📄 Direct examination of Dr. Henry Lee (part 3) — Thursday, January 9, 1997
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▲ Day 38 of 57

Direct examination of Dr. Henry Lee (part 3)

Witness: Dr. Henry Lee
Examiner: Robert Baker
Called by: Defense • Date: Thursday, January 9, 1997 • Utterances: 544
Defense criminalist Dr. Henry Lee walked the jury through his analysis of crime scene photographs and physical evidence from the Bundy Drive murders, focusing on blood stain patterns, unidentified shoe imprints, and significant problems with LAPD evidence handling. He identified multiple blood deposits on the envelope, a parallel-line shoe imprint inconsistent with Bruno Magli shoes, and a blood spot that appeared on the envelope after it was moved — none of which he could fully analyze because he was given only 20 minutes at the crime scene and denied permission to test most physical items.
1 A:

No, I cannot.

2 Q:

Now, Dr. Lee, what's the significance, if any, to any of the photographs on this board?

3 A:

The significance -- (Pause in videotape.)

MR. P. BAKER: Want to take a break now or just go get a board?

4 THE COURT:

Need a break?

THE COURT REPORTER: Yes.

5

THE COURT: Take five minutes. Don't talk about the case, ladies and gentlemen. Don't form or express any opinion. (Recess.) ( JURORs resume their respective seats.)

6 MR. BAKER:

The board on this one is missing from the back. I don't know where. (Videotaped deposition of Dr. Henry Lee continues.)

7 Q:

There's blood, or Mr. Goldman's blood?

8 A:

No, I cannot.

9 Q:

Now, Dr. Lee, what's the significance, if any, to any of the photographs on this board?

10 A:

The significance of this board in the middle shows a diagram, and the periphery area, a variety of photographs. Those photographs appear to be first generation of photograph, in much better quality than the photograph provided to me. The first photograph I can see more blood-stain pattern in the back fence, also besides the area, a pointed -- the wooden post, direct on top of the post in between the leaves, have an exposed area, reddish, blood-like stain, also observed on this post. So as far as the height of those blood-stain pattern never established. So exactly how high those blood-stain deposit, I have no knowledge and cannot reconstruct at this point of time. In addition, I see more green, fresh, look like leaves of vegetation on the ground.

11 Q:

Is that indicative of a struggle?

12 A:

Which it's sign indicative some force has to be applied, the leaves start falling down. As for those keys and the second, third, basically shows the same thing as it depicts in the previous photograph I testified here, consists of multiple deposit contact is here and with one drop. The next frame, a set of key was noticed. And I can see some vegetative material was in the form of -- bended, especially this piece.

13 Q:

Is that consistent with a force hitting that leaf and bending it?

14 A:

It could be.

15 Q:

Okay. Go ahead, now.

16 A:

The next one depicts Ron Goldman's shoes and -- however, with this photo, I can see the blood spatter under his sole is much clearer. In addition, there is additional blood spatter moving from the left to right, horizontal direction. It's inconsistent with this major spatter.

17 Q:

Can you tell, based on that blood-spatter pattern, which occurred first?

18 A:

I cannot tell at this moment.

19 Q:

All right. Thank you, sir.

20 A:

On the left-hand side, we can see the beeper and a dry leaf with vertical drop of a blood on top of a leaf. In addition, there are blood stains consistent with blood drops in this periphery area.

21 Q:

Dr. Lee, do you have any knowledge that any of that blood was collected?

22 A:

No.

23 Q:

Thank you. Go ahead.

24 A:

The next frame shows this depression area and this elongated depression area, with some blood-like stain in the foreground. This photograph --

25 Q:

Let me ask you to back up. Have we seen the blood stains in the foreground of picture -- the second one from the top, before?

26 A:

No.

27 Q:

That's a new blood stain that heretofore we have not seen in any of the photographs displayed?

28 A:

Yes.

29 Q:

All right. And to your knowledge, was any of that blood collected?

30 A:

I don't know.

31 Q:

All right.

32 A:

The next one, we see a distance, small distance away from post number 5, additional blood stain, medium velocity type of spatter on that post, which we never see before. So basically, I'll summarize what this board depicts.

33 Q:

On the bottom photo on the left -- on the left, right here, sir --

34 A:

Yes.

35 Q:

Now, is the area -- that again is taken from the other yard, is it not?

36 A:

Yes. This is a photograph taken from opposite neighbor's yard and appears to be Ron Goldman's body still in the foreground, and shows large amount of blood stain, like a spatter-like material on the fence and on the cement.

37 Q:

Is there also on the inside, that is, in the closed-in area, blood, and blood on the outside of the closed-in area?

38 A:

That's correct.

39 Q:

All right. Sir, if you could go to the next photograph.

40 A:

And the next one shows the same post again, next the door. It shows this post. That's not a flat surface.

41 Q:

Okay. And again, you don't have any knowledge of any of that --

42 A:

No.

43 Q:

-- blood being collected correct?

44 A:

No knowledge.

45 Q:

Now, Doctor, I just want to direct your attention and have you look into the area of where there is different colored footprints.

46 A:

Yes.

47 Q:

Did you do that?

48 A:

Yes.

49 Q:

Will you keep that in mind, or I'll bring it back to you. And I'm going to ask you subsequently if that depicts all of the footprints, especially in the closed-in area and the area just below the steps where the body of Nicole Brown Simpson was found?

50 A:

Yes.

51 Q:

All right.

52 A:

Okay.

53 Q:

Thank you.

54 A:

I see label 2, shoe prints here.

55 Q:

Now, let me put another board here in this board as numbers, 47A through I on it, and it is labeled 47. We're on top of each other here. (Indicating to wires of microphones.)

56 A:

Um-hum.

57 Q:

Thank you, sir. This is 47?

58 A:

47. (Indicating to board number.)

59 Q:

Dr. Lee, based upon your background, training, and experience as a criminalist, can you tell me what is of significance in the nine pictures. And if you will, please go one by one in 47 that you have in front of you, sir.

60 A:

Start from the top left-hand corner, which basically is the same photo shows in the previous board, a variety of blood-stain deposit in different post, it is disturbance on the ground. Some green vegetated material on the ground. The photo next to -- underneath that previous one shows a close-up view, shows the blood pattern on the ground, both inside the fence and outside the fence. Also showing the dripping pattern found from up and downwards onto the ground.

61 Q:

All right. Doctor, Let me stop you there for a moment. Does that indicate to you, sir, that the source of the blood is from above the area that's photographed?

62 A:

How high, I don't know. Has to be slightly above that.

63 Q:

All right. And, Doctor, that is certainly more than a drop of blood, is it not?

64 A:

It's more than a drop; it's an accumulation of blood. How much blood in there, if we at the scene dig this area out, we can estimate and calculate exact amount.

65 Q:

And to your knowledge, that didn't -- certainly didn't occur at this crime scene, did it?

66 A:

No. The bottom right column appeared to be -- show a tree stump and a major pool adjacent to the left of this area, some green vegetation, soil disturbance can be seen in that photo.

67 Q:

All right. And, Doctor, to your knowledge, was any effort ever made to determine if that was Mr. Goldman's blood, Ms. Simpson's blood, or a perpetrator or perpetrators' blood?

68 A:

No.

69 Q:

Okay. Go ahead, sir.

70 A:

The middle portion shows a view after Mr. Goldman's body has been moved. The middle column -- the middle photo again shows the fenced area exterior. Neighbor's view shows the same area with some green leaves, some blood drops, blood spatters, and blood patterns.

71 Q:

All right. Anything else of significance on the lower photo in that board?

