📄 Direct examination of William Bodziak (morning, part 2) — Monday, June 19, 1995
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C:\DEPT103\CRIMINAL\1995\JUN\19\DIRECT-EXAMINATION-OF-WILLIAM-.DOC
TRIAL
▲ Day 98 of 167

Direct examination of William Bodziak (morning, part 2)

Witness: William Bodziak
Examiner: Hank Goldberg
Called by: Prosecution • Date: Monday, June 19, 1995 • Utterances: 243
FBI forensic examiner William Bodziak continues his direct examination, walking the jury through his analysis of the Bruno Magli shoeprints found at the Bundy crime scene. He establishes that OJ Simpson's own Reebok shoes (size 12) are dimensionally equivalent to the size 46 Bruno Magli that left the prints, and methodically walks through each lettered photograph (A through E-plus) from the walkway, concluding in each case that only the size 46 Bruno Magli sole could have made the impression. He also explains the science of how blood impressions fade over successive steps.
1 (The following proceedings were held in open court, in the presence of the jury:)
2 THE COURT:

Thank you, ladies and gentlemen. Please be seated. Mr. Bodziak, would you resume the witness stand, please. Mr. Bill Bodziak is on the witness stand undergoing direct examination by Mr. Goldberg. Mr. Goldberg, you may continue with your direct examination.

3 MR. GOLDBERG:

Thank you, your Honor.

4 MR. GOLDBERG:

Mr. Bodziak, were you provided with any item in order to determine what the Defendant's shoe size was?

5 MR. BODZIAK:

Yes, I was.

6 MR. GOLDBERG:

And what were you provided with?

7 MR. BODZIAK:

I was provided with a pair of Reebok shoes that the Defendant wore.

8 MR. GOLDBERG:

Your Honor, at this time, I'd like to mark as People's next in order, it would be 384 for identification. And I'm going to write a 384 on the exterior of the package, the package and its contents of what appear to be Reebok tennis shoes.

9 THE COURT:

So marked.

10 (Peo's 384 for id = Reebok tennis shoes)
11 MR. GOLDBERG:

Sir, showing you People's 384 for identification, can you remove the item from that package and tell us what you're doing?

12 MR. BODZIAK:

(The witness complies.) 384 is a pair of Reebok shoes, white in color, what I would call a low profile that were represented to me as the shoes of the Defendant.

13 MR. GOLDBERG:

And what did you do with those Reebok shoes?

14 MR. BODZIAK:

I made measurements of the exterior length of the sole as best I could without cutting the tops off. I made measurements of the inner length of the insole and I made a direct physical comparison between them and a size 12 Bruno Magli shoe.

15 MR. GOLDBERG:

What size did you determine the Reebok shoes to be?

16 MR. BODZIAK:

Oh, the Reeboks are labeled U.S. size 12.

17 MR. GOLDBERG:

Now, sir, in making a determination of the Defendant's shoe size, could the--why not just measure the Defendant's feet instead of doing this?

18 MR. BODZIAK:

Because of the factors of personal preference of fit and other factors which come into consideration, measuring the feet would not be the most accurate way of determining shoe size.

19 MR. GOLDBERG:

In terms of getting an idea of personal preference and fit, did you write a letter to Detective Lange and Vannatter about wanting another search to take place in order to inventory all of the Defendant's shoes?

20 MR. BODZIAK:

Yes, I did.

21 MR. GOLDBERG:

Why was that that you wanted that?

22 MR. BODZIAK:

Well, I thought it would be more thorough to look at all of the shoes. But the shoes I had I did make a comparison of.

23 MR. GOLDBERG:

And is this a fair comparison between the Reeboks and the Bruno Maglis?

24 MR. BODZIAK:

Yes, it is.

25 MR. GOLDBERG:

Do you need to have the complete inventory in order to render certain opinions as to whether or not the Defendant would be a candidate for having left the shoeprints at the Bundy crime scene?

26 MR. BODZIAK:

I'm sorry. Could you rephrase that?

27 MR. GOLDBERG:

Do you need to have additional information other than what you have right now in order to be able to render an opinion as to whether the Defendant could have deposited the shoeprints at Bundy?

28 MR. BODZIAK:

That he would be a viable candidate?

29 MR. GOLDBERG:

Yes.

30 MR. BODZIAK:

No. What I have is sufficient.

KEY QUOTE
31 MR. GOLDBERG:

All right. Now, can you show us in terms of a demonstration here what you did to compare the Reeboks to the Bruno Magli shoes that you had?

