had something to say, he would tell me, but everything I was saying, he wasn't really paying attention--he was paying attention, but he wouldn't really comment on anything I was saying.
The sole of my shoes. He might have looked around the room. There was a point where I was out of my room, too. He was still there, and I came in. It was very confusing. I was just very flustered. And so much was going on, I was trying to remember in the right order, but Detective Vannatter--Detective Vannatter took notes at one point, and I was at the bar, and I told him the events of the night.
Well, Fuhrman I was telling kind of everything to. It wasn't--it was just kind of, "Yeah, well, did his plane crash? Did this happen?" "Did you smoke pot?" "No, I don't smoke pot." "And who else lives here?" "Arnelle." I go, "I heard this noise. It was here. It moved my picture." And then he'd go on. And I was talking very fast.
When he finished--when Fuhrman finished talking to you in your room, what did the police then do with you?
Oh, I was--they never left. There was always someone with me. I pointed out where Arnelle's room was, so two of them went there. They were pounding on her door for quite a while, like pounding on her door and pounding on her door, and she wasn't answering.
Yeah. I was starting to think, "I know I thought I heard"--you know, from the footsteps, I think I said, "I think she's in there. And there was pounding and pounding and pounding, and it seemed like three or four minutes she then came out. They said "Police" again.
Now, did you say anything to the police about the alarm being on or that you had set the alarm?
They might have asked me that. I might have said something about that--probably when I was sitting at the bar with Vannatter, I said about the call coming from O.J., that he asked me to set the alarm. I don't think I had set it until then. I think he asked if there was an alarm to the house, and I think I said, "Yeah, there's an alarm." If I had keys. I said "No."
No. There is patio doors here (Indicating), but this is the door that would kind of walk into the bar.
Yes. There was always someone with me and her at all times, and then they--someone pointed out that I should just have a seat here, and that was a seat at the bar. But I don't know exactly when because I know I was in the kitchen at one point, out of the kitchen, and that's when they asked me if I knew about the Bronco keys were, if there were a set of Bronco keys. I said "Yeah. I think there's another set around here somewhere," and I helped look through like a drawer or two but never found them.
If it was--I think stuff about O.J.'s flight, what time it left. I said he was in Chicago. Yeah, I mean there's a lot --I mean, if you know something, I mean--
There's that. There's looking for the keys. Then at some point they told us the news of what happened.
I think it was on the phone I heard Arnelle scream, and that's when I knew something, and then they--came in.
They asked if I knew her. I said "Yes, I know her," and they asked me some questions about her, and I think I explained to them how I knew her, and then I told them--
Yes, in the bar area. See, part of this--where I'm at the bar area where I'm at a bar stool with Vannatter taking notes, and I can't distinguish exactly the scream, when they came in, when I started looking for Bronco keys. Everything is just so --happening all at that same time, it seemed like, so I can't tell you exactly. It seemed like I was--sat down right away, though.
That's when they said I was going to the police station, and then they led me out. And when they were leading me out, they said, "Watch out for the blood," and I went--and I saw blood on the ground.
Quite a few. It's one of those floors that has--they're the round circles to the floor, the wood, and they're like that pegs--
And it seemed like there were quite a few. I can't give you a number, but it seemed like with those dots and everything, there was quite a few drops of blood.
I'm guessing about 6:45, 7:00 a.m. I'm thinking--I know I was waiting on the street for a while for the police to take me down.
I think at one point they let me put on jeans and a shirt. I don't know exactly when, but definitely when I was waiting in the street, they let me go and get some clothes on.
No, they didn't. They said they had a squad coming. And the squad never showed up, but there were squad cars there already, and then they just said "You guys take him." So the squad they called to take me never did show, and there were two other cops in uniforms outside, that were outside on the street. They were the ones that eventually took me down there, because the people that were supposed to, whoever they were, didn't--weren't --didn't show up.
Correct. I usually don't have any before that time, anyway, so I would assume there--don't assume, but...
When was the next time after you left your room after changing that you next were in your room?
