No. The rest of the instructions were, pick him up at 10:45, have him at LAX for an 11:30 flight on American AIrlines.
I took the 405 north to Sunset, which I made a left onto Sunset, traveling west, and made a right heading north up Rockingham.
Okay. And as you were turning north on Rockingham, did you have in your mind the street address you were looking for?
And how did you go about locating 360 North Rockingham as you were driving north on Rockingham?
Yes. First I determined which side the even numbers were on, and I proceeded up the street, looking at address numbers.
Okay. Now, as you approached the addresses closer to 360, describe how it was that you came upon Mr. Simpson's house.
I was looking at the addresses on the curb and noticed it was getting closer to 360. I determined that it was -- I don't remember the correct address, 322, 320, something like that, figured it would be a little bit farther, speeded up a little bit, and I finally caught 360 on the curb. I was going just a little bit too fast, so I slowed down immediately and noticed that he was on the corner lot, and saw the street Ashford, and made a right onto Ashford.
And when -- how fast do you think you were going when you saw the number 360 on the curb next to the Rockingham driveway?
Let me put up 116 again. You've seen this exhibit quite a bit. Can you all see here? I think I might have been blocking your view yesterday. I'll try to stay out of your way. (Counsel displays Exhibit 116.)
(BY MR. PETROCELLI) Mr. Park, if you want to step down, with the Court's permission, and just show us -- I know this exhibit doesn't show Rockingham coming up from Sunset but just show the ladies and gentlemen of the jury which direction you were coming and where you saw the 360.
I was traveling north on this, Rockingham here, and the address would have been right about here. (Indicating.)
I came up to the corner. I decided that -- I figured out that he was on the corner lot, and I came up to Ashford, made a right, because as I was coming down Ashford, I noticed there was another gate right here on Ashford, so I proceeded on down the street. Would have been maybe off the screen. There's another driveway up above here (indicating) and pulled into the driveway and made a U-turn and came back and parked just about right here (indicating).
Okay. Now, when you when you made that -- when you were approaching Rockingham and you saw 360, you saw the gate, too; is that right?
After I made the right-hand turn and came up on the gate. Now, I was driving a little bit slower and checking out the property.
I'll get back to times in a minute. But I just want to sort of get the general layout here. When you parked that car, you parked where, on the other side of the street?
And had you made a decision at that time to use the Ashford gate instead of the Rockingham gate?
I just -- I parked here because there seemed to be more traffic on Rockingham, and there was a big, huge space to park.
BY MR. PETROCELLI) I think the question was, sir, about what time was it when you approached the 360?
You're just usually on a really tight schedule; you want to make sure you're on time, you're on time at the house, you're to where you're supposed to be on time. Just, you pay a lot of attention to time.
Because I've never been to the house before and I just wanted to make sure I was on time. We were also asked to be a few minutes early.
BY MR. PETROCELLI) Now, do you recognize the curb and the number that you see in Exhibit 191?
Okay. And can you point out to the ladies and gentlemen of the jury where you first saw the address of the Rockingham location. Can you just point it out with your hand, right on the television monitor. (The witness complies.)
BY MR. PETROCELLI) And when you were driving up Rockingham, you were driving in the same direction that that vehicle is facing, right?
And your -- So you were sitting in the driver's seat and the 360 was to your right; is that correct?
BY MR. PETROCELLI) When you were indicating that you came up to Ashford, you turned right on Ashford, right?
And you said you parked. And just so the record is clear, you parked on the north side of Ashford, facing west, across from the Ashford gate?
After I parked the car, I noticed I had a few minutes before I had to actually drive up to the gate, so I got out -- got out of the car, walked to the back, had a cigarette, got back in and listened to the radio for a few minutes.
All right. And during that five or six-minute period, smoking your cigarette, did you see O.J. Simpson?
BY MR. PETROCELLI) And about what time is it, now, that you're parked on Ashford, smoking your cigarette?