32 MR. BODZIAK:

Yes. I had a size 12 right Bruno Magli shoe, the one which was from the original shipment from Bruno Magli in New Jersey that Mr. Peter Grueterich had provided to me, and that is marked 12 in--U.S. 12 and was the shoe that was made on the American 12 last with the 46 sole. And I took this shoe and made the same linear measurements of the outer sole and inner sole and found that they were within a couple millimeters of one another. Essentially they were the same. And I took the shoes and, matching the heel and the toes, compared the dimensions of those shoes and found that they were of similar construction and were for all practical purposes identical in the size and shape features. In other words, the person wearing one certainly would be a candidate for wearing the other. When I say the construction is similar, I had mentioned that the Bruno Magli shoe was what's called a cup sole. In other words, it's a--I guess because it could hold water, it comes up around the edge, and you--that particular type of shoe construction in this case was compression molded, and with regard to the Reebok shoe, there's also a cup sole. In this case, it's cut down in the midline of the shoe on the medial and lateral portion of it. And that's referred to in the industry as a half cup sole, but the construction is the same. And this also would be compression molded and it would--the sole would be molded separately and the upper would be lasted and lowered down and glued and stitched to the out sole. So these shoes are viable for a comparison in terms of the dimensions and the shapes of them.

33 MR. GOLDBERG:

And you said you also did the linear interior measurements.

34 MR. BODZIAK:

Yes.

35 MR. GOLDBERG:

All right. And for the record, your Honor, when he was doing his demonstration in court, he held the Bruno Magli size 12 which--shoe which comes from the box 375 up against the Reeboks which comes from the bag and its contents, which was 384 for identification, held them together with the soles, and they appeared to be the same dimension.

36 THE COURT:

So noted.

37 MR. GOLDBERG:

Now, sir, in your book, footwear impression evidence, did you discuss any materials relating shoe size to height?

38 MR. BODZIAK:

Yes, I did.

39 MR. GOLDBERG:

And did you also do a study yourself of that issue?

40 MR. BODZIAK:

I did a study which was concerning the bare feet impressions and bare foot dimensions of people, and part of that study reflected a chart which related the size of a person's foot to their height.

41 MR. GOLDBERG:

Your Honor, I'd like to mark as People's 385 for identification a page out of Mr. Bodziak's book, just the chart portion. It says "Height calculation chart."

42 THE COURT:

What page is that from, counsel?

43 MR. GOLDBERG:

Let me double-check because I cut it off on the Xerox. It was in chapter 6, Mr. Bodziak?

44 MR. BODZIAK:

Yes.

45 MR. GOLDBERG:

The first chart is on 175. Could we have this, your Honor, as 3--

46 THE COURT:

--85.

47 MR. GOLDBERG:

--85-A?

48 THE COURT:

385-A.

49 (Peo's 385-A for id = chart)
50 MR. GOLDBERG:

And I wrote a 385-A on the piece of paper.

51 MR. GOLDBERG:

Sir, I would like to show you People's 385-A and have you identify that for us. We're going to project it up on the screen. I think you have a--

52 MR. BODZIAK:

Yes.

53 MR. GOLDBERG:

That's supposed to be a 385-A, your Honor, that I wrote on there. Looks more like a 383.

54 MR. GOLDBERG:

Sir, what is that?

55 MR. BODZIAK:

This is a chart entitled, "Height calculation chart." It reflects a study conducted by inspector Mike Cassidy of the Royal Canadian Mounted Police and it was first published in his book in 1980.

56 MR. GOLDBERG:

And in terms of his study, what findings did he make regarding a size 12 shoes?

57 MR. BODZIAK:

This particular chart was to relate the range of height of people in his study to a shoe size; and for the size 12 shoe, he has the range of height as six feet to six foot four inches.

58 MR. GOLDBERG:

Okay. And that's indicated on the chart where he has six feet to 6/4 and then right underneath, there's a 12. It's the third item down from the right?

59 MR. BODZIAK:

That's correct.

60 MR. GOLDBERG:

Okay. Now, if we could mark as People's 385-B for identification Mr. Bodziak's chart which is on page 174 of his book.

61 (Peo's 385-B for id = chart)
62 MR. GOLDBERG:

Sir, showing you what we've just marked as People's 385-B for identification, do you recognize this?

63 MR. BODZIAK:

Yes, I do.

64 MR. GOLDBERG:

What is it?

65 MR. BODZIAK:

This is a chart which I prepared as part of the survey of a total of 500 people, 399 which were males, and it reflects the correlation between the shoe size of a person and the height of that person.

66 MR. GOLDBERG:

And does one of the lines on this chart pertain to an American size 12 shoe?

67 MR. BODZIAK:

Yes, it does.

68 MR. GOLDBERG:

And can we zoom in on that perhaps? All right. Well, now we don't really have any reference point.

69 MR. GOLDBERG:

But with respect to your study, sir, what findings did you make with respect to the height of men that wear size 12 shoes?