72 A:

There are some reddish blood-like spatter on the middle portion of the first column, second column, which I never see before, and if, in fact, those are blood spatter, it's consistent with a medium velocity blood spatter.

73 Q:

All right. Sir, yes?

74 A:

The middle column, lower photo, basically is the same photo; they probably print twice. This is a closer area, depicts the view after Mr. Goldman's body being moved out.

75 Q:

All right. Now, in the upper left-hand photo, that's Mr. Goldman, and his body is still there, correct?

76 A:

Yes, sir.

77 Q:

And can you find any imprint evidence on any part of the clothing that you can see there, sir?

78 A:

Yes.

79 Q:

Okay.

80 A:

This, particular photo appear to be taking one of the early, early time which Mr. Goldman's body still at the scene. On here -- on his right cuff region, it clearly a pattern, the imprint type of pattern on the surface. However, this photo was taken at a distance. It's not imprint, not the direct view. The exact pattern, I cannot report to you.

81 Q:

And it would be impossible for you to tell, based upon the investigation that was done at the crime scene, as to whether or not those are shoe prints, true?

82 A:

True.

83 Q:

Thank you. Go ahead.

84 A:

In addition, in the dynamic contact pattern directly in front of his sneaker, this area with a movement, and again the size and the nature of the pattern I cannot give it -- give a more detailed description, but I do know in this region, have a clear pattern.

85 Q:

Okay.

86 A:

Besides that, I notice the disturbance of his shirt, push upwards, portion of a shirt almost cover half of his face. Large quantity of the blood on the left-hand side of his blue jean, that amount, and subsequent I want to exam the blue jean, indicates the blood source is from the up and downwards. If Mr. Goldman was lying in this position, this blood stain very difficult to produce such a pattern. More likely at one point in time he's in an upright position among a large amount of blood gushing out from the wound deposit on the side. Besides that, also I noticed quite a few green leaves on the ground.

87 Q:

The green leaves on the ground indicate that perhaps force was used to --

88 A:

If those leaves was not there before which suggests could have due to the struggle.

89 Q:

Okay. Thank you, sir. Anything else in that Board 47 that we should --

90 A:

The only thing is the bottom board, also see additional green leaves which did not show the other photos.

91 Q:

Thank you, sir. (Counsel displayed board.)

92 Q:

Doctor, we're going to put this board up and label it Defendant's 15 for this deposition. Yes, and this is a board that from pictures that I showed to you; is that not correct, sir?

93 A:

Yes.

94 Q:

All right. Now, again, these are all pictures taken by the LAPD; is that correct?

95 A:

That's correct.

96 Q:

All right. Now, would you please start at the top upper right, or start wherever you like, and tell us what, if any, each photo -- the significance of each photo.

97 A:

The top middle depicts a top view. The photographer -- this must be the photographer's shoes, was taken from up and downwards, a top view of Ms. Nicole Simpson's body. On the step one, show a large amount of blood stain, large quantity of blood stain, which suggests this blood stain has to come from her wound, a major wound, which indicative her upper body has to be in this position before get to here. (Indicating to step and then to body.)

98 A:

In addition, some blood pattern like a swipe pattern on the second step, that also relative heavy saturated blood swipe which indicative that at one point in time a surface, could be a hand or other object, with large amount of blood, touch this area, and the moving from up, from inside and outward. Over hundreds of medium velocity spatter, some are impact spatter, in this area further apart, her throat more likely was cut in this area. (Indicating to middle step.)

99 A:

A piece of paper in the middle of the crime scene and an envelope adjacent to the top right of this piece of paper, numerous shoe print can be seen in this area. Just with the head of a magnifying glass I can see at least 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 partial shoe print-like pattern, at least 11. Some of those shoe print appear to be under the pool of blood, partially covered. Other appear to be embedded in blood which indicative those shoe prints probably more likely deposit in different point of time. Blood drop also found on her back. Blood like smear also noticed on her shoulder which indicative a motion contact exist, a surface touch her right shoulder with a motion. In addition, those blood droplets as relative interest which -- it's more likely from top downwards. Those blood stain should be collected and grouped.

100 Q:

Now, would the blood droplets that are on the body of Nicole Brown Simpson's back, would those -- can you tell from the photograph, were those low velocity blood drops, Doctor?

101 A:

It could be. Those blood drops could be consistent with low velocity. Some are consistent with drop and subsequent floating down along her thigh other are smears and a contact patterns.

102 Q:

All right. Now, if those were low velocity blood drops, then somebody is above her after she is in the position that is shown in the upper right-hand photo, correct?

103 A:

Yes.

104 Q:

And bleeding down upon her?

105 A:

Either bleeding or an instrument with blood.

106 Q:

All right. And in --

107 A:

Or other source.

108 Q:

So we don't know whether that blood on her back is a perpetrator or perpetrators' blood, Mr. Goldman's blood or Ms. Simpson -- Nicole Brown Simpson's blood?

109 A:

We don't know.

110 Q:

All right. Go ahead, sir.

111 A:

In addition, this photograph show me a clear shoe print on the soil surface which is a direct indication somebody have some blood on the sole and stepped into the soil leave this shoe print and also some green leaves adjacent to the envelope.

112 Q:

And the green leaves adjacent to the envelopes; is that consistent with struggle?

113 A:

If this green leaves was deposit due to this incident, it could suggest a struggle.

114 Q:

Okay. Go ahead, Doctor, is there anything significant in any of the photographs that you see?

115 A:

That shoe print pointed out the direction from outside, inward, the lower portion, first picture, appear to be Detective Fuhrman pointing to something. In addition, I can see additional shoe print which we did not see on previous photograph, more blood, floating pattern, and other pattern. The middle one shows that one piece of paper, the piece of paper, a shoe next to it, that's more likely the photographer's shoes on the paper itself, saturated blood stain, blood spatter, blood drops, also pattern, blood imprint pattern.

116 Q:

Is a parallel line pattern also on that piece of paper?

117 A:

Yes.

118 Q:

Would you point that piece of paper out, sir, in the photograph directly above. (Witness complies.)

119 Q:

Okay. And we've got the envelope in the lower photo, correct?

120 A:

Yes, sir.

121 Q:

And we also can see a pattern on the right leg, or can we?

122 A:

Yes. Yes, we can see this pattern on the right leg. Also, we can see the sole -- portion on the sole of -- some blood like stain. (Indicating to shoe of Mr. Goldman.)

123 Q:

Sir, is there anything else in that photo we should be made aware of in the up lower right? In the upper left you have seen a photograph like that previously, had you not?

124 A:

Yes.

125 Q:

Was it the same photograph?

126 A:

Same photograph with less, cut off certain portion.

127 Q:

So it was a cropped photograph?

128 A:

Yes.

129 Q:

Okay. Now, Doctor, tell us what significance there is in the photograph that you see in the upper left-hand corner?

130 A:

Upper left-hand, the most important thing I see is a blood trail consist of seven drops, major drops, with some other minor drops, not formal trail, which I did not notice before.

131 Q:

All right. And if, in fact, that blood had been collected, could you then determine if that was one of the perpetrators or even the dog?

132 A:

It's a vertical low velocity drop because the photograph provided to me cropped out, so you don't see that. Here again, where it come from, I have no idea.

133 MR. BAKER:

Judge, it's going to take about three or four minutes to spool up the other one.

134 THE COURT:

Okay. (Pause in proceedings.)

MR. P. BAKER: Back on. (Whereupon a videotaped deposition of Dr. Henry Lee resumed.) DIRECT EXAMINATION (CONTINED) BY

135 Q:

Doctor, in terms of blood flow from the area of Nicole Brown Simpson's body.