Oh, I don't think I went back in my room until like Monday at 10:00 at night or 11:00 at night.
I had--the entire tape was filled up. And I was with the police there, and it was so long. I just heard my mom was crying. And I wasn't aware that it was a big media event yet, so I didn't figure out through my mom's message she thought I was dead. So someone had told her that the person that was dead was me, and so she was leaving this message, and like I couldn't figure out exactly what was going on. So that--I hung up the phone on the thing because it was so long, and the police then called me back into this room, so I never finished it.
No. But it's a beep that I could tell that it was like full. I think it's a 15-minute tape.
They said to me it's not good for me to go back right now. It's a big huge media thing. They said, "Where do you want to go?" I said. "Take me to my buddy's house, Grant's," so they dropped me off there. Grant Cramer.
I think I was at Grant's house probably from, estimating, 5:00 until maybe 9:00, 8:30, 9:00.
I got a phone call I think maybe the next day there or was--it could have been the same day there at Grant's house, and I think it was Cathy Randa. It could have been that same day.
That Howard Weitzman wanted to talk to me. And I don't know if she gave me the number or I gave her that number where I was at; I don't remember, but I remember talking to him at his house, at Grant's house. Weitzman on the phone, and it was a three-way call. O.J. was on one line, too.
Now, did that call with Weitzman occur before you went back to Rockingham on the 13th or after?
I didn't have any clothes. I thought everybody was wondering, where's Kato? Why isn't Kato here, and I didn't want it to seem like, God, Kato's not here. I wonder what he thinks. One of those things where everybody was going to gang up on me. So I felt like it was my--I should go back to the house.
And you believe as of this time you had spoken to Mr. Weitzman and Mr. Simpson on a three-way call?
It was a call where he was asking me about the events again. Howard Weitzman asked me what went on and...
Yeah, because this is --I want to think here, because I remember talking and, boy, I can't give you the exact time in my mind--
Is this the first time that you had spoken to Mr. Simpson since learning about Nicole's murder, was on the telephone in the three-way call?
What my mind says is I thought I saw him in person that night first. I thought that's what it was.
Okay. So I got dropped off at Rockingham, and I think they let me in the gate. They saw it was me, and they let me in the house--
There was people there that I didn't know, and some group was all family, and other people that I just did not recognize at all.
People were continually coming in. I couldn't tell you from day to day when I saw one person, if it was the Monday or a Tuesday, because it was like a continual flow of people coming in, into the house. So I walked into the house, and everybody was in the living room, and there were --all three TVs were on. There was a big screen and two TVs above the big screen. And O.J. was sitting in a chair. It was kind of like--this one is kind of a leather chair, but a big one. And I was to the side, and they were all watching the--I think it was KNBC and shouting things to the TV.
Well, like "Oh, no, that's not true," or that--I don't know the exact things, but, "What are they saying"--
So I was behind the chair where O.J. was, and I just remember him with a tissue with blood on a finger, and I just was like in my head thinking, oh, I didn't want to be right there at that time. And I remember O.J. saying something like, "Well, Kato knows where I was." It was a thing about the McDonald's, I think, on TV. And someone said, "Kato's right there," and then O.J. looked, and I said, "I'm sorry about what happened and about Nicole," and it was me saying that. And I think I went into the kitchen then and--
Before you went in the kitchen, when O.J. said. "Kato knows where I was," did you say anything back to him about that comment?
No. I think I was quiet. I was pretty much quiet the entire time. I wasn't feeling good, and I was shook up from everything.
You then--By the way, at that point did you associate back to the noises that you heard the night before?
I thought of everything possible, and I was getting sick to my stomach with everything. I just was thinking about the events of everything and going, why did I hear that, why did I do this, and the setting the alarm--everything, I was just trying to figure out. I was going, no, it can't be, and just all that stuff was adding up.
I wanted to go away, just myself. It was nothing against any of the people. I just wanted to get out. I didn't feel good about being there.