70 MR. BODZIAK:

The height range was 71 to 77 inches.

71 MR. GOLDBERG:

71 being 5/11?

72 MR. BODZIAK:

5/11 to six foot five.

73 MR. GOLDBERG:

Okay. Thank you.

74 MR. GOLDBERG:

Sir, have there also been studies that have been done related to what percentage of the American population wears a size 12 shoe?

75 MR. BODZIAK:

Yes, there is.

76 MR. GOLDBERG:

And what findings have been made along those lines?

77 MR. BODZIAK:

There's a group called footwear market insights which publishes their study of approximately 260 to 300 million pairs of shoes sold in this country, and they break down the various shoe sizes and widths of the shoes sold, and this is produced for the footwear industry for their use.

78 MR. GOLDBERG:

And what percentage wear size 12 shoes?

79 MR. BODZIAK:

Counting all of the shoes sold, a general percentage is slightly over 9 percent for size 12.

80 MR. GOLDBERG:

Did they have a breakdown with dress shoes as opposed to casual shoes and so on?

81 MR. BODZIAK:

Yes, they did.

82 MR. GOLDBERG:

It was a very slight difference?

83 MR. BODZIAK:

Yes. There was like .1 to maybe .4 percent depending on whether it was an athletic shoe or formal dress shoe or a woman's shoe or something.

84 MR. GOLDBERG:

Okay. Now, with respect to the items that you looked at from the Bundy location, did you actually see footprints at Bundy or did you look at them and analyze them through photographs?

85 MR. BODZIAK:

I looked at them through photographs.

86 MR. GOLDBERG:

And is it common for you to analyze footprints using photographs?

87 MR. BODZIAK:

Yes, it is.

88 MR. GOLDBERG:

Are there problems that you've encountered generally speaking?

89 MR. BODZIAK:

There can be problems with photographs if the photographs aren't taken properly. If the photograph is out of focus, if there's no scale in the photograph, if the photographs are taken at a sharp angle, then of course, the ability to interpret and make a direct physical comparison is hindered. And so in that respect, photographs, if not taken properly, can be a problem.

90 MR. GOLDBERG:

How common is it for you to have difficulties in trying to make interpretations from photographs that are submitted to you by a variety of law enforcement agencies?

91 MR. BODZIAK:

It's not uncommon at all for us to get photographs that are far from what we would like to have.

92 MR. GOLDBERG:

And in terms of the photographs that you were provided by the Los Angeles Police Department that were taken for comparison purposes, what was the quality of those photographs in terms of being able to do a comparison?

93 MR. BODZIAK:

Yeah. I--the photographs that were taken of the footwear impressions at this scene were taken in a prescribed method in as much as they were taken from directly over top with the film plane parallel to the ground. They were taken with a linear scale such as a ruler with a finely divided scale on it, and that would be for use to enlarge those photographs back up to the natural size, the exact size that those appeared at at the crime scene. And they were taken all in focus. All of the ones which I saw were in focus, and they also used both color and black and white with--which in regard to blood impressions, is often very useful to have both because in some instances, the color will assist the interpretation of the photograph.

94 MR. GOLDBERG:

Were there any photographs that captured footprints that were not taken in that manner? In other words, that were not for comparison purposes, but just happened to capture a footprint?

95 MR. BODZIAK:

Yes. There was one--there was one photograph which I had enlargements made of which was on the step, one of the steps near the front gate, and that was taken at an angle with a--without a ruler next to the impressions. And I don't think the intention when that photograph was taken was necessarily for those impressions, but it's the only photograph I saw those depicted in. And then there were some other impressions which were photographed going down steps near the back of the walkway, and those were not really full impressions of any comparison value, but rather just rubbings of blood over the corner of the steps. And so it wasn't essential to have them taken in that method.

96 MR. GOLDBERG:

Now, did you eventually visit the crime scene on February the 15th of this year?

97 MR. BODZIAK:

Yes, I did.

98 MR. GOLDBERG:

Did you go alone or with someone?

99 MR. BODZIAK:

I went there with Dennis Fung and with Vic Patrozoni.

100 MR. GOLDBERG:

For what purpose were you going there?

101 MR. BODZIAK:

I went there to take the photographs, the natural size photographs I had of those footwear impressions to confirm the orientation. In other words, the direction, east versus west or north, direction they were heading and determine for preparation purposes of a chart the tiles that they were on or the various steps that they were on.

102 MR. GOLDBERG:

And were you able to do that?

103 MR. BODZIAK:

Yes, I was.

104 MR. GOLDBERG:

And what did you do when you were at the crime scene in terms of looking at the photograph and the crime scene in order to determine that relationship? Were you looking at tiles or--

105 MR. BODZIAK:

Yes.