136 A:

Yes.

137 Q:

The blood flowed down the walk to the sidewalk, does it not?

138 A:

Yes. I'll have to look at the topograph of the surface. It's a down hill, slight incline, and from the top is higher and the gravity just --

139 THE COURT:

I think we'll take a noon recess. Let's not talk about the case, form or express any opinions about the case. (At 11:50

A.M. a recess was taken Until 1:30 P.M. of the same day.) SANTA MONICA, CALIFORNIA; THURSDAY, JANUARY 9, 1997 1:41 PM DEPARTMENT NO. WEQ HON. HIROSHI FUJISAKI, JUDGE APPEARANCES: (AS HERETOFORE NOTED.) (REGINA D. CHAVEZ, OFFICIAL REPORTER) ( JURORs resume their respective seats.)

140 THE COURT:

Okay. (Whereupon, the videotaped deposition of Dr. Henry Lee resumed playing, Mr. Baker doing the direct examination of Dr. Lee.)

141 DR. HENRY LEE:

Downwards.

142 Q:

(BY MR. BAKER) All right. And in terms of the blood that would appear on the sidewalk, on the left side of that sidewalk, I'm talking about this line right there, (indicating) is that blood flow and interrupted blood flow?

143 A:

Yes, this blood flow being interrupted in three different locations.

144 Q:

In other words, before someone went through there -- someone or some thing -- is it your best judgment that that blood flow would have been there interconnected?

145 A:

Yes.

146 Q:

Do you have any idea what that was that went through there?

147 A:

No. Some clearly sees the dog paw. I know it lists the -- at least the dog has to be around this area. Other patterns I cannot see clearly. I don't want to make any interpretation.

148 Q:

All right. Would you take your magnifying glass and look at the sidewalk, see if there are any shoe prints that you can discern in that area, sir?

149 A:

There appear to be some patterns, but again, you know, this photo taken at angle from the front, and the lighting, it's not ideal; it's not direct on. I really cannot tell you exactly what kind of a shoe or what kind of shoe print.

150 Q:

Doctor, there is in terms of photography, a term called "parallax," is there not?

151 A:

Yes.

152 Q:

And would you explain to us what that is.

153 A:

In other words, when you take -- your photographs have to parallel to the -- in a direct up to the plane, so you can catch the whole image.

154 Q:

When you take them from an angle such as the upper photograph to the left and --

155 A:

You distort the pattern.

156 Q:

Is that called parallax?

157 A:

Yes.

158 Q:

Now, do you have any knowledge about any attempt to collect any of the blood drops that you -- (Videotape stops playing.) (Pause.) (Videotape resumes playing.)

159 (BY MR. BAKER) Walk area of -- (Videotape is halted.) (Pause.) (Videotape resumes playing.)
160 Q:

(BY MR. BAKER) Go to another board, if we may. That's Defendant's 15. Now, Doctor, this board is entitled Evidence from the Closed-in Area from Bundy. That's the evidence we've been looking at where Mr. Goldman's body was found in those pictures, correct?

161 A:

Yes.

162 Q:

All right. Now, in the upper left-hand corner, we have Mr. Goldman's boot. Would you tell us what -- from your background, what significance -- is significant in that photo?

163 A:

This shows the boot and have soil, mineral-like material caked into the blood.

164 Q:

So the darker portions of that photograph are blood, sir?

165 A:

Dark portion, the reddish portion, those are blood. The dark portion, those are soil-like material.

166 Q:

Okay. And is there the anything else of significance in that first photograph?

167 A:

Also see the soil debris with certain motions, patterns on the groove area, on side of the shoes, which is consistent with kicking soil.

168 Q:

And that would be consistent, would it not, with the indentation area we saw earlier?

169 A:

It could be --

170 Q:

All right.

171 A:

-- related to that.

172 Q:

Now, in the soil trace evidence, the middle picture, tell us what that depicts.

173 A:

That depicts the heel area of the soil, still have a large amount of soil, hair, fiber, debris, caked onto the boot.

174 Q:

Doctor, we talked about trace evidence. What is trace evidence?

175 A:

Trace evidence encompasses a large amount of type of transfer evidence. Usually, trace evidence means very small, which could be transferred from one surface to another surface when two surfaces have a contact.

176 Q:

Okay. And was any of that trace evidence that is depicted in the upper photograph, upper middle photograph on the sheet we have on up there -- was that analyzed, do you know?

177 A:

As to my knowledge, wasn't -- I examined the shoe after they been -- after they complete the analysis.

178 Q:

Was there any analysis that you saw from the LAPD crime lab indicating they analyzed the trace evidence that's depicted in the photograph in the upper middle of the sheet in front of us?

179 A:

They did examine some trace evidence. But whether or not the same trace evidence they examined, I have no knowledge.

180 Q:

Okay. Now, Doctor, in the upper right-hand photograph, we have a cut on the boot; is that correct?

181 A:

Yes.

182 Q:

And was that a cut that -- Well, describe it for us.

183 A:

This is -- when I examined this cut, I look at first, microscopically -- subsequently, microscopically, I found it's a sharp cut, it's a relative fresh cut, which indicative was produced very recently.

184 Q:

How can you tell that?

185 A:

Because the cutting area, the rubber exposed a relative rush.

186 Q:

Is there debris or dirt or whatever you want to call it on the rest of that toe cap on that canvas shoe?

187 A:

Yes, there's debris, and only small amount in this area, a cutting area, relative free of debris.

188 Q:

And is the cut that is on that boot consistent with a cut being made with a knife?

189 A:

Yes.

190 Q:

Is -- which boot is that? Do you recall?

191 A:

This appear to be the Ron Goldman's boot.

192 Q:

Do we know if it's the right or the left?

193 A:

It appear to be the right.

194 Q:

Okay. And that was -- the right side was the same area that we saw in his Levis, or his jeans, rather; that that's the back of them, his jeans, that had a pattern that you couldn't determine whether it was a shoe print or not, correct?

195 A:

Yes.

196 Q:

Okay. Now, Doctor, in terms of the -- well, let me ask you -- let me go back to the cut on the boot. Can you tell us whether that would that be consistent with Mr. Goldman trying to kick his assailant?

197 A:

This cut appeared to be motion, in motion. Whether or not kicked or not kicked, as long as in motion, it's not a stationary. So if a kick is a motion, may be consistent.

198 Q:

Okay. Just hypothetically, if we assume an assailant has a knife in his hand and Mr. Goldman is kicking him with his right foot, or attempting to kick him with his right foot, and the knife of the assailant comes in contact with his right boot, would the cut that you see in the photograph in the upper right-hand side be consistent with that?

199 A:

Yes.

200 Q:

The photograph on the lower right, left-hand side is from Mr.

201 A:

Yes.

202 Q:

What's the significance of that photograph?

203 A:

The significance of the photograph, a large amount of blood on the back portion of his jeans. And again, if those blood stain was originally on there, because we don't have a photograph to show me the back portion of Mr. Goldman, no photograph of scene photograph -- I really cannot say that's original, have those blood or subsequently when the body shipped to the medical examiner's office caused the deposit. But we do know the right leg of Mr. Goldman have sufficient amount of large quantity of blood when we look at the scene picture. If this blood were from original scene, which further suggests he has to be upright for amount of -- quite amount of time to get that much blood from the top downwards.

204 Q:

Okay. Now, Doctor, Dr. Lee, if you have a large volume of blood, like we do on the left leg of Mr. Simpson in the --

205 A:

Mr. Goldman.