No. Well, I left many times. I was there. I never--I--slept in the room again. I kind of gave my room up. I slept--when I stayed there. Other times I slept at Grant's house or a friend's house during that time, and I didn't go really back into my room. I gave it up to the family, O.J.'s family members.
Either I was in the kitchen first or O.J. was in the kitchen, but we both ended up in the kitchen.
Right. I think it was condolences I started giving again, and then I propped myself up on the kitchen sink. I kind of hung over. And I believe O.J. just said, "You know I went into the house from McDonald's." And I--
I don't think I--I think that was the end of the conversation. Maybe he went back into that room or I took off. And I think I just said, "O.J., I didn't see you go in there. I didn't see you go in the house. I didn't"
Something came up. Either someone came in or there was a disruption. I went to my room. I don't remember right now.
Remember, he doesn't want you to--anything you don't recall, he doesn't want you to testify to.
Yes. That next day I went to Robert --to O.J.'s business, where Skip Taft and Robert Shapiro were.
Before you went there, had you already spoken to Mr. Simpson and Mr. Weitzman on the three-way call?
I think so. I think there was a call about the meeting. I don't remember if it was Cathy Randa set it up or--there was a conversation, though. At the time, I just don't know.
Okay. Well, tell us as best you can recall what was said in that conversation with Mr. Simpson and Mr. Weitzman and yourself.
I believe that he was saying that I was gonna be at a meeting, if I had a problem going to-- talking to Skip Taft I think at that time to talk about the events of the night and about O.J. and Nicole, their relationship. I said. "No. I don't have a problem. I'll go." And I--the part of it was O.J. saying to me. "Just tell the truth." And some of the other dialogue. I just can't remember. I don't remember it being very long. And then I remember going back to the house for some--at some point to the Rockingham house and more people being there, and one comment of--that a person made just sticks out in my mind.
Mark Slotkin. If I saw the face, I'd know it, but I think it's Slotkin. Said --there were many people in the room, and I was going to meet with Shapiro and Skip Taft, and I had met him before, Mark Slotnik--
Slotkin. I had met him before, seen him before, and I met him--I didn't know him well enough--you know. I never had hung out with the guy and all that, but he knew my name and he just said. "It's O.J., man. Get your story straight. It's O.J. Get your story straight." And I got so scared from--I couldn't figure out why he was saying that to me, because he didn't know me.
"Oh, okay. And the whole time this was going on, I was just sick to my stomach. Went down to the office to meet those guys. I went down to the office to meet those guys, and they did an interview with me.
About how Kato was doing. And I think that during a part of it, part of the interview, a call came in. I think at that time they were getting Henry Lee. I think already they were getting specialists. That's all I can remember right now.
Well, we will have to stop here for the tape change. Okay? We will take a short break.
THE VIDEOGRAPHER: This is the end of tape No. 2. The time is approximately 3:18, and we are off the record.
Mr. Kaelin, tell us as best as you can recall everything that was said in the discussion with Shapiro and Taft.
Okay. It started with a kind of a history of how I met Nicole; it went into the move from Nicole's to O.J.'s; it went into that night of events; it went into history, I think, of fighting of O.J. and Nicole; and then it ended with--I have that--the questions they asked me. I'm trying to think--
A transcript of it. And basically all the events of that night, they went into and talked to me about that.
Yeah, then I took off. I called back at the house and said I was done, and Arnelle and Jonah picked me up again.
I don't know if I stayed or not. I stayed one of the nights, maybe two of the nights. I can't distinguish exactly what nights I stayed there. I could have stayed that night at the Rockingham house, but then again I could have headed over to Grant Cramer's that night.
Well, it was a few things: It was seeing so many people that I didn't know and everybody that knew me. It was seeing people make comments to me, from Mark Slotkin to just other people that were all, "Come on, Kato." Just statements. I mean, that one with Slotkin sticks out, but it was kind of a bunch of people I didn't know making comments to me about what went on when no one knew exactly what went on because I didn't tell anybody about all these events. So no one knew anything but me.