Okay. Between the time that you smoked your cigarette and the time that you started to take off again, during that five- or ten-minute interval, did you see O.J. Simpson?
When you were listening to the radio in the car, did you happen to see what time it was in the car?
Okay. So then you -- Why don't you go to Exhibit 116 and explain to the jury what you did when you got back in the car. And could you please keep your voice up, so that everyone can hear.
Yeah. (The witness complies.) I got back into the limousine -- and this was just about 10:39 -- pulled back onto Rockingham, made a left onto Rockingham, drove down with my window parallel to the gate, looked up the driveway, and was making a decision if I was going to use this gate or not, now that I know that there was another one over here (indicating). I decided that this curve here was too tight to make the turn with the stretch limousine, just didn't look as easy, so I proceeded to just back straight up and come into the Ashford gate, with my bumper just in front of the gate.
Okay. When you got in the car to go around to Rockingham, what exactly was your purpose in doing so? Why did you want to go back to the Rockingham gate?
Okay. And so as you approached Rockingham, and in particular the Rockingham gate, are you saying it was your state of mind then that you were going to park at the gate?
I was about in the middle of the street, and my window was just right here (indicating). I mean, I don't know how far that is.
Put up the picture again, 191, on the television monitor. (Exhibit 191 displayed.)
Now, I know it's hard to see the full width of the street here. Is that as wide as it goes? Can we get more of the driveway?
BY MR. PETROCELLI) Can you, using the photograph, Exhibit 191, can you describe how close to the gate you got, how far you pulled up?
Well, it's so hard with this TV. My window -- my window would have been looking into the gate, so I was past this area here (indicating). I was looking in this way (indicating). And like I said, I was halfway out into the street. It's hard to tell with this.
Okay. And did your field of vision, as you were driving up to and stopping, include this area where the vehicle is parked in the photograph?
Like I said, I backed straight up Rockingham, backwards, and made a left onto Ashford and pulled up into the Ashford driveway, into the gate.
Now, by the way, when you drove down Rockingham to assess the situation, and when you stopped in front of the Rockingham gate, did you see O.J. Simpson?
Marking this as Exhibit 2202. (The instrument herein referred to as Board entitled Gates at Rockingham containing two photographs and diagram of Rockingham property was marked for identification as Plaintiffs' Exhibit No. 2202.)
And does that generally represent the view that you had of the driveway as you assessed the situation whether to use it?
Now, when you came back from your second trip to the Rockingham gate, you said you backed down Rockingham?
(BY MR. PETROCELLI) Does this represent the -- generally represent the field of view that you had when you were parked in the car, looking into the property from the Ashford gate?
Okay. And by the way, when you were at the Rockingham gate, in your car, assessing the situation, could you see the Ashford gate from when you were?
After I pulled up to the gate, I got out of the vehicle, left the door open, went to the call box, and there's an intercom in there with a button. I rang the buzzer. It made a noise, made kind of a loud noise, and there was no answer. I repeated pushing the button two or three times before I got back into the limousine and --
Just so we can see the sequence, can you put on the next exhibit, which will be 2203. (The instrument herein referred to as Photograph of call box at gate was marked for identification as Plaintiffs' Exhibit No. 2203.)
This picture was taken recently. And could you let me show Mr. Baker the next pictures. Mr. Baker, you want to take a look at this. (Counsel hands photograph to Mr. Baker.)
Back it off, Steve, we want to see who's there. (Laughter.) (Indicating to photograph with call box open and Mr. Petrocelli in photograph displayed.)
And there's no -- did it look like that on that night? In other words, was it configured that way?
I really don't remember if it was a ringing or a buzzing. I don't know if it rang. I just remember hitting it two or three times.
Second photograph of the telephone. (The instrument herein referred to as Photograph with close up of call box open and Mr. Petrocelli in photograph was marked for identification as Plaintiffs' Exhibit No. 2204.)