206 Q:

Mr. Simpson. I apologize Mr. Goldman at the crime scene --

207 A:

Yes.

208 Q:

-- then it is much more difficult, is it not, to get any imprint evidence off of that?

209 A:

Yes, sir, much more difficult if such amount of blood covers -- covered the majority of the imprint evidence.

210 Q:

So you have to have a -- less than a copious amount of blood to get -- to get a pattern. And we do have less than that on the right leg; is that correct?

211 A:

That's correct. Just as I demonstrate this morning, you have a small amount of blood touch the surface, you see an imprint. You have a large amount, you see a blood. If you cover with blood, you don't see any.

212 Q:

Okay. Now, Doctor, if we go to the middle photograph on -- lower middle photograph, can you tell us what that depicts?

213 A:

That depict the front portion of the -- Mr. Goldman shirt. I notice on the shirt, this just shows a portion, have numerous stab wound, cut. In addition, I have smaller pattern, damage pattern. In addition, I found three buttons missing number 3 position, number 5, number 6.

214 Q:

How come you only have a picture in the next photograph of two buttons if three of them were missing?

215 A:

I only found two buttons. The third one never recovered.

216 Q:

Okay. Now, what is significant, if anything, about those broken buttons? Go ahead. I'm sorry.

217 A:

They're microscopic. Examination of those number 3, number 5, number 6 position have found thread still on the fabric. I found portion of plastic from the button hole, the center, the eye portion still here in the area, which indicative those buttons was recently removed with a force.

218 Q:

And in all three of the button holes, 3, 5 and 6, were they all forced off?

219 A:

They have this pattern.

220 Q:

Okay. And by the way, is the photograph over there in the lower right-hand side where you have the buttons and the center portion where the thread, if they were in tact gone through, is that what would remain in the shirt?

221 A:

No, the bridge --

222 Q:

Right?

223 A:

-- between the bottom hole disappear. That indicative has to have a force to rip off those button separate.

224 Q:

Now, let's go -- is there anything else of significance in the -- that board, sir?

225 A:

No.

226 Q:

1343. Now, Doctor, we have seen pictures of the envelope. This was the envelope that contains some eyeglasses. We'll get into that later.

227 A:

Yes, sir.

228 Q:

Now, on the upper left-hand corner, it appears Detective Fuhrman is pointing, and the envelope is underneath what would appear to be his right hand. Would you agree with that?

229 A:

Yes, sir.

230 Q:

Would you also agree that the envelope would appear to have some leaves and perhaps some debris of trace evidence on it?

231 A:

Yes.

232 Q:

And is the picture to the right in -- wherein it indicates position 1?

233 A:

Yes.

234 Q:

Is that -- is that a blow-up picture indicating that envelope?

235 A:

Yes, it's a close-up view, shows the identical position, shows depicting the left -- upper left corner.

236 Q:

Now, -- (Videotape halted.)

237 MR. BAKER:

This is not the same one. (Videotape resumes.)

238 Q:

Doctor, the normal business envelope is about eight inches?

239 A:

Yes.

240 Q:

And I want you to assume for a minute that the tiles are eleven and a half inches across.

241 A:

Yes.

242 Q:

And the envelope was moved, wasn't it?

243 A:

Yes.

244 Q:

Doctor, in your understanding of crime-scene integrity, should a piece of evidence such as an envelope be moved and replaced by detectives and/or criminalists?

245 A:

Of course, when you moved for the purpose of a collection, preservation, I agree has to be moved eventually. Collect and preserve properly. Just by moving one position to another position should not do that.

246 Q:

Well, in fact, we can see from the photograph in item number -- strike that -- in position number 1 and position number 2, evidence was lost when it was moved; isn't that true?

247 A:

That's correct.

248 Q:

There was trace evidence on the envelope in position 1 that is no longer on the envelope in position 2; is that true?

249 A:

That is true.

250 Q:

There's also something else that's on the envelope in position 2 that wasn't on the envelope in position 1; isn't that correct?

251 A:

That's correct.

252 Q:

It's a blood spot. (Videotape halted.) (Exhibit 1350 displayed by Mr. Baker.)

MR. P. BAKER: Criminal Exhibit 1343, Civil 1350. (Videotape resumes playing.)

253 Q:

Kind of the lower right-hand corner, would you put your pointer on it. And, Dr. Lee, in the original position, that blood spot is not on the envelope, is it?

254 A:

Of course, I don't have the advantage at the scene myself, to observe this envelope directly. Just based on the photograph they provide to me, I cannot explain this large drop which wasn't present at the previous one. And other debris been changed, leaf been changed. So, it's inconsistent with just a photographic imperfection or so-called bouncing light effect. It cannot be explained because if bouncing light, we should see everything bleached out, not just one type, little, tiny drop.

255 Q:

You're talking about the rebound phenomenon in photography?

256 A:

Yes.

257 Q:

And if we had a rebounding phenomenon in photography, we should have the whole area of blood drops eliminated, not just one, correct?

258 A:

Especially that two smaller one in -- actually, that's three smaller one in that area should disappear first.

259 Q:

Now, Dr. Lee, the photograph in the upper left-hand corner is taken before there was any blanket put in that area. Would it so appear?

260 A:

Yes.

261 Q:

Now, the blanket appears in the photograph in position 2, correct?

262 A:

Correct.

263 Q:

Now, can a crime scene be contaminated by the use of a blanket?

264 A:

If all the major physical evidence been collected, are really collected, secured, then this blanket issue would not be a major issue. If the evidence wasn't collected, having finished the documentation, preservation, then the blanket could contaminate the scene.

265 Q:

Now, if there had been collection and documentation and preservation of the evidence -- one of the pieces of evidence that has been noted in this case is in fact the envelope, correct?

266 A:

Yes.

267 Q:

And that envelope has not been collected, it has been moved but not collected, isn't it true when the blanket's placed down, that blanket can contaminate the scene with all sorts of trace evidence, can it not?

268 A:

Maybe.

269 Q:

All right. And it may -- what type of trace evidence is generally found on a blanket?

270 A:

Hard to say. Depends. A new blanket, old blanket, how many times used, general hair, fabric, trace material.

271 Q:

Okay. Now, do you have any knowledge of who moved that envelope?

272 A:

No.

273 Q:

So you were not able to use any chemicals to enhance the lens to determine whether or not there were any fingerprints on that particular --

274 A:

Latent fingerprint. I did not see any visible fingerprint.

275 Q:

I'm sorry, I meant latent fingerprints. Thank you. You don't know if there were any latent prints on it at all, correct?

276 A:

No.

277 Q:

You did not have permission to use any chemical to enhance, true?

278 A:

I have three days -- actually two days to finish all 90 some items physical evidence.

279 Q:

Do you know whether or not the LAPD crime lab ever took -- attempted to take any? (Tape halted.) (Tape played.) (Board entitled evidence found eyeglasses/envelope evidence found at Albany Medical Center, is displayed for jury)

280 A:

When I examined the envelope, eyeglasses, obviously somebody already got into the envelope.

281 Q:

Was there blood in the envelope?

282 A:

Some blood crust was noticed inside the envelope.

283 Q:

Would that be indicative or -- strike that. Would that be consistent with blood in the envelope and somebody attempting to get inside the envelope at the crime scene?

284 A:

I don't know. It could be people in the laboratory examine glass and those blood crusts fall into. Could be somebody handled this envelope, still had -- the blood still wet, got some transfer. Any possible reason.

285 Q:

Dr. Lee, in terms of good laboratory practices, it wouldn't be a good laboratory practice to handle the envelope when the blood was still wet on the envelope itself, would it?