There was a lot of shouting at TV reporters, just, "How can you say that?" It was just a lot of--there was a lot of people in the house, and I, thought it would be better if I wasn't there, to giving them more room to people.
Yeah. Well, it happened after the Shapiro--the next day, and even before the Shapiro-Taft interview there were always people there.
I--yeah, I pretty much--my stuff was still there for a bit, but two of my friends picked it all up when I got a place.
Let's go back in time now to when you first--no. Let me back up for a second. Had you ever in all the time that you knew O.J. Simpson --which was what length of time did you know O.J. Simpson?
So from the time you met O.J. Simpson in February of '93 until Nicole's death in June of '94 is about a year and three months. Right?
And during that year and three months, you lived at Gretna Green in the year 1993. Correct?
So during this entire time that you knew O.J. Simpson and during the time that you lived at Rockingham, how many times did you and Mr. Simpson go out together alone?
From the time even on Gretna Green to that time of Nicole s death, maybe once, twice. Just us two?
Okay. So the two of you never did anything as friends alone together, like go to the ball game or--
Yeah. I had a dinner when Michelle would cook up like a special chicken. It would be--I could come in for that, and O.J. would be at the table. So I got an invite for that.
And all told, do you have any estimation of how many hours you've ever spent with O.J. Simpson alone or with others?
Just so that I'm clear, are we talking about the time before he moved into the--
Total time of spending time together-- I want to distinguish from spending time to actually seeing him. If you could just maybe be more specific.
Because seeing him would be different, right. If he saw if I just waved and he drove off, that would be different.
My friend at that time was seeing her, you know, somewhat, and he said that she's throwing a party--
Grant Cramer. He said. "She's throwing a party, so why don't we go to it." I said. "Oh, okay, Nicole from Aspen." I wasn't--you know, I wasn't really keeping in touch.
Yeah. I didn't know it for quite a few hours. Then he said, "Do you know who that is and who I've [sic] been talking to?"
I didn't spend too much time with them at all. They were together almost the entire time with Faye Resnick.
No. I mean, they were divorced. I think, but there wasn't too much talk about that. She was talking about some other guy.
Yes. When I saw Nicole in Aspen, the times I did see her I was always kinda goofing off and making her laugh and just being the third wheel. You know, if they were together. I was just the comic relief.
Yeah. I talked to her a lot that evening. I mean, there was a lot of people there, but it was like kind of a reunion, so we got--I think I got more attention.
So we got to the party, and it was pretty much packed, and there was a bartender and there was food everywhere. It was like, oh, my God, I can't believe this. I was expecting a quarter barrel, and you know, that kind of party, but it was like a classy party. I'm going, "Oh, my God, there's salmon and all." I go, "I'm not used to this kind of party." So we ate, and then just jokes throughout the whole night, and then I saw the house back there, and I said, "Who lives back there?" I go. "What a great pad." She goes. "No one lives there." I said, "Oh, could I?" And I was kind of joking. And she goes. "Yeah." And I said. "No, no. I'm serious. Can I live there?" And she says. "Yeah, I'm serious, too. You can have that place, and we'll work out some deal." I went--I kept going, "I'm really serious. I'm gonna do this." And I was living in Hermosa at the time. And that was pretty much it. Because I called like the next day or two. I said, "I hope you still remember," da, da, da. And she goes, "Yeah. Come check it out." I checked it out again there, and she goes, "You have to move out all the furniture, though." They had all this furniture and a treadmill and I think a Stairmaster. It was packed with stuff. She said, "If you move it all out, you can have the place."
There was times when I--the kids would always be around when I spent most of my time with Nicole. We never really had--it would be if Nicole went out, I'd watch the kids. But sometimes she would come by and talk to me about the night or just have times when the kids went to bed and I could come in. There was total access to the house if I wanted it. So if she was around to talk. she'd come downstairs and just talk to me.