106 MR. GOLDBERG:

--what?

107 MR. BODZIAK:

Because of the irregularity of the tiles, the concrete tiles and cracks and blemishes in the surface of the concrete and the steps of the tiles, it was very easy to confirm precisely which photograph came from which portion of the sidewalk.

108 MR. GOLDBERG:

Now, before getting into the Bundy crime scene in a little more detail, do you also have a chart that's been prepared to show generally speaking how footprints can be deposited at a crime scene?

109 MR. BODZIAK:

Yes, I do.

110 MR. GOLDBERG:

And I'd like to mark as People's next in order a chart that's entitled "Footwear impressions after stepping in liquid." That is going to be People's 386 for identification, your Honor?

111 THE COURT:

So marked.

112 (Peo's 386 for id = chart)
113 MR. GOLDBERG:

Sir, directing your attention to the chart that we've just marked as People's 386 for identification, the top portion, can you describe for us what that's showing?

114 MR. BODZIAK:

Yes. The top portion is an artist's rendering of what occurs when a person tracks or walks through liquid. And liquid could be water, liquid could be blood, liquid could be grease or any--oil or any other type of opaque material which would adhere to the shoe and then be laid down as the person took the next succession of steps. And what this depicts and what actually happens is, the first step after leaving this liquid, the impression is very dark because it has a fresh coating of this material on it. And as the foot presses down, it presses that liquid out to the different edges of each design element and therefore removing some of that liquid from the surface. So the next step that would be taken with that foot would be lighter. It would not be--would not have as much material in it, so it would be lighter. And eventually as you continue the walk, there will no longer be any impressions being left because all of that material will be off the flat surface. The surface that normally touches the ground will no longer have that material on it. There may be--in the case of blood or water or any other lipid liquid, there may be other material up in the cracks and crevices and the little edges, but not on the surface that typically leaves the impression.

115 MR. GOLDBERG:

Now, in terms of the impressions that we have here under where it says, "The detail--the degree of detail retained in the impression varies," did you create those test impressions?

116 MR. BODZIAK:

Yes, I did.

117 MR. GOLDBERG:

And I assume you didn't use blood in--

118 MR. BODZIAK:

No. I used a blue color latex paint.

119 MR. GOLDBERG:

All right. Now, on occasions, have you made impressions that were actually in blood, test impressions?

120 MR. BODZIAK:

Yes. I make them all of the time for classes which I teach where we then enhance those impressions in blood and also to demonstrate what I've just described where the impressions get slightly lighter and eventually disappear.

121 MR. GOLDBERG:

Now, on these three test impressions that you made, were these consecutive? In other words, was the one on the left-hand side of diagram no. 1, the one in the middle, 2, and the one on the right, 3, or were there ones in-between?

122 MR. BODZIAK:

No. This particular chart, this is a computer scanning of the actual--of a photograph, black and white photograph of the actual impressions, the low one on the left being no. 1 for the right foot, the one in the middle being the second time the right foot struck the ground and the one on the right being the third time the right foot struck the ground.

123 MR. GOLDBERG:

Can you give us an estimation as to how quickly footprints in blood may disappear to the point where you wouldn't see anything that you could recognize as a shoeprint, you might just see lines or squiggles or whatever?

124 MR. BODZIAK:

There will be things that cause variables, that is the porosity of the surface, the amount of blood that's initially stepped on, whether it's a pool of blood or whether it's blood that has already been coating the surfaces, is rather flat, which wouldn't be as three dimensional. But if there's a heavy coating of blood, it normally disappears in approximately six to 10 steps.

125 MR. GOLDBERG:

What was porosity?

126 MR. BODZIAK:

The amount of absorption and pores in the surface. This countertop would be nonporous. It would be very smooth, and a very porous object, of course, would be a sponge, and concrete or concrete tiles are very porous and they would absorb the liquid and therefore cause it to dry quicker.

127 MR. GOLDBERG:

When you were making the test impressions, is this on a porous surface or a relatively non-porous--

128 MR. BODZIAK:

It was on a rough--a rough piece of paper, not a smooth finish paper, but a piece of brown craft paper that you would use for wrapping.

129 MR. GOLDBERG:

Now, can you indicate for us using this chart the kinds of problems that you can confront in terms of patterns appearing different than they really would on the shoe as a result of the blood bleeding over or other kinds of problems that you might have along those lines?

130 MR. BODZIAK:

Yes. May I step down?

131 THE COURT:

Yes.