286 A:

That's correct.

287 Q:

It wouldn't be a good laboratory practice to handle any wet blood and then go into the envelope to examine the glasses, would it?

288 A:

That's correct.

289 Q:

Doctor, if in fact good laboratory practices were being practiced by the LAPD and they observed good laboratory practices, there should be no blood crust inside that envelope unless there was blood on the lens or the glasses, correct?

290 A:

Good crime scene procedure.

291 Q:

Okay.

292 A:

Not to touch that at the scene. Cause some transfer. If in fact those are transfer.

293 Q:

All right. Because -- strike that. Did you ever see any documentation that the LAPD or FBI or anyone attempted to determine if there were any latent prints on the lens that was remaining?

294 A:

No.

295 Q:

It would certainly be significant, Doctor, if one -- a perpetrator of this crime attempted to get into that envelope during the commission of the murders, would it not? (Counsel displayed board, Exhibit 1346, on the video.)

296 A:

Yes, if one touched that envelope, if did not wear the glove, should have transfer of fingerprint. Should process for print, not only the glass, but also the envelope.

297 Q:

You have no knowledge of either being processed for fingerprints?

298 A:

No.

299 Q:

All right. Now, Doctor, we have up there 1346. That's "Evidence Found, Eyeglasses/Envelope," correct?

300 A:

Yes.

301 Q:

Would you explain what, if anything, is of significance in those photographs?

302 A:

This just illustrate a portion of the envelope, not the whole envelope, just a small portion of the envelope. I see variety of blood-stain patterns. The two area I used to illustrate, pattern area one, pattern area two, pattern area one I can see the imprint pattern which consists of portion of the Bruno Magli sole design. In addition, I see spatters, blood drops, smear. Also, I see some -- like a finger mark. Also, I see a pattern area appears to be like a mirror image.

303 Q:

Okay. Let me stop you there. And I apologize. The close-up view, 1B, in the upper right-hand, right, that corner, is the mirror image?

304 A:

Appears to be a mirror image.

305 Q:

This was a mirror image that was created at the scene the envelope would be folded over, correct?

306 A:

Has to have a contact.

307 Q:

And if in fact the envelope is folded over, would that indicate that the eyeglasses were in or not in the envelope?

308 A:

When I examined this envelope, I see a very deep creased area, which shows for certain time this was folded over. Otherwise -- would not create this crease. If it fold over, if the glass in that location, very difficult to form. So my opinion is when that crease area produced, the glass was not in that position.

309 Q:

To get a mirror image we have to have the blood being wet, do we not?

310 A:

If I assume that's a mirror image.

KEY QUOTE
311 Q:

Okay.

312 A:

Assume that's a crease produced where the blood already deposit on the surface and somebody have to touch it and create such a pattern.

313 Q:

Okay. Now, in terms of the blood patterns that you see in the photographs on 1346, please explain those to us?

314 A:

The blood pattern area A, which already explain, the close-up view, 1B. The close-up view, 1A, shows a multiple deposit which indicative this blood has to be deposit on the surface as three separate pattern. We'll have a smear. A smear. We have spatters, the spatter on top of smear, which means to smear don't have to be deposit first. We have this long pattern on top of the smear, so this long pattern has to deposit after the smear deposit. Then a spatter on top of this long pattern, which indicative this -- that particular spot -- spatter has to be deposit after this long elongated pattern deposit. Here shows the same thing, illustrate the same principle, which means this envelope has to be of a -- have three separate deposit.

315 Q:

At least three separate times that blood hit that envelope during the --

316 A:

Envelope at the scene.

317 Q:

During committing of the murders, correct?

318 A:

Yes, after bleeding start.

319 Q:

Right. Obviously. Okay. Now, Doctor, what are -- the lower blood-stain pattern, to -- what is that indicative of?

320 A:

The lower blood-stain pattern two, that's the area adjacent to pattern one, again, we see multiple deposit pattern, deposit on top of pattern. One area we see like a -- could be a finger mark with a heavy blood pattern. That area is a lighter pattern. Those should be enhanced. There are chemical reagent forensic sources could use to develop such pattern, which wasn't developed. Maybe it's not a fingerprint, but unless -- we should develop it, maybe this print not enough character to make a comparison, but if we don't develop, we never will learn. This heavy area shows hair, fiber, debris and soil caked onto the blood. As a matter of fact, a lot of hair and fibers in this region, this portion of photo. I can count at least 20 or more those hair, fiber-like material, which indicative has to be blood onto the surface still wet and tacky that those trace material was able to adhere onto the surface.

321 Q:

So that would mean that while the -- while the envelope was still wet with blood, that the trace material and the soil had to be in some way deposited on there, whether it's kicked or dropped or something else?

322 A:

Yeah, could be any action; kicking, pushing and drop and if the wind blowing, any action caused such a deposit.

323 Q:

All right. Now, in terms of wind blowing, that's not an area, where the envelope was when we saw it next to the walk, where you anticipate a lot of wind, would you?

324 A:

No.

325 Q:

All right. Now, Dr. Lee, these pictures were taken approximately 18 months after the murders, correct?

326 A:

Yes, after that's the day June 1994 sometime, I think 18 -- 17 or 18, when I examine those.

327 Q:

Okay.

328 A:

I -- I haven't explained that.

329 Q:

I apologize. 2-

330 A:

I was just looking at my notes.

331 A:

2-A is a close-up area for this area. Shows different blood pattern. Some are like an angular deposit, some like a vertical drop, some like a contact, some like a contact smear again. Shows may have different direction, different sources.

332 Q:

And different times that they were put on there?

333 A:

Yes, different sequence.

334 Q:

So we know at least -- there were at least three different times that blood was deposited on that envelope, correct?

335 A:

Yes, we know at least three different times, we know at least from different directions.

336 Q:

Now -- okay. Three different times, three different directions?

337 A:

I don't know how many directions and -- this different -- many different directions.

338 Q:

Okay. More than three?

339 A:

Again, I have to go to the scene, look at the envelope, the three-dimensional setting. Once envelope is flat or raised or in a slant angle because just look at the pattern, you can see some goes this way, some come this way, some direct deposit, here shows variety of different directions.

340 Q:

Okay. Let's go to a different board. Now, Doctor, you were at the crime scene on June 25, 1994, were you not?

341 A:

Yes.

342 Q:

Now, were you allowed to spend as much time as you wanted at the crime scene?

343 A:

I was informed we have to get out at scene at 7 p.m. We arrived at the scene 6:40.

KEY QUOTE
344 Q:

Doctor, you were of the opinion you had 20 minutes to look at the crime scene?

345 A:

Yes, sir.

346 Q:

And tell us, Dr. Lee, normally when you view a crime scene, even if it's as much as two weeks after the event that you're investigating, how long do you spend at a crime scene?

347 A:

The crime scene, like last night, we -- myself at least spend three, four hours, in a small scene, confined scene. If a large scene, sometimes two, three days, and we have scene we stay at the scene almost a week.

348 Q:

Okay. In any event, Doctor, did you see a footprint on the walkway during your inspection of 6/25 -- however brief it was, 6/25/1994?

349 A:

Yes, sir.

350 Q:

And did you take a picture of it?

351 A:

Yes.

352 Q:

And is that the footprint that you observed?

353 A:

Yes.

354 Q:

Was it presumptive for blood?

355 A:

Yes.

356 Q:

What's that mean?

357 A:

This could have been made of blood by the appearance and the reaction the time I reach a conclusion more consistent with blood.

358 Q:

Okay. And, Doctor, is that footprint consistent with the Bruno Magli?