One of the guys was obviously Grant at that time, and he was seeing someone else at the time, and one of the conversations was that he wasn't gonna see her anymore and that she told me he's never allowed in this house, and I went--"He can never come over, and if he comes over, you have to leave." She told me that. So I went, "Okay." So I told Grant that, and he went "Fine," so he never came by. The stuff about Brett Shaves, she had said that when she was in Aspen, he was starting to bug her, so she wanted to get rid of him, and I guess did by starting to see Grant. I didn't know too much about a guy named Joseph. She had mentioned a guy Joseph, that they were friends. I didn't know where it was in the relationship, but they seemed to be more friends than like daters, dating, and they kept in touch, I think, and...
Because I think she had mentioned something that she had seen him or not, but I looked and I thought, no way that guy was her type. So I didn't--until she told me--I think she told me, but it wasn't a thing that I had thought, this guy that she used to date. I think she brought it up once or twice.
She said certain things about Marcus at different parts of the relationship: That Marcus was--liked her more than she liked Marcus, and that I think it might have changed at one point, but at that time when I was there, it was kind of Marcus liking her more.
She told you that she was seeing Marcus Allen and that he liked her more than she liked him.
Did she say anything to you about whether Mr. Simpson should or should not know about her relationship with Marcus Allen?
I--yeah, that she shouldn't know --O.J. should not know about Marcus ever coming by, and if he ever came by, he would park somewhere different.
Did she ever tell you not to tell Mr. Simpson about people who were there, like Marcus Allen?
Well. I tried not to--I mean, I knew kind of what was going on, but I wasn't going to say anything. I mean, I don't know what they were doing behind the closed doors and that, so I didn't--
She didn't like say. "Don't say a thing." I think she was more like, "Boy, O.J. would go crazy or something he knew Marcus was here."
There were points when the conversations would--she would say some intense things certain days and then say it again maybe three days later and say certain things, and I'd go "Really," things that I--like, "Kato you're being videotaped." And I go, "What?" And my phones were tapped. And she had said that O.J. would kill her one day. She said this.
I'm sure I brought that up, but I would be going things like, "He'd be jealous of me?" Like that, and I think it was kind of just the reply would be, "Yeah," and it would end there.
Now, you said Nicole told you that O.J. Simpson said that she--excuse me. You said that Nicole told you that O.J. Simpson told her that he would kill her.
I didn't mean to, so I must have misunderstood you. Why don't you give me that testimony again.
You can tell it to me again. What did she say--what did Nicole tell you about O.J. Simpson in that regard?
I--he--it could have been said that way, I mean, I know that she said that she thought O.J. was going to kill her one day and that O.J. might have --she might have said that O.J. was going to kill her one day. I think. I can't be 100 percent positive, but it could have been part of the dialogue.
Is that what Nicole told you, that O.J. Simpson was partly--was jealous in part because she was dating other men and in part because she was independent?
There is a thing that she thought if she was--at certain times in the relationship, if she could be not needing O.J., she said that would be driving him crazy because...
Nicole told you that if she could not be needing O.J., that would drive him crazy. Is that right?
Right. Because she would say to me that O.J. likes to manipulate. So he was going to manipulate other people around her and herself. So she would say that he was the king of manipulators, and so he could manipulate people.
Not ongoing. It would be --it would happen certain times when she would have hot tea at the end of the night, on certain nights.
She told me about in 19---I think it was in New Year's Eve she talked about a party that O.J. beat her up. I believe it was the '89--I don't know if that's the '89 911 call, but it was an incident in '89, and I think I remember it being a New Year's Eve party, where she talked about getting beat up by O.J., and that's the one that I remember.
Oh, when I was in Gretna Green. During the time I heard it more than once; that, you know, if I we had tea one night, she would bring it up again about possibly getting back, and she didn't want to get beat again, and so it was that story would come back. I heard it probably in March and in April.
And in that--excuse me. In conversing about that, she would bring up that she didn't want to get beat up again?
Yes. It was that, and she had told me that sometimes O.J. had other women, and she didn't like--she had told me that in all the time she was with O.J. that she never cheated once and that she said she was totally faithful to O.J. during the relationship, and she couldn't understand why he didn't stay faithful, and caught him with other women.