132 MR. BODZIAK:

Okay. If I can use the sole as well as the picture. I mentioned before the individual design elements, which are these little designs that together make up the total pattern on the shoe (Indicating), and I also mentioned the slightly raised perimeter, which confines the design elements in the sole as well as that slightly raised perimeter which confines the design elements in the heel. And that perimeter and these design elements, if you look at the shoe from the side, will both touch the surface if the surface is flat. The outer perimeter is raised. It's actually above the level of the ground, but it's very, very close. So if there's a lot of liquid such as blood on this outer perimeter, depending on the amount of blood and depending on the pressure exerted in a particular shoe impression, you may get this secondary perimeter, which on the first impression here is almost complete around the heel and is also in other portions of the sole, the top left corner. You also--because there's a lot of material on the shoe with the first step, there's also more of a printing of the flat surface of the design element. In other words, the actual pattern of design element. But you can see darkened edges which represent that material being squeezed out. And this is known as a squeegee effect where the pressure is causing this material, whether it be blood or paint, to squeeze out to the edge of the design element. And the same would also be true where there's excess blood in other areas such as the perimeter. This would squeeze out. In the second step, there's now going to be less material on the sole, and most of the material on the flatter surfaces of the design element has been squeezed away. So it is very thin.

But where the edges are where that material has been squeezed out to it, your surface tension will remain. You will get more of a printing of the edge characteristics of the design element, and except in areas where--for instance, there are a couple here where you do see a filling in of the design--you're basically getting the edge characteristics and you're getting less of the perimeter because there's less material on that secondary outer edge. The third step, again, you're getting some partial outer edge, but now you're really getting just the perimeter of the design element. And in areas now where I'm now pointing to now down in the sole area, but on the heel side, you're starting to get just little speckles and portions, perhaps little corners or edges of that design element. And then the succeeding steps, you would get less and less until eventually you would not be able to recognize this as this pattern.

133 MR. GOLDBERG:

Okay. Is that why, when you're looking at an impression at a crime scene, certain features of the design characteristics might not be apparent or might look a little bit different?

134 MR. BODZIAK:

Yes. If you were looking at this impression or perhaps the next impression that would be made, it might not look to you--if you weren't--if you weren't trained and experienced in looking at this, it may superficially look like a different pattern initially.

135 MR. GOLDBERG:

Okay. Perhaps we could pass around that sole--I think it's the 46 sole that he has, your Honor, which was 379--while this chart is up so they can get a better idea--

136 THE COURT:

All right. Mr. Bodziak, hand that to juror no. 1, please.

137 (The exhibit was passed among the jurors.)
138 MR. GOLDBERG:

Your Honor, I could mark some exhibits while we are waiting. I don't know whether the Court wants to do that.

139 THE COURT:

Well, we're just about done. I would like the jury to have their undivided attention.

140 MR. GOLDBERG:

Okay.

141 THE COURT:

All right. Mr. Goldberg, would you retrieve the sole from Deputy Russell.

142 (Mr. Goldberg complies.)
143 THE COURT:

All right. Mr. Goldberg.

144 MR. GOLDBERG:

Now, you were talking about how when you went to the Bundy location, you were going out to compare the photographs to the tiles at the location. Do you recall that testimony?

145 MR. BODZIAK:

Yes, I do.

146 MR. GOLDBERG:

And that was for the purposes of creating a chart?

147 MR. BODZIAK:

That's correct.

148 MR. GOLDBERG:

Now, I'd like to mark as People's next in order, that would be 387 for identification. It's actually a two-part board, your Honor. So maybe we should mark it 388--387-A as the first section and B as the second.

149 THE COURT:

All right. So marked.

150 (Peo's 387-A and B for id = two-part board)
151 MR. GOLDBERG:

Your Honor, perhaps with the Court's permission, we could use this chart closer to the jury because--

152 THE COURT:

Yes.

153 MR. GOLDBERG:

Thank you.

154 (Brief pause.)
155 MR. GOLDBERG:

While they're doing that, maybe I can mark as People's next in order a series of photographs of what appear to be shoeprints from the Bundy location as 388, a photograph that's Q68, as 389, a photograph that's Q67. And then, your Honor, there are a series of photographs that are a through P. they already have the letters a through P on them I would like to mark as 390-A through 390-P, photograph that has the letter S on it as 391, X would be 392, Y would be 393, Q116, 394. And there's only one unlettered item, and I'd like that to be 395.

156 THE COURT:

So marked.

157 (Peo's 388, 389, 380-A through 390-P, 391, 392, 393, 394 and 395 for id = photographs)
158 THE COURT:

All right. Mr. Bailey, can you see this? All right.

159 MR. GOLDBERG:

Mr. Bodziak, directing your attention to the chart that we've just put up of what appears to be the Bundy location that's been marked as 387-A for identification, do you recognize what this shows?

160 THE COURT:

You have to ask him to step down because I think the angle is too--

161 MR. GOLDBERG:

If you can step down.

162 MR. BODZIAK:

Yes, I do.

163 MR. GOLDBERG:

All right. And the legend of this is on the other side of the chart; is that correct?

164 MR. BODZIAK:

Yes, it is.

165 MR. GOLDBERG:

Can you tell us what the color codes mean and starting with the purple shoeprints?

166 MR. BODZIAK:

The purple shoeprints such as is indicated here in B (Indicating) represent the right foot, the right foot impression, and the pink or red, whichever you choose to call it, as represented by D as an example, are the left footprints, and the medium color blue sort of without a footprint shape to them, those represent ones which were too indistinct. In other words, the impression had worn down to the point where they were too indistinct to attribute to either that design of shoe or to a particular left or right.

167 MR. GOLDBERG:

And, Mr. Bodziak, is this the chart that you were referring to when you were talking about how you went out to the crime scene with Mr. Fung?

168 MR. BODZIAK:

Yes, sir.

169 MR. GOLDBERG:

All right. Your Honor, I'm going to pause for a moment just to let counsel--they want to get a closer look at the chart.

170 THE COURT:

Certainly. Thank you.

171 (Brief pause.)
172 MR. GOLDBERG:

Now, sir, when we were previously talking about the shoeprint comparison chart, were some of the items that you referred to on that chart represented on this Bundy chart as well?

173 MR. BODZIAK:

Yes, they were.

174 MR. GOLDBERG:

And which items were those?

175 MR. BODZIAK:

They were 268, which was that left heel impression and the impression which is depicted with the letter E, which was also a left impression and which is further up the walkway.

176 MR. GOLDBERG:

Okay. Maybe we can start then just very briefly with the Q68, if you'd like to, perhaps you can show us, showing you People's 388 for identification, what you did in terms of comparing that footprint. And since we've covered it, maybe you can just indicate for us how it was--in brief how you did it.

177 MR. BODZIAK:

Yes. Q68 is the same heel impression which I've previously demonstrated with an overlay, and this just shows the natural size rendition of that with--which is what I would have compared with what I did compare with the actual original impressions that I made of the left and right soles from size 42 from 47.

178 MR. GOLDBERG:

And was this the area of the scene that's--where you would enter into the gated-off or fenced-off area?

179 MR. BODZIAK:

Yes. This is the front gate which is running across the walkway, and Q68 is pretty close in the corner and it is headed in the direction of the arrow which is on the tip of Q68. So if I were to hold this up, it would be headed in this direction (Indicating).

180 MR. GOLDBERG:

Okay. And actually the print was you said just a heel print; is that correct?

181 MR. BODZIAK:

Yes, sir.

182 MR. GOLDBERG:

But on our chart, it has a full little footprint that's an icon?

183 MR. BODZIAK:

Just to recognize left and right, we put a full foot on each of these charts.

184 MR. GOLDBERG:

All right. And an arrow would indicate the direction?

185 MR. BODZIAK:

Yes.

186 MR. GOLDBERG:

Now, perhaps we can move to People's 389 for identification which is your number Q67?

187 MR. BODZIAK:

Yes.

188 MR. GOLDBERG:

Can you tell us what you did in terms of comparing that print?

189 MR. BODZIAK:

Q67 was compared in the same manner using the original natural size enlargement and original overlays of test impressions of all of the shoe sizes. And with regard to this, I determined that although there was a tremendous amount of indistinction in here, there were some features which correlated with the size 46 left heel impression, and then the sole impression of that would be running off into a soil area, and there's no evidence of any detail in that area on the soil. And adjacent to that is a white envelope.

190 MR. GOLDBERG:

So what was the opinion that you rendered with respect to this item, this Q67?

191 MR. BODZIAK:

Q67 corresponded also with the heel of the size 46 or American size 12 Bruno Magli shoe.

192 MR. GOLDBERG:

And the Silga sole that you--

193 MR. BODZIAK:

With the Silga sole, yes.

194 MR. GOLDBERG:

Sir, what kinds of variables are involved in determining whether you're going to get an impression on the dirt?

195 MR. BODZIAK:

Well, any surface has to have--well, when we talk about the 3-dimensional surfaces such as soil and sand and snow, any of those surfaces will have to have--be fine enough in terms of, we all know that sand is a very fine material, and if you step in sand, you will depress it; and if it's dry, it will flow back together, it won't leave a very good impression, and if it's wet, it's a fine enough granulated material to in most cases leave an impression. With regard to soil, there is a more mixture of material that can be anything from rocks and mulch to hard clay soil to muddy soil to dry soil, and the fine particular material that's in any piece of soil may allow for the reproduction of the sole or it may not. It may--it may show some compression, but absolutely no detail of the shoe that made it or you may get a very good impression as well.

196 MR. GOLDBERG:

Such as depends?

197 MR. BODZIAK:

Depends on the soil wherever the foot steps.

198 MR. GOLDBERG:

Okay. And in this case, you're saying that there doesn't appear to be any recognizable footprint in the soil area?

199 MR. BODZIAK:

There's an area which looks just to be a little flat, more flattened out, but there's no detail that can be seen in this area of the soil that's on the photograph that corresponds with any design at all, much less this design.

200 MR. GOLDBERG:

Okay. Now, directing your attention to People's 390-A for identification, your letter--excuse me--LAPD letter A, can you tell us what you did with respect to that comparison and show that to the jury?

201 MR. BODZIAK:

Yes. Again, using the natural size photographs and the--I mean, the original overlays, test impressions of the shoe as depicted in this demonstrative display, I found the characteristics in this impression corresponded only with the sole of the left size 46 shoe. And this is marked a and the orientation of that is west slightly angled toward the south, but--but in a somewhat westerly direction on the step as denoted here by a.

202 MR. GOLDBERG:

So that's the second step?

203 MR. BODZIAK:

Yes.

204 MR. GOLDBERG:

Okay. Maybe you can just walk down here a little bit and show the jurors that item and then with the overlay removed and back--and flip the overlay back and forth.

205 (The witness complies.)
206 THE COURT:

All right. Thank you, Mr. Bodziak.

207 MR. GOLDBERG:

Now, Mr. Bodziak, incidentally, on some of these photographs, I've noticed little tiny red arrows that are on the photograph itself as opposed to the overlay.

208 MR. BODZIAK:

Yes. I put a few of those on each one because it shows the variety of characteristics that are reference points I used. Some of the impressions, as in the case of the first impression I showed, actually show the entire shape of the design element whereas others, you just have a slight fragment of a corner or an edge because it's--it's an impression where the blood has been squeezed out on prior steps; and I put a few red arrows in each of these to help show the variety of these reference points that I used.

209 MR. GOLDBERG:

Okay. Is that so if someone wants to look at later on a couple of the route key, some of the reference points will be sort of highlighted?

210 MR. BODZIAK:

Yes, it is.

211 MR. GOLDBERG:

And are those all the reference points that you looked at?

212 MR. BODZIAK:

No. There are others as well.

213 MR. GOLDBERG:

Okay. Now, directing your attention to People's next in order, it was 390-B for identification, LAPD photograph B, can you tell us what analysis you did on that footprint and what determinations you came to?

214 MR. BODZIAK:

I used the same type of analysis. I compared the original impressions with natural size, a natural size photograph of this impression of size 42 through size 47, and I found the only sole which fit was the right size 46, European 46, and the orientation of this impression is as denoted with the arrow, and it is a B, is a right sole impression.

215 MR. GOLDBERG:

And that would be going in the direction--in a westerly direction?

216 MR. BODZIAK:

Yes, sir, it would.

217 MR. GOLDBERG:

Okay. Maybe you can just very briefly walk that so the jurors can see.

218 (The witness complies.)
219 MR. GOLDBERG:

Now, handing you People's 190-C for identification, LAPD C, can you tell us what comparison you did on that and what opinion you rendered?

220 MR. BODZIAK:

Yes. C is a right sole impression. It is--I also compared the original impressions of size 42 through 47 soles and determined that the only sole which could have made this was the right size 46 European sole. Attached to C is a transparency to demonstrate this. I marked the chart with a right foot labeled C, and that is headed in a westerly direction.

221 MR. GOLDBERG:

Thank you. And now, directing your attention to 390-D for identification, LAPD D, can you tell us what comparison you did and what opinion you rendered on that?

222 MR. BODZIAK:

Yes. Again, the same type of examination with original impressions from soles 42 through size 47 against natural size picture of this sole, and I determined that the only sole which would superimpose over and fit this impression was a left size 46 sole. The orientation of the left impression D is also in a westerly direction.

223 MR. GOLDBERG:

And now showing you what we've marked as 390-E for identification. Can you tell us what analysis you did and what opinion you rendered on that?

224 MR. BODZIAK:

E is the same item which was part of the two-time enlargement chart which I previously demonstrated with a much larger overlay because it would be easier to see and that--in the original examination, I used the original impressions of size 42 through 47 soles and determined that E was a left heel and sole and orientation-wise, I marked it as a left sole and heel on this board, labeled it E, and it is headed in a westerly direction.

225 MR. GOLDBERG:

And was that also the Silga 46 sole did you say?

226 MR. BODZIAK:

Yes. It would only fit size 46.

227 MR. GOLDBERG:

Your Honor--

228 MR. GOLDBERG:

And that's American size 12 as you've previously--

229 MR. BODZIAK:

That's correct. All of the 46 I'm referring to are American size 12.

230 MR. GOLDBERG:

Your Honor, I don't want to pass all of these around, but perhaps just one so the jury can get a closer look with the Court's permission.

231 THE COURT:

I would probably pass more than one since they are of differing--

232 MR. GOLDBERG:

They are of different qualities.

233 THE COURT:

Yes.

234 MR. GOLDBERG:

I didn't want to take up too much time. I can do a few if the Court wants.

235 THE COURT:

Why don't you select--it's your case.

236 MR. GOLDBERG:

All right. Maybe I'll start with this.

237 THE COURT:

If you're going to use more than one, perhaps you should start them going at the same time.

238 MR. GOLDBERG:

Okay. This is E that I'm passing around.

239 THE COURT:

All right.

240 MR. GOLDBERG:

Maybe I'll, just so the jury can just get a sense of what different impressions look like, pass F around at the same time, and then I'll ask him with regard to--

241 THE COURT:

All right. Hand that to juror no. 7.

242 (The exhibits were passed among the jurors.)
243 THE COURT:

All right. Let me see counsel at the sidebar with the court reporter, please.

Temperature

procedural

Key Quotes (4)

William Bodziak
the only sole which could have made this was the right size 46 European sole
Repeated conclusion for each crime scene photograph — Bodziak systematically eliminates every other shoe size tested (42–47) and attributes each print to the Bruno Magli size 46, the shoe linked to Simpson.
William Bodziak
I found that they were within a couple millimeters of one another. Essentially they were the same.
Establishes that Simpson's own Reebok size 12 shoes are dimensionally identical to the size 12 Bruno Magli, making him a viable candidate to have left the prints.
William Bodziak
No. What I have is sufficient.
Bodziak closes off a potential defense avenue — he concedes he asked for a full shoe inventory but affirms his existing comparison is enough to render an opinion.
William Bodziak
if there's a heavy coating of blood, it normally disappears in approximately six to 10 steps
Explains why only a subset of shoe impressions are visible at Bundy — scientifically accounting for gaps in the trail without undermining the overall pattern.

Evidence (10)

People's 384
OJ Simpson's Reebok tennis shoes, white, size 12 US, used to determine defendant's shoe size
introduced and demonstrated — compared physically to Bruno Magli size 12
People's 385-A
Height calculation chart from Inspector Mike Cassidy (RCMP), correlating shoe size to height range; size 12 = 6'0" to 6'4"
introduced and projected
People's 385-B
Bodziak's own chart based on 500-person study (399 males), correlating shoe size to height; size 12 = 71–77 inches (5'11" to 6'5")
introduced and projected
People's 386
Chart titled 'Footwear impressions after stepping in liquid' — artist rendering plus Bodziak's test impressions showing how blood prints fade over successive steps
introduced and explained at length with demonstration
People's 387-A and 387-B
Two-part board showing aerial layout of Bundy crime scene with color-coded shoeprint locations (purple = right foot, pink/red = left foot, blue = indistinct)
introduced and used to orient all subsequent photograph comparisons
People's 388 (Q68)
Photograph of left heel impression near front gate
discussed — matched to size 46 Bruno Magli left heel
+ 4 more

Notable Exchanges (3)

Hank GoldbergWilliam Bodziak
Bodziak walks through impressions A, B, C, D, and E one by one, each time running the same comparison protocol (original overlays, sizes 42–47) and reaching the same conclusion: only the size 46 Bruno Magli fits. The repetition is deliberate and cumulative.
methodical, building
Hank GoldbergWilliam Bodziak
Goldberg asks whether Bodziak needs the full inventory of Simpson's shoes to render an opinion. Bodziak initially asks for clarification but then gives an unequivocal 'No. What I have is sufficient.' — preemptively neutralizing a defense argument about incomplete investigation.
strategic
Hank GoldbergLance A. Ito
Judge Ito interrupts mid-testimony to suggest passing multiple exhibits to jurors simultaneously rather than sequentially, telling Goldberg 'it's your case' when Goldberg defers — small moment of courtroom management.
administrative

Light Moments (1)

Hank Goldberg
Goldberg mis-writes '385-A' on the exhibit so it 'looks more like a 383' — notes it self-deprecatingly for the record.

Witness Demeanor

(The witness complies.) — removes Reeboks from package
(The witness complies.) — demonstrates overlays before jury
Bodziak steps down from stand multiple times to use charts at jury-facing position
Highly technical, professorial delivery throughout — no stage directions indicating stress or hesitation

Objections

None recorded
Proceeding 6447 • 243 utterances • Prosecution witness
Criminal Trial
Department 103
⚖️ Start
📂 JUN 19, 1995 📄 Direct examination of William
JUN 19, 1995 KRT DvH TD