359 A:

No.

360 Q:

Is that a parallel line pattern?

361 A:

This has a very clear, defined, parallel-line pattern, start from the toe to the heel area.

362 Q:

Now, in the -- the outline that is placed on that exhibit, which is 1337A, was that placed on there by you at the criminal trial?

363 A:

Yes.

364 Q:

Was that footprint, to your knowledge, ever noted by any of the investigators from Los Angeles County?

365 A:

No, the shoe print wasn't in any report.

KEY QUOTE
366 Q:

Okay. And that's an imprint, is it not?

367 A:

This is an imprint. It's on the surface of this tile. It's not embedded in the tile. It's not an indentation. It's not a tile mark or mason mark or any other mark. It's a shoe made of a shoe rim.

368 Q:

Now, Doctor, let's go to number 11 of our boards today. This is 1338. This is -- "Imprint Evidence at Bundy" is the label, 1338, correct?

369 A:

Correct. (The board entitled "Imprints Evidence at Bundy" is displayed for the jury.)

370 Q:

Now, the upper left-hand photo shows the -- okay, upper left is the paper that was never collected, correct?

371 A:

Correct.

372 Q:

And that would appear to be Mr. Rokahr, the photographer's, shoe in the left foreground?

373 A:

Yes.

374 Q:

All right. Now, are there any -- are there any patterns on that particular piece of paper --

375 A:

Yes.

376 Q:

-- that you can make out?

377 A:

Yes.

378 Q:

Tell us what they are?

379 A:

This piece of paper, we have some blood spatter, and some blood swipe pattern, subsequently, and a soak up pattern on the periphery area in the middle. It's kind of obscured by -- some of those blood patterns have a parallel line kind of a design.

380 Q:

All right. Now, the pattern that goes around the paper that I've just showed, was that a soaking type of --

381 A:

Yes.

382 Q:

Blood soak, is that a fair amount of blood that went around?

383 A:

It's a fair amount of blood soak around the periphery area just like a capillary action soak inward and sideward.

384 Q:

When you talk about a capillary action, Doctor, these same actions we have, for example, with a paper towel?

385 A:

Paper towel, tissue paper, you soak some water or coffee and starts soak inward.

386 Q:

All right. What came next that you can tell?

387 A:

I think first has an imprint pattern first.

388 Q:

Okay.

389 A:

Then have some blood smear on top. Then subsequently have this soak in pattern. As far those blood spatter, I -- during that period of time somehow deposit in there.

390 Q:

Or could have been afterwards, too?

391 A:

Could be. More likely before. Someone maybe after -- some can be after.

392 Q:

There's at least three separate periods of time when that piece of paper was introduced to blood, correct?

393 A:

Yes.

394 Q:

All right. Now, what is the imprint that we have blown up in?

395 A:

Imprint is a pattern, any type of pattern, if a two-dimensional pattern, would call imprint. I cannot come here and tell you what type of an object makes such an imprint. That's why I call it imprint. If it's made of shoe, I will come here to tell you that's a shoe print, if made of a ear I will tell you that's an ear print, if made up of a potato masher, I will tell you that's potato masher prints. I call it an imprint when I have no idea what kind of an object produced such a pattern, but it's definitively -- they are a pattern.

396 Q:

Do you believe that that pattern that is on that piece of paper is consistent with Mr. Goldman's jeans?

397 A:

This particular pattern, of course, to have a correct comparison have to collect that piece of paper to compare, which we don't have the original pattern, just look at this clear defined pattern, compare with the blue jean fabric design, and based on my own test on the blue jean with blood, it's inconsistent.

398 Q:

All right. How about with Mr. Goldman's shirt?

399 A:

Again, with Mr. Goldman's shirt, it have a fabric design, the distance of the fabric is larger than this, the blue jean is smaller than this, it fall in between.

400 Q:

All right. So to your knowledge, that didn't come from Mr. Goldman's apparel, correct?

401 A:

More likely of course, there are so many seen which -- so many things which I cannot predict. I did not test the blue jean itself, I just observed the blue jean. I wasn't allowed to cut the piece to do some testing or add some material on the blue jean such as blood on the blue jean to do the testing, so my testing just limit to microscopic and physical measurements. I cannot say every inch of his blue jean, every inch of his shirt will not produce such a pattern, only the area I observed I think inconsistent with the pattern.

402 Q:

All right. And Doctor, moving over to the imprints on the envelope, that's when the -- that's the second picture -- that's after the envelope has been moved, right?

403 A:

Yes.

404 Q:

The blanket we can see in the foreground of the picture?

405 A:

Right.

406 Q:

And the pattern that is on the envelope, is that consistent with -- well, let's say is it consistent with a Bruno Magli shoe?

407 A:

No.

408 Q:

Is it consistent -- well, what's it consistent with, if anything?

409 A:

It's a parallel line, slightly waved, pattern which -- an imprint -- again, I refer -- that's an imprint. I cannot call that a shoe print or ear print or fingerprint. It's an imprint. Something, an object have to have this type of design, have amount of blood -- sufficient amount of blood touch this surface and that surface with a certain pressure and force to produce such a pattern. The pattern cannot just by accidental deposit or some unknown reason create such a pattern.

410 Q:

Is any pattern on the envelope consistent with a fingerprint?

411 A:

There are pattern, as I pointed out before in the previous board, consistent with a finger mark.

412 Q:

Okay. And a finger mark is the finger -- show us what a finger mark is?

413 A:

A mark with a finger means with a finger, but no clear characteristics can be delineated to make a conclusive determination.

414 Q:

All right. Now, in terms of the analysis -- I had another sheet. There it is. Let me put this in the middle here. Now, these are test imprints that were done I believe by the FBI, correct?

415 A:

Yes.

416 Q:

Okay, Doctor, now, if you would direct your attention, please, to 620 on the left and 621 on the right.

417 A:

620 on the left and 621. Okay.

418 Q:

Right. Correct. Now, Doctor, did you review these particular photographs and test imprints?

419 A:

Yes, I reviewed it.

420 Q:

Now, Doctor, let's look at the next board which is 1351. Were you, subsequent to the murders, provided with a soil sample?

421 A:

February. I think February sometime, 1994, when I was in Albany Medical Center, it provide this evidence to me to examine.

422 Q:

Now, it came in the bag that is on the left, sir?

423 A:

Yes. It come in the bag, Los Angeles Police Department fire and explosive evidence bag.

424 Q:

What time was that collected as you can indicate from the bag?

425 A:

It indicates June 23, '94, 11 a.m., soil sample No. 114. Initially, and some other number was crossed out.

426 Q:

Does it indicate to you where the soil sample was taken from?

427 A:

It's from something north west of gate.

428 Q:

All right. Now, what -- the soil sample that you examined is in the center picture?

429 A:

Yes.

430 Q:

And the other two show trace evidence; is that correct?

431 A:

Yes, sir.

432 Q:

What is in that trace evidence?

433 A:

Soil sample. Subsequently, under microscopic examination I see large amount of hair fiber, variety of hair fiber like material, paint chip like material, all different kind of trace evidence.

434 Q:

And what is the significance of the trace evidence from the soil, if any?

435 A:

If this is a representative soil sample in that area which indicative that area going to have a lot of hair and fibers present in that location.

436 Q:

All right. And hair and fibers in an area where there are children and dogs, is trace evidence from the soil relatively common?

437 A:

It's relatively common. If you have a gardener and other people, service people, neighbors, you are going to have hair and fibers all over the place.

438 Q:

And, Doctor, can -- is hair and fibers, are they readily transferred?