I don't know who the girl was, but it was at the--his house on Rockingham one time when they were married.
At certain points when she was pregnant, O.J. said, "You re fat," and I think, "You're looking like a pig" or "You're getting fat."
No, but what I am asking you is: When she was talking to you about these stories about O.J. Simpson that you're relating, did you know who she was talking about?
Yeah. That she got bruised up, and she had--something was fractured. I think she fractured part of her head.
That the police came out there, and I think she said she was in her underwear and bra, and the police came by. I think the cop gave her a coat or something like that. And said "O.J.'s beating me," or something like that. And they said something like "Don't let him off," or--don't know the exact words. Like, "He did it, so take him in," or something like that.
I think she said, "The cops didn't take him in. They said it was O.J. Simpson, so they didn't want to take him in."
That--I don't know how it works, but thought that she didn't press the charges. I don't know if the person has to press the charges, but there was no charges pressed.
I think because O.J. came outside, and I think there was like a--they reconciled it. I don't know if the police had talked--I don't know the exact--
Okay. But the substance of it, did she say anything to you about why she had not pursued legal action against him?
Specifically I think there was another beating, but I can't remember the beating offhand. I remember there might have been something where mentioned about --or she found a woman in the guesthouse one time, and I don't know if there was a beating or not, but it was I think when she was pregnant, but I don't know if there was a beating involved.
Yeah. She said that she thought Sydney --I used to say, "God, Sydney's like six or so or seven," and she has this thing called a "nuck" or whatever. It was a blanket, and she'd suck these fingers at all times, and she said she--Nicole would say that she's doing that, she was like desensitized from all the shouting that went on, and she could sleep through all the fighting, and that's amazing.
There is one beating that he's talked about. When you say "beating" and "beatings"-- You've got to be quiet, O.J.
MR. Simpson needs to not talk, because it could have an effect on the witness.
I believe Nicole said Sydney had seen a beating or a very big argument at one time and went right to bed and was--she was relating that she was used to it, the arguments, and Sydney would go to bed and sleep through it.
Did Nicole ever tell you whether or not she ever received medical treatment for a beating by O.J. Simpson?
I believe that was when she got a fractured skull, and she went to the hospital, and it was from--I don't know if it was a fall or it was from the hit, but it was related to the beating, to the fight they had, that she injured something, that I believe it was a fractured skull.
Did she tell you whether she told the doctor that she had suffered it as a result of a beating?
That's what I'm trying to find out, whether or not she told the doctor about the meeting--excuse me--about the beating.
She didn't tell the doctor about the beating. It was from something else. What it was, I don't remember.
You're telling me that Nicole told you that she told the doctor that the injuries occurred from something else.
To the doctor. She was telling--she was basically lying to the doctor of what really happened.
Yeah. I believe in our relationship we got close pretty fast, though. I mean, it was the thing that she trusted me with her children, so I thought it was--that's what the basis was, that she saw that I was trusting with the kids, and I think that made her open up to tell me things. So I think, you know, she opened up --she trusted me in telling me things.
I think anybody that's a mother that would give their kids to me while she went out would have to be pretty trusting of me.
I think that. I think having the key to the house. I think she felt comfortable, if there was money laying around, she knew I would never take anything. I just think the little things just made her trust me.
She had told me one day that--one night that--she goes, "I think I'm falling in love with you." And I said, "No, no, no, you're not. We're friends and that's"--at one point she had said that, but I knew--I thought it was just--it couldn't be. I thought it was just she had said because I was good with the kids. And I was on a date when it happened, and she said I was so polite opening the door and all that stuff, and I went--and I had the date in the room, so I said "No."
When Nicole told you that she thought she was falling in love with you, did you think she was kidding around?
I thought it was somewhat--I knew it wasn't--she wasn't falling in love like "Let's get married" love, so--
Can I just have the last of the last answer because you answered--your question came out on the heels.