(BY MR. PETROCELLI) All right. Let me back up a little bit. When you pulled up to the Rockingham gate as far as you could go, did you make any observations about the house in front of you; that is, Mr. Simpson's house?
(BY MR. PETROCELLI) I guess so. Did you make any observations about lights being on or off?
Okay. When you say you noticed there were no lights on downstairs, what you're saying is that from what you could see, you couldn't see any lights?
Okay. And when you got out of the car, you could see right through these iron bars; is that right?
Okay. After -- did you have any of your lights on in the -- on the car, your headlights or, parking lights, or anything like that?
Okay. So you were saying before, you buzzed inside the house a couple of times and you got no answer; is that right?
So in other words, what you're saying is, that you rang the house and got no answer; you went in the car and you called Dale?
Like to refer to the next Exhibit, this is 198. (The instrument herein referred to as Copy of document entitled calls made by Allan Park, June 12, 1994, was marked for identification as Plaintiffs' Exhibit No. 198.)
Now, I direct your attention to the first entry. Does that represent the -- the time when you called Mr. St. John's pager?
And so what time, based on the entry of 10:43 and 44 seconds, do you think it was when you first buzzed into the Simpson residence and got no answer?
So you buzzed into the Simpson residence between 10:44 and 10:46; is that what you're saying?
I called my mom to get Dale's house phone number I left at the house. Instead of his pager number, I wanted to call his house direct, just to see if he was home, if he wasn't answering his business line.
Now, can you explain what the -- back up. Looking at this exhibit here of the cell phone calls, can you tell the jury when you then called Dale's home with the number you got from your mother? Can you point to the entry?
Can you explain to the jury what the two entries are in white at 10:48:13 and 10:48:38. THE WITNESS: I figured those would be Dale calling me while I'm on the phone with my mom.
(BY MR. PETROCELLI) Okay. And after you dialed Dale's home at 10:49:07, what happened? Did you get an answer?
And can you tell from the beginning and ending point of the call, approximately how long you rung that phone call, letting it ring?
Okay. What did you then do? You got off the phone at 10:50:06 p.m. from calling Dale and getting no answer, right?
What did you then do when you got off the phone at 10:50:06 p.m., not having received an answer from Dale's home?
Okay. And can you tell by looking at the next three entries from your cell phone, what those mean? There's 10:49:27, 10:49:48 and 10:50:39?
The third one was not answered because I was outside, ringing the buzzer, and I never heard the phone ring.
As I was was standing next to the buzzer, waiting for an answer, for somebody, I then heard the phone ringing inside the car, and grabbed the phone. And it was Dale.
From looking at the cell phone records, can you tell the jury when it was that you picked up that call from Dale?
Okay. You may resume the witness stand. So you're on the phone with Dale For about three minutes, right?
I told Dale that I didn't think anybody was home, said there was a light on upstairs. He told me that -- he said O.J. usually runs late, go ahead and wait until 11:15. If he's not there by then, go ahead and come on home. He asked me if there was a light on, and what looked to be skylights over towards the garage area, little pantry -- little pantry area. He said -- he asked me if the lights were on in there. He said he usually watches TV in there. I told him no there's no lights on in there. And somewhere in the conversation, that's when I saw the white male come out from behind the -- from the back of the house.
Okay. When the -- The person appeared -- and I'll show the layout in a second, but I want to focus on the timing right now, okay? When the person appeared, did you notice where that person came from?
And he appeared where, in terms of your field of view? You're looking straight ahead, in from the car?
Okay. From the moment that you saw that person appear to your left on the property inside the gates, to the end of the call with Dale St. John, about how much time elapsed?
So, looking at the cell phone records, if you got off the phone with Dale St. John at 10:55 and 12, seconds you believe you saw the person with blond hair appear to the left at around approximately 10:54 and 30 seconds p.m.?
We're going to go back to Exhibit 116. Now, this isn't to scale, but if you could describe to the -- to the jury -- if you would get off the witness stand, please -- where you saw the person with blond hair at around 10:54 p.m. and 30 seconds. (Witness indicates to Exhibit 116.)