439 A:

Hair and fiber can have a primary transfer. Also can equal a problem, possible have a secondary transfer. For example, I picked up some fabric, a carpet fiber, on my shoes. Next thing, I ride in your car, this fabric going to transfer into your car. Subsequently, if your wife riding in your car, the fiber from this room going to transfer onto her clothes or shoes. If she visit another friend, that fiber will deposit in friend's house, which doesn't mean her friend was in this conference room today.

440 Q:

All right. And likewise, if we're talking about a Bronco, and we're talking about fibers from a Bronco, and O.J. Simpson's children riding in the Bronco, there could be Bronco fibers yeah that would be transferred from them riding in the Bronco?

441 A:

To the yard, to the walkway, to any other place.

442 Q:

This is No. 1357. It's entitled "Blood Stains on Evidence Bag." Now, what did you receive evidence in, an evidence bag?

443 A:

Yes.

444 Q:

What evidence did you receive?

445 A:

A boot.

446 Q:

Okay. And what did you find when you received the boot?

447 A:

I found this evidence bag in No. -- Item 78, with a set of -- two set of initials, some with a marker, other with a CY and a serial number, an initial CY, and on the back at the opening of the bag. As I depict in the top picture and the close-up picture, I see large amount of blood transfer. Those are blood stain consistent with contact -- contact smear, swipe kind of pattern.

448 Q:

Now, the boots of Ron Goldman had blood on them when we saw them in the pictures earlier, did they not?

449 A:

Yes.

450 Q:

It would not be in accordance with proper crime lab procedures to put a wet bloody glove -- or boots into a bag, would it?

451 A:

Assume this is transferred from Ron Goldman's boots.

452 Q:

Okay.

453 A:

Assume, which means if when boots put in the bag still wet, wet blood causes that smear transfer. In theory, any bloody object, we should let it dry on the surface. After it dry, then package it.

454 Q:

Okay. And were there blood stains inside the bag as well?

455 A:

Yes.

456 Q:

And what does that indicate to you?

457 A:

This indicates this blood evidence have soaked through the bag, the bottom of the bag, from inside and to outer.

458 Q:

Does that indicate to you that appropriate lab procedures were used relative to the boots by the Los Angeles Police Department?

459 A:

It's not necessarily the laboratory's people fault. The collection of the physical evidence at the scene -- there should be observed once they put it in there, it should be isolated. In other words, this bag because the blood soaks through the bag, if this bag touch another object or object of physical evidence, you're going to have a transfer.

460 Q:

So you can have a transfer of blood from the exterior of that bag to anything else that's in the crime lab if it touches it?

461 A:

If touches.

462 Q:

And that is contamination, is it not?

463 A:

If have a secondary transfer, you're going to have contamination.

464 Q:

Now, is there anything else of significance in that particular board?

465 A:

No. Basically it's the blood transfer, and we saw those initial people examine those evidence, at least they should record it in their note so when we examine we know where they come from, how that get transferred, try to trace the history of such a transfer.

466 Q:

Did you see any notes that indicated Collin Yamauchi had documented the blood transfer on the paper bag that we have depicted on the board?

467 A:

None of the document provided to me contains such information and description of measurement. None of the -- no photographs submit to me with such documentation.

468 Q:

So we can't tell when that blood transfer took place and we can't tell if there was secondary contamination of any item in the lab, correct?

469 A:

We cannot tell this sample was transfer at the scene or during the collection or after collection or at the medical examiner's office or in the laboratory. Nobody can trace back anymore.

470 Q:

So there's no way of knowing whether or not the blood that was -- the wet transfer in Item 78, Mr. Goldman's boots, contaminated any item in the lab, correct?

471 A:

I have no idea.

472 Q:

Now, this is -- this is 1353. Now, you examined socks on February 16, 1995, correct?

473 A:

Correct.

474 Q:

And you examined them at the LAPD lab, true?

475 A:

True.

476 Q:

And did you fly into Los Angeles specifically to examine those socks?

477 A:

Yes.

478 Q:

And were you told that you had a limited period of -- (Videotape of Dr. Henry Lee stopped.)

MR. P. BAKER: We have an editing problem. Would it be time for a break?

479

THE COURT: Okay. Ten-minute recess, ladies and gentlemen. (Recess.) (The following proceedings were held in open court outside the presence of the jury.)

480 MR. BAKER:

Your Honor --

481 THE COURT:

Excuse me. What page are you on now?

MR. P. BAKER: I believe it's --

482 MR. MEDVENE:

You're at 192, line 25.

MR. P. BAKER: About 38 more minutes on our side. Then there's an hour and 15 on theirs.

483 THE COURT:

Okay.

484 MR. BAKER:

Your Honor, in view of you sustaining the objection to his 387, right at the end, the very, very end --

485 THE COURT:

Okay.

486 MR. BAKER:

-- I would, as I did in the deposition, object to 386, lines 11 through 19, and I would also just, for the record --

487 THE COURT:

Excuse me for a minute. 386?

488 MR. BAKER:

386, lines 11 through 19.

489 THE COURT:

Well, give me the transcript.

490 MR. BAKER:

I'm sorry. I thought you had one. (Pause for Court to review transcript.)

491 THE COURT:

Sustained.

492 MR. BAKER:

Your Honor, just for --

493 MR. MEDVENE:

Excuse me, Your Honor, may I be heard on that?

494 THE COURT:

Go ahead.

495 MR. MEDVENE:

Dr. Lee spoke about his association theory, how if one item is found on one thing and if it's found on another, it raises significant questions. And our question was very straightforward, that if a cap that Mr. -- if a cap found at the murder scene basically had what had been identified as Mr. Simpson's hair on it, isn't that an area that would have to be explained. And Dr. Lee said it would. And Mr. Baker, on his direct examination, went into some length talking about his association and the transference theory, and the portion that was just played, Your Honor, he talked about head hair. I mean he can't have it both ways. He talked about -- he talked about Bronco hair and things being tracked around.

496 THE COURT:

You can't have it both ways either, Mr. Medvene. I'm going to sustain the objection.

497 MR. MEDVENE:

What does that comment mean, Your Honor?

498 THE COURT:

Just what I said.

499 MR. MEDVENE:

Well --

500 THE COURT:

I've sustained your objections on the basis that that witness had no knowledge of the subject matter of which he was testifying because he didn't examine it and he had no basis on which he --

501 MR. MEDVENE:

I see.

502 THE COURT:

-- to make those statements.

503 MR. MEDVENE:

We're asking him theoretically.

504 THE COURT:

I'm not going to allow it.

505 MR. MEDVENE:

Yes, Your Honor.

506 MR. PETROCELLI:

Your Honor, before the jury comes back in I just want to know in order to prepare for tomorrow, what the order of events is. I'm told after this deposition they have about an hour to two hours of Gary Siglar. There is a 402 hearing involving that witness. And then there is Simpson. So what is the order, if I could ask, Mr. Baker, for tomorrow morning?

507 MR. BAKER:

Well, there's only about 15, 20 minutes, I think, of Siglar, No. 1. No. 2, I'd like to put the 402 hearing to Monday, if we may.

508 THE COURT:

Which 402?

509 MR. BAKER:

On the witness, Rosie Wilson.

510 MR. KELLY:

Acoustic.

MR. P. BAKER: Counsel

511 MR. KELLY:

We went through the --

512 MR. LEONARD:

We lent you the list of witnesses. There was a Rosie Wilson we said is analogous to the Petee, and you said they could have a 402 hearing.

513 THE COURT:

Okay.

514 MR. BAKER:

I'd like to put that to Monday, if possible. And I think we probably do need to have a hearing relative to the motions filed on Mark Fuhrman and Laura Hart McKinney in the morning, if that suits the Court's agenda? And then we plan to put Mr. Simpson on.

515 THE COURT:

Why do we have to do -- are you talking about the motions that you filed today?

516 MR. BAKER:

Yes. If you want to put those off to Monday or whatever, that's fine.

517 THE COURT:

I've read only one --

518 MR. BAKER:

Okay.

519 THE COURT:

-- while we were on break. I haven't had a chance to read the other.

520 MR. LEONARD:

Whatever the Court's preference is. They obviously need a chance to respond so possibly tomorrow is not a good time for those.

521 MR. PETROCELLI:

Probably do it on Monday. We just got them.

522 THE COURT:

I see. We're slipping.

523 MR. PETROCELLI:

Well, that's why I'm asking, Your Honor, this is the third time they filed a motion on Mark Fuhrman.

524 MR. BAKER:

Third time's a charm, Petrocelli.

525 MR. PETROCELLI:

So the schedule is 20 minutes of Siglar and then Simpson; is that right, Mr. Baker?

526 THE COURT:

So who are you going to have? Are you going to do Siglar and Simpson tomorrow?

527 MR. BAKER:

Yes, sir.

528 THE COURT:

Okay.

529 MR. PETROCELLI:

Thanks, Your Honor.

530 THE COURT:

Okay. Now, how much more on this video?

MR. P. BAKER: What did I say? 40 minutes on my side?

531 THE COURT:

40 minutes.

MR. P. BAKER: 40 minutes. It's going to get good. (Laughter.)

532 THE COURT:

I should sustain -- I should have sustained more objections.

533 MR. BAKER:

We can fast forward theirs.

534 THE COURT:

You're at 19 --

535 MR. MEDVENE:

He's at page --

536 MR. FOSTER:

He's at page 192, line 25.

537 THE COURT:

Okay.

538 THE COURT:

Doesn't look like 40 minutes.

539 MR. PETROCELLI:

I haven't been paying attention. Are we past qualifications yet?

540 THE COURT:

That was 45 minutes.

541 MR. PETROCELLI:

Okay.

542 THE COURT:

All right. Get the jury back in and go. ( JURORs resume their respective seats.) (Videotape deposition of Dr. Henry Lee resumed.) DIRECT EXAMINATION BY

543 (continued)
544 Q:

When you Went to the LAPD crime lab, you weren't allowed into their laboratory?

Temperature

tense

Key Quotes (5)

Dr. Henry Lee
I was informed we have to get out at scene at 7 p.m. We arrived at the scene 6:40.
Lee had only 20 minutes to examine the Bundy crime scene, severely limiting his ability to document or collect evidence.
Dr. Henry Lee
I cannot explain this large drop which wasn't present at the previous one. And other debris been changed, leaf been changed. So, it's inconsistent with just a photographic imperfection or so-called bouncing light effect.
Lee testifies that a blood spot appeared on the envelope after it was moved, which cannot be explained by photography artifacts — implying contamination or tampering.
Dr. Henry Lee
If I assume that's a mirror image. Assume that's a crease produced where the blood already deposit on the surface and somebody have to touch it and create such a pattern.
Lee describes a fold-over mirror image blood pattern on the envelope, suggesting it was folded closed — with the eyeglasses not inside at the time — while blood was still wet.
Dr. Henry Lee
I call it an imprint when I have no idea what kind of an object produced such a pattern, but it's definitively — they are a pattern. If it's made of shoe, I will come here to tell you that's a shoe print, if made of a ear I will tell you that's an ear print, if made up of a potato masher, I will tell you that's potato masher prints.
Lee carefully distinguishes between what he can and cannot conclude, while humorously illustrating his scientific methodology.
Dr. Henry Lee
No, the shoe print wasn't in any report.
Lee confirms that a shoe imprint he personally photographed at the crime scene was never documented by any LAPD investigator — a significant evidentiary oversight.

Evidence (11)

Defendant's 15
Board of LAPD crime scene photographs showing the closed-in area at Bundy where Ron Goldman's body was found
discussed
Civil 1350 / Criminal 1343
Photographs of the envelope found at the crime scene in two positions, showing a blood spot present in position 2 that was absent in position 1
discussed, challenged
1346
Close-up photographs of blood stain patterns on the envelope, including a partial Bruno Magli sole design imprint and possible finger marks
discussed
1337A
Photograph of a parallel-line shoe imprint on the Bundy walkway tile, photographed by Lee himself; inconsistent with Bruno Magli pattern
introduced, discussed
1338
Board labeled 'Imprint Evidence at Bundy,' including the uncollected piece of paper with blood and imprint patterns
discussed
1351
Soil sample No. 114 collected June 23, 1994, northwest of gate, examined by Lee at Albany Medical Center in February
discussed
+ 5 more

Notable Exchanges (5)

Mr. BakerDr. Henry Lee
Baker walks Lee through the two-position photographs of the envelope, establishing that a blood spot appeared after the envelope was moved, trace evidence was lost, and a blanket was placed on the uncollected scene. Lee confirms each point, calling the blood spot appearance inexplicable by photography artifacts.
strategic
Mr. BakerDr. Henry Lee
Lee testifies he photographed a parallel-line shoe imprint on the Bundy walkway tile during his 20-minute visit; it was never documented in any LAPD report. He confirms the imprint is inconsistent with Bruno Magli shoes.
revealing
Mr. BakerDr. Henry Lee
Baker asks about the boot cut, hypothetically framing it as Goldman kicking an assailant holding a knife. Lee confirms the cut is consistent with a motion contact and that scenario is plausible.
strategic
Mr. BakerDr. Henry Lee
Discussion of Bronco fiber transfer via OJ Simpson's children — Lee explains secondary transfer, providing innocent explanation for defense fibers found at the crime scene.
strategic
Mr. BakerDr. Henry Lee
Baker accidentally refers to Ron Goldman's blood as 'Mr. Simpson's blood'; Lee corrects him ('Mr. Goldman'). Baker apologizes.
light

Light Moments (2)

Dr. Henry Lee
Dr. Lee explains the concept of 'imprint' by offering examples: 'if made up of a potato masher, I will tell you that's potato masher prints.'
Dr. Henry Lee
Baker calls Goldman 'Mr. Simpson' by mistake; Lee corrects him flatly: 'Mr. Goldman.'

Credibility Attacks (2)

⚔ LAPD crime lab / investigators
documentary evidence and expert testimony
Lee identifies multiple failures: the envelope was moved without collection, a blood spot appeared on it afterward, trace evidence was lost in transit, Goldman's boots were bagged wet causing blood smear transfer, multiple uncollected blood stains at the scene, and Lee himself was given only 20 minutes at the crime scene.
⚔ LAPD investigators
omission from reports
Lee confirms that a shoe imprint he personally photographed on the walkway tile — which has a distinct parallel-line pattern inconsistent with Bruno Magli — was never noted in any LAPD report.

Witness Demeanor

Methodical and precise, frequently qualifying conclusions with 'I cannot tell,' 'I don't know,' or 'I have no knowledge'
Refers to handwritten notes during testimony
Uses physical demonstrations and magnifying glass on photographs during examination
Calm even when describing significant evidence handling failures

Objections

None recorded
Proceeding 8765 • 544 utterances • Defense witness
Civil Trial
Department 103
⚖️ Start
📂 JAN 9, 1997 📄 Direct examination of Dr. Henr
JAN 9, 1997 KRT DvH TD