What I am trying to find out is when Nicole told you that she thought she was falling in love with you, do you think she was expressing real feelings to you, or was she joking with you? How did you take and understand her statements?
Okay. Now, I took it as not a joke, but it wasn't plausible for it to ever happen because I wasn't attracted to her in a romantic way, and I think that's pretty much where it stopped.
Was not attracted to her romantically. And the period after that, it was like no talking for a week because I had said that.
That it couldn't happen. "I could not be romantic with you, and I think at this moment you're just saying that," because it was a night that we had gone out and had drinks.
This happened when I was living at Gretna Green. I would say it happened maybe in April, May.
Well, I mean, I think she just did it anyways. I think she knew I was around. But like when I had my daughter there and she would do it, my daughter would just go, "Why is she doing that?" I said, "It's okay. We'll walk out," and we'd walk out, head down. It wasn't --she just did it.
Did there come a time when--Well, first of all, have you told me everything that you can remember about Nicole being beaten by O.J. Simpson that Nicole told you?
Did there come a time when Nicole told you that she was attempting a reconciliation with O.J. Simpson?
It could have been in May, but I think I mentioned before that it was a constant kind of reconciliation in the time I was at Gretna Green.
I meant, you know trying to reconcile with him. Was there a few months where there wasn't any effort to reconcile?
I thought maybe the first three months, although he came by and got the kids and that. but there was no contact that I remember seeing, and then it maybe happened possibly in May.
When she told you, do you know whether you had already heard from her about her prior beating or beatings?
Now, did you say anything to her to the effect of, "Why are you going back with O.J. Simpson?"
That he was going to be committed to her, that I believe that he was done seeing Paula, I think it was all over, and I think they were going to try to make it work, just those two together again.
Did she tell you about whether she was satisfied there would be no beating in the future, no physical abuse?
I think she just said that there was they're gonna make the relationship work. I think if there was going to be a beating, she'd never see him again, that if there was--that O.J. said there would be like no fighting. I think they were just trying to make it work and--
I am not asking what they were trying to do. What she told you when she first told you about her getting, back together with O.J.?
This was the first time when O.J. began to see Nicole that you had ever seen them as a couple. Right?
Yeah, --like I said, O.J. had come by a few times, though, to Gretna Green, but this was--this was when they were dating. But, you know, sometimes he came by with the kids--or he would see the kids. Sydney and Justin, and she'd be there, and--but it was a thing where there was some talking going on, but I don't think the dating process had started yet.
And do you know whether, starting in May when you believe they began to date again, whether Nicole saw other men in addition to O.J.?
Well, there was a period where they--that O.J. and Nicole went on a vacation that I thought that was in my mind their reconciliation trip was going to take place, where she went--I don't know, think it might have been Cabo. But there was a trip they took together, and I think it was after the Marcus incident, and they were going to try to make it work, their relationship.
Yes. And the first--the trip--I asked her how the trip was, and I believe she said the first two days were just terrible, and then it got better after that.
Yes. I would say her best friend was Cora Fishman. She hung out with Faye Resnick. She hung with Chris Jenner, a girl named Cici. Don't know her last name. I think that was it. It was kinda like that it was Cora and Cici. and mostly Cora would go running every day. They'd go on runs. But I thought Cora was the closest one she said was a friend, and sometimes she said different things about Faye Resnick.
When Nicole and O.J. started to date again, did Nicole tell you about any ground rules that the two of them had established for their reconciliation?
There was something about I believe not seeing anybody else, and that was it. If they were going to do it, it had to be just those two.
When she started to date O.J. Simpson, did you begin to develop a friendship of your own with Mr. Simpson?
Yeah. When they were together, I thought it was--when those two were together and all that, I was supportive of them making it work.
There were like not so much an argument, it was like a quiet time where you could tell there was something going on. There was no talking going on. So it would be a situation where, if there was no talking going on, I knew something was wrong.
I know that I saw that the Bronco was parked kind of in front of Gretna Green with the flashers on. I went, "Oh. O.J.'s here." So I was coming back from I don't know where, but I was coming back from somewhere, and I started going in the back of the house in Gretna Green, and I heard shouting going on, and in the process--there was a fight already in progress when I got there. So I went right to the guest house because I knew there was shouting going on, and it was loud shouting. So I saw that the French doors to the Greta Green house were open already, and O.J. was yelling at Nicole, and I saw that she was on the phone in the kitchen, and they were about 10 feet apart. And I saw it was escalating, that the voices were getting higher and he was screaming louder. and I put my head out of the guesthouse, and then I finally said, I'm going to go out there and find out what's going on. I said, "What are you guys fighting about?" And then he turned to me and started kind of directing the energy to me of the yelling, and it was a lot of shouting about the National Enquirer, that there was some kind of article printed in the National Enquirer. "They're always picking on me." And then at some point he went to a door. In the bottom level there's a door that was locked in the Gretna Green house, and it was locked, and he was going--trying to open it and said, "Who's in there?" And I kinda looked at Nicole and went, "Is someone in there?" I thought there was a guy in there, in the house. And I was going, "Oh my God, I hope he knows there's like a back door. I don't want something to happen here." And then there was a picture--there was a lot of shouting about some picture that Nicole had up in the house of an ex-boyfriend, and then I just remember Nicole on the phone crying and calling 911, and then the police came.
Well, it was--when I came there, it was O.J. that was telling me the events that were happening, so I made sure that it was going towards me while Nicole was on the phone.
He was telling me--I didn't--I wasn't making sense of all the things that he was talking about because I don't know what was going on. I kept thinking, there's someone in that room. In my head I'm going, there's someone in that room. I'm going, oh, boy. And then he was just talking about some picture she had up, that he doesn't have pictures at his house up. The National Enquirer had put some bad article about him, and I believe it was about [Name Deleted]. I didn't understand that whole dialogue going on about having oral sex in the living room. I didn't understand that until later, what that was all about, because I didn't know what he was talking I about.
But you--what you're saving is that Mr. Simpson was talking about at that time [Name Deleted] and Nicole having oral sex?
Yes. The French doors were broken, were kicked in, I guess, and I fixed them when the cops left.
Yeah, just had them closed, so it was like putting nails in them so they would stay locked, you know, temporarily, until the guy would come out.
Yes. I didn't want to make it my business, that I had nothing to do with it, so I let them, you know, deal with whatever was going on themselves, and then I--
She was talking about what the yelling was all about, about some picture. That's what I thought it was, some picture of a guy she had up there, just a friend that she used to date or--and that O.J. she said had blown up over that. And so I fixed the door, and I don't know if she talked about the police report, if there was a police report filled out. I don't remember if there was. The cops just gave cards out to them, cards to her to call if anything ever happened again, and --but when the cops came, they all went to my room with O.J. to talk to him, in that same story.
Yes. Well, they said, "Who's this guy? And he said, "Oh, He's okay," but they all talked in my room. They had two with O.J., two with her. And then I said, "I'll go," so I just waited outside while they talked.
Was, "We're just having an argument." And then I exited, I think, out of there. I was--it was their thing, so went off by the pool area.
The Bronco was kind of parked in front of the driveway, blocking Gretna Green's driveway. The flashers I believe were on. And I think at some point I moved it, I think.
Okay. Now, when is the next time that you remember witnessing an argument between the two of them?
Does Peter know what happened at 3:15? Peter, do you know--Can we just go off the record?
Let's go off the record.
THE VIDEOGRAPHER: We are going off the record now, and the time is approximately 4:31.
These women. I just don't understand them.
I'll see that there will be some kind of trouble with the IRS. She'll get in trouble with the IRS.
O.J. had said that he already had kids and he was--you know, he doesn't want more kids. So it was kind of like Paula's probably not the one.
I had mentioned jacuzzi because I didn't want to hear, you know, how--the upset.
O.J. had said, 'Nicole gave me back this bracelet, and I'm going to give it to Paula.'