He's pointing to the area generally where this pathway from the back of the house intersects the driveway; is that right?
In this last 30 seconds with your telephone call with Dale, when you first saw this blond-haired person, did you then see anything, or anyone else come in this area over here?
And can you tell us what the person looked like that you saw go from the driveway area into the house?
Now, if you can sort of put yourself back at that moment in time when you're seeing this person in all dark clothing, you're on the phone with Dale St. John, still?
Before anything else happened, before you learned anything else or talked to any lawyers or anybody else, at that point in time, you believed when you said dark clothing, that the person was wearing what?
(BY MR. PETROCELLI) Yes. Explain once again what you thought you saw at that point in time in terms of the dark clothing.
(BY MR. PETROCELLI) Okay. Now, what happened after you saw the person six feet, 200 pounds, all dark clothing, go into or near the entrance of the house? What happened next?
What happened was, that person went into the house. I finished up my phone call with Dale when the person went into the house, some light illuminated from the front of the house -- I don't know where it was coming from -- and hung up the phone with Dale.
Let me stop you right there, then. First of all, can you tell whether the person that went into the house was Caucasian, African-American or another race?
Okay. And when you saw the lights illuminate, were you still finishing up your call with Mr. St. John?
How many seconds after you saw the person go in the house were you still on the phone with Mr. St. John?
He was moving quickly; he wasn't -- it wasn't a run; it wasn't a walk. It was a quick-motion walk.
KEY QUOTEAnd can you go up to Exhibit 116 and point out to the ladies and gentlemen of the jury where you first picked up the vision of this person, six foot, 200 pounds, Afro-American, all dark clothing.
Okay. Now, could you do that one more time -- and forgive me, because I didn't get a chance to get next to you -- Point it out again?
Let the record reflect there's the word "driveway" printed on this exhibit. This is 116, Steve, right?
(BY MR. PETROCELLI) And you are pointing between the W and the A, right below the W and the A?
Okay. Using -- using my trusty pen there, why don't you indicate to the jury what direction you saw the person traveling.
Would have been this way, heading this way, and I said cutting the corner into the house. (Indicating.)
And were you -- where you first picked him up, is just south here on the map of the W and the A?
1446 -- 1456. Will this show up on the Elmo? This is an Elmo reproduction of another Elmo reproduction at the criminal trial. (The instrument herein referred to as An Elmo reproduction of another Elmo reproduction at the criminal trial depicting a diagram of the Rockingham property was marked for identification as Plaintiffs' Exhibit No. 1456.)
(BY MR. PETROCELLI) I just want to go over this with you. This is the spot that you marked with the cross at the criminal trial?
Can you explain to the jury -- Well, first of all, is that spot near where you saw the person?
Could you point to the spot where you believe you first picked up the person, using this exhibit.
Now, you were on the witness stand some time ago doing the same kind of thing, right, in the criminal trial?
Marcia Clark was asking me to put a spot on where I saw the -- well, not me. Somebody else was controlling this machine, and the thing was going all over the place, back and forth, back and forth. And he got around the area, and I said, "Stop; that's it."
Okay. So I just wanted it to be clear, it's not something you physically put on with your hand, right?
THE COURT: Ten-minute recess, ladies and gentlemen. (Recess.) (The jurors resumed their respective seats.)
(BY MR. PETROCELLI) We've got -- referring again to 114, and pulled it up to sort of an approximate view from the limousine, looking in the Ashford gate. In any event, Mr. Park, let me show you -- can you stand up, please. Do you see this skylight up here?
It was a blond-hair male, five-ten, 170 pounds.
Six foot, 200 pounds, and all black clothing. Well, dark pants, dark top.
He was moving quickly; he wasn't -- it wasn't a run; it wasn't a walk. It was a quick-motion walk.
At the time, no. [He did not see a robe, a swirling hem, or a belt flipping around.]
I didn't think anybody